Cable and Satellite Television Issues in the 116th Congress
Congressional research reportDec 20, 2018
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December 20, 2018
Cable and Satellite Television Issues in the 116th Congress
More than 119 million U.S. households watch television.
Of those, more than three-quarters receive television signals
via cable, telephone lines, or direct broadcast satellite.
Federal laws govern which broadcast signals subscribers to
these services can view. The laws also govern the
compensation that owners of copyrighted programming
carried on certain broadcast signals can receive and the
negotiations between broadcasters and cable and satellite
operators for the right to retransmit broadcast signals. Some
of these provisions of the Communications Act of 1934 and
the Copyright Act, most recently revised in 2014 in the
Satellite Television Extension and Localism Act
Reauthorization Act (STELAR Act; P.L. 113-200), are set
to expire at the end of 2019.
As Congress considers whether to renew these provisions or
otherwise revise communications and copyright laws,
technological, consumer, and business forces are reshaping
the television industry.
Background
There are two primary ways for a household to receive
broadcast television programs: by using an individual
antenna that receives signals over the air from a television
station or by subscribing to a multichannel video
programming distributor (MVPD), such as a cable or
satellite company, which retransmits signals of broadcast
stations to subscribers. In addition, a growing number of
viewers are watching broadcast television over the internet.
Since the 1970s, Congress and the Federal Communications
Commission (FCC) have constructed a regulatory
framework for the retransmission of broadcast television
signals by MVPDs. This regulatory framework attempts to
balance a number of potentially conflicting public policy
goals, including the competitive provision of video
services, protection of property rights, localism, the
provision of television service to customers unable to
receive over-the-air broadcasts, and the interests of
broadcasters, television networks, MVPDs, content owners,
device manufacturers, small businesses, and consumers.
Retransmission Consent and Flow of Payments
Broadcast television stations produce some of the
programming they transmit and also contract with
television networks, which supply them with programs. The
networks produce some of the programming they distribute
and therefore own the copyrights to those programs. In the
case of other programs, however, third parties such as
sports leagues and studios may own the copyrights.
MVPDs may not redistribute a broadcast signal to their
customers unless they have obtained the permission of the
broadcast station that originated the signal. When granting
permission, a commercial station has two options: it may
require cable operators, and, to a more limited extent,
satellite operators to carry its signal without compensation
to subscribers located within the station’s market, or it may
negotiate retransmission consent in exchange for payment.
Provisions in broadcast stations’ network affiliation
agreements typically give them the exclusive right to
negotiate for the retransmission of their signals, including
the network programming that airs on an established
schedule. These negotiations often occur at the corporate
level, between a company that owns multiple broadcast
stations and an MVPD that operates many cable systems or
a nationwide satellite service, rather than the local level. If a
station’s parent company and an MVPD fail to reach an
agreement, the broadcasting company may require the
MVPD to black out its stations’ signals and not retransmit
the stations’ broadcasts to subscribers.
The broadcast networks have claimed that much of the
value of broadcasters’ signals derives from the networks’
sports, entertainment, and news programming. Broadcast
stations’ network affiliation agreements may require them
to pay the network a portion of their retransmission consent
revenues.
DMAs and Geographic Exclusivity
The Nielsen Company, a market research firm, assigns each
television station and each U.S. county to one of 210
separate geographic markets, known as Designated Market
Areas (DMAs). In the private sector, advertisers and
television stations rely on Nielsen’s audience measurements
to negotiate rates for advertising slots. Broadcast television
networks use DMAs in their contracts with stations to
define geographic zones within which each station has the
exclusive right to broadcast the network’s programs.
The DMAs generally define the geographic zones of
exclusivity for retransmission of broadcast signals. In
general, a cable or satellite operator must retransmit the
broadcast signal of a network affiliate to subscribers within
the affiliate’s DMA, and may not import the signal of a
network affiliate based in one DMA into a DMA served by
another of that network’s affiliates. The policy rationale is
that protecting broadcast stations’ rights to geographic
exclusivity enables them to invest in local programming
that is responsive to viewers living within the stations’
communities.
Television Trends
Since Congress enacted STELAR in 2014, television
viewing habits have changed in ways that could make
retransmission consent negotiations more contentious.
https://crsreports.congress.gov
Cable and Satellite Television Issues in the 116th Congress
MVPDs have lost about 9.1 million subscribers since 2014
(Table 1), and the share of television households
subscribing to MVPDs has fallen from 88% to 77%. As of
June 2018, the total of number of households subscribing to
MVPDs was 92.5 million.
Table 1. Media Usage Trends
Television Household Numbers in Millions
Q2 2014
Q2 2018
Traditional MVPD
101.6
92.5
Broadcast Only
12.0
15.4
Broadband Only
(excluding vMVPDs)
2.2
7.5
vMVPDs
0
4.1
115.8
119.6
Total TV Households
Source: CRS estimates based on data from Nielsen.
Note: A “TV household” is a home with at least one operable
TV/monitor that can deliver video via antenna, a cable set top box, a
satellite receiver, and/or with an internet connection.
This decline in MVPD subscriptions reflects several
converging factors. One is higher prices. According to the
Bureau of Labor Statistics, the price of cable and satellite
television service for urban consumers rose 12% between
June 2014 and June 2018, more than twice the increase in
consumer prices in general during the same period.
MVPDs claim the higher prices reflect higher costs for the
programming they purchase from cable networks and
higher fees paid to television broadcasters for the right to
retransmit their programs. Many consumers also pay
MVPDs to lease equipment in order to access the
programming.
Technological developments have also contributed to the
decline in MVPD subscriptions by enabling households to
watch television in other ways. As of June 2018,
approximately 9.7% of television households (or 11.6
million households) receive video exclusively through an
internet connection. Of those, more than one-third (3.4% of
all TV households, or 4.1 million households) use “virtual
MVPD” (vMVPD) services such as Sling TV, DIRECTV
Now, and Hulu with Live TV. These services aggregate
programming from selected broadcast and cable networks
and, in some cases, broadcast stations into packages that,
similar to traditional MVPDs, allow subscribers to view
programming on the same established schedule as
programming transmitted via traditional MVPDs and over
the air.
In contrast to traditional MVPDs, however, vMVPDs offer
slimmed-down bundles of programming and refuse to pay
for carriage of networks they claim are less popular. While
vMVPDs still serve a relatively small percentage of
television households, their growing popularity may
increase pressure on MVPDs to restrain price increases, and
thereby affect retransmission consent negotiations.
Issues for Consideration
In addition to facing competition for viewers from online
video services, broadcast stations compete for advertising
dollars with social media platforms. Consequently,
broadcast stations have sought alternative sources such as
retransmission consent. Research firm SNL Kagan
estimates that the portion of broadcast industry revenue
provided by advertising declined from 93% in 2008 ($21.0
billion) to 62% in 2018 ($20.5 billion).
Companies’ quest for greater bargaining power in
retransmission consent negotiations has driven
consolidation in the broadcast television and MVPD
industries. For example, after acquiring the Tennis Channel
in 2016, Sinclair Broadcasting, which owns or operates
more than 190 television stations, sought carriage of that
cable network. The increasing presence of vMVPDs,
however, has challenged broadcasters’ ability to limit
viewing of broadcast network programming within their
DMAs. In September 2018, after Sinclair failed to reach an
agreement with Hulu with Live TV to retransmit the signals
of stations affiliated with the CBS network in 24 DMAs,
CBS bypassed Sinclair and reached an agreement with Hulu
directly to provide a national feed of its shows.
Two expiring provisions of STELAR relate generally to the
retransmission consent process. Section 325(b)(3)(C)(ii)
prohibits television broadcast stations from engaging in
exclusive contracts with MVPDs for carriage or failing to
negotiate in good faith. Section 325(b)(3)(C)(iii) also
prohibits an MVPD from failing to negotiate in good faith.
Under these provisions, the FCC has established criteria for
determining whether the parties are acting in good faith.
The FCC can investigate allegations of good-faith
violations and take enforcement action when a party fails to
fulfill its statutory obligations. Absent these provisions, the
FCC’s involvement in monitoring retransmission consent
disputes could be more limited.
Groups representing MVPDs contend that Congress should
completely reform retransmission consent laws. Broadcast
stations support the current laws, claiming that the
negotiation process is market-driven.
Additional expiring provisions of STELAR allow satellite
operators, in certain circumstances, to bypass the process of
negotiating retransmission consent with broadcast station
owners and instead pay royalties set by the Copyright
Royalty Board (CRB), a tribunal within the Library of
Congress. The CRB sets royalty rates when households
cannot receive the signals of one or more local networkaffiliated stations and a satellite operator then imports the
signals of broadcast stations from a different DMA. After
the CRB determines how to allocate the royalties among the
copyright owners, the Copyright Office distributes them.
Broadcasters favor allowing these provisions to expire,
while satellite operators would like Congress to make the
provisions permanent. Expiration would require satellite
operators to negotiate directly with station owners for the
right to retransmit distant signals.
Dana A. Scherer, Specialist in Telecommunications Policy
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Cable and Satellite Television Issues in the 116th Congress
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