Amicus Curiae Brief — Preston v. Ferrer
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Spe No. 06-1463
In The
Supreme Court of the United States
.
ARNOLD M. PRESTON,
Petitioner,
v.
ALEX E. FERRER,
Respondent.
°
On Writ Of Certiorari To The
California Court Of Appeal
For The Second Appellate District,
Division One
¢
BRIEF AMICUS CURIAE OF
THE WILLIAM MORRIS AGENCY
IN SUPPORT OF RESPONDENT
¢
DAVID J. BEDERMAN
Counsel of Record
1301 Clifton Road
Atlanta, Georgia 30322-2770
(404) 727-6822
JUDITH B. PROWDA
Of Counsel
15 West 75th Street
Suite 5C
New York, New York, 10023
Counsel for Amicus Curiae
——
—-
(i)
QUESTION PRESENTED FOR REVIEW
Whether California’s Talent Agencies Act, Cal.
Labor Code § 1700 et seq., is preempted by the Federal
Arbitration Act, 9 U.S.C. § 2, insofar as California’s
regulatory system is appropriately-tailored to oversee
a unique labor market and recourse to administrative
agency review, pursuant to the arbitral clause agreed
to by the parties, is not inconsistent with Congress’s
objective of promoting arbitration?
(ii)
TABLE OF CONTENTS
Page
Question Presented for Review................ (i)
Interest of Amicus Curiae ...............2005. 1
Es ohare a te oa a 7
PEI cn ca cbvecedecce¥eeeues 12
I ree oe Aa oa eres 15
A. Principles of Party Autonomy, as Effectuated
by the FAA, Dictate the Application of
Administrative Procedures under California’s
Talent Agencies Act to Disputes Arising Under
ES iw dn gh hoe ea hed ca wees ks 15
B. Recourse to State Administrative Determinations,
Anterior to Arbitration, Does Not Undermine
I ai ee re ree ete 26
C. California’s TAA Regulates a Unique Labor Market
for Entertainment and Media Talent, and
its Arbitral Provisions Should Not be
Preempted by the FAA ..................:. 34
ES Stk i RUE Se Serra Seater ew, ere 39
(iii)
TABLE OF AUTHORITIES
CASES
American Airlines, Inc. v. Wolens,
SP EE, cd cc euececencvees 27
Am. Fed. of Telev. & Radio Artists, AFL-CIO
u. Association of Talent Agents,
576 N.Y.S.2d 575 (N.Y. App. Div. 1991) 11, 36
Buchwald v. Superior Court,
254 Cal. App.2d 347,
62 Cal. Rptr. 364 (1967) .......... 14, 36, 37
Buckeye Cash Checking, Inc. v. Cardegna,
40s ee eee 13, 25, 27
Columbia Artists Management, Inc. v. United States,
381 U.S. 348 (1965) (per curiam) ......... 34
Dean Witter Reynolds Inc. v. Byrd,
GP WPA BO COED fc cholsccccccs 16, 18, 23
Doctor’s Associates, Inc. v. Casarotto,
gs 8 BS errr 12, 23
E.E.O.C. v. Waffle House, Inc.,
534 U.S. 279 (2002) ....... 13, 23, 24, 29-30
First Options of Chicago, Inc. v. Kaplan,
ee 2 ee 25
Gilmer v. Interstate/Johnson Lane Corp.,
Pe WI PEED in ccecccscccces 28, 29, 34
Green Tree Financial Corp. v. Bazzle,
ET POPC Ter Te 22, 34
Hart v. B.F. Keith Vaudeville Exchange,
262 U.S. 271 (1923),
on remand, 12 F.2d 241 (2d Cir. 1926),
cert. denied, 273 U.S. 703 (1926) ......... 34
(iv)
Mastrobuono v. Shearson Lehman Hutton, Inc.,
Ne ee gf 22
Mitsubishi Motors Corp. v. Soler Chrysler-
Plymouth, Inc.,
oe Rk ee 17, 29, 34
Prima Paint Corp. v. Flood & Conklin Mfg. Co.,
gs BY) eran 13, 16, 25
Scherk v. Alberto-Culver Co.,
SR ee 16
Shearson/American Exp., Inc. v. McMahon,
CE, ree 17, 28, 29
Southland Corp. v. Keating,
es a's vk Peale 13, 25
Styne v. Stevens,
26 Cal.4th 42,
26 P.3d 343 (2001) ........... 11, 14, 32, 37
United States v. Shubert,
kc 14, 34
Volt Information Sciences, Inc. v. Board of
Trustees of Leland Stanford Junior Univ.,
GP Ws GPRD oc ccc cecceceesn passim
Waisbren v. Peppercorn Prods., Inc.,
41 Cal. App.4th 246,
48 Cal. Rptr.2d 437 (1995) ........ 10, 31, 37
Yoo v. Robi, 126 Cal. App.4th 1089,
24 Cal. Rptr.3d 740 (2005) ........... 31, 37
STATUTES AND REGULATIONS
Federal Arbitration Act (FAA),
i i. yh 6a ke vane oo passim
SC aus cee as no wae ah dees tie Kew ee eee 18
(v)
Asis. Bev. Biat. S SB-GEMAD .. wc cece cccccecs 35
Ariz. Admin. Code R20-5-328 ................. 35
3919 Cal. Boat. GEE Gis. BORD ow wc cece cc cccsecss 8
Se es Ce. A I co 60 04K Ke Se ceeneeuna 8
1943 Cail. Stat. 1936 Ge. SBR)... occ ccc scenes 8
Cal. Civ. Proc. Code. § 1281.2(c) ............05. 17
California Talent Agencies Act (TAA),
1978 Cal. Stat. ch. 1382, amended by
1982 Cal. Stat. ch. 682,
Cal. Labor Code § 1700 et seq ....... passim
ge DF ere 8
Cae. Rae CI SPOS on wc cece cc ccnvecsss 10
o Re 3 kk Bree 10
Gol. Leber Code $1700.16 . 0... ccc csccccecs 10
Cal. Leper Code § 1700.1 ow wc cc ccc ccccsces 10
Cal. Labor Code § 1700.23 ............ 10, 25, 33
CO BR CED BD RGWEO ooo cece cc ctsvevcs 10
Cae. Lamew Come S IFGRSS onc cc ccc cdccccss 10
oo ee EE , nr 10
Cal. Labor Code § 1700.32 ...........ccc000. 10
Cal. Labor Code § 1700.33 .................. 10
Cal. Labor Code § 1700.34 .................. 10
Cs Re Ge te BD iv cocccciesdeueceus 10
oe BP gs A Serr rer 10
Cal. Labor Code § 1700.39 .................. 10
COE. RNS GIES BOG occ ccccescvcvencs 10
Cal. Labor Code § 1700.44 ............. 6, 11, 25
Cal. Labor Code § 1700.44(a) ............. 31, 32
Cal. Labor Code § 1700.44(b) ............. 10, 31
Cal. Labor Code § 1700.45 .............. passim
(vi)
Cal. Labor Code § 1700.45(c) ................ 11
Cal. Labor Code § 1700.45(d) .................. 11
Cal. Labor Code § 1700.45(3) .................. 25
Report of the California Entertainment Comm'n,
Ee 9, 30
I Es oc eu eccctocssesecs 36
La. Rev. Stat. Ann. § 23:251(B) ............... 36
N.Y. Arts & Cult. Aff. Law. § 37.071(1) ......... 36
OTHER MATERIALS
American Arbitration Association,
Commercial Arbitration Rules (July 1, 2003) ... 21
William J. Baumol & William G. Bowen, PERFORMING
ARTS: THE ECONOMIC DILEMMA Dt? «etek eius 35
William T. Bielby & Denise D. Bielby, Organizational
Mediation of Project-Based Labor Markets:
Talent Agencies and the Careers of Screenwriters,
64 AM. SOCIOLOGICAL REV. 64 (1999) .......... 35
Bye Bye Birdie (Broadway 1960) ............... 2
Richard E. Caves, GETTING OUR ACT TOGETHER:
THE ECONOMIC ORGANIZATION OF
CREATIVE INDUSTRIES (2000) ................. 35
Darlene C. Chisholm, Profit-Sharing versus Fixed-
(vil)
Payment Contracts: Evidence from the Motion
Pictures Industry, 13 J. L., ECON. &
ORGANIZATION 169 (1997) ...............-0-. 35
Susan Christopherson & Michael Storper,
The Effects of Flexible Specialization of Industrial
Politics and the Labor Market: The Motion Picture
Industry, 42 INDUSTRIAL & LABOR RELATIONS REV.
Dt cLo.elsckeu dk ghedekadceeeeed an 35
Michael Cieply, Tilting Hollywood's Balance of Power
to Talent Agency Clients, N.Y. TIMES, March 19,
DM cc unlcsecdahs wekadseeseneandes 35
E. Farnsworth, FARNSWORTH ON
RE arr ERNE ae 27
Alan Paul & Archie Kleingartner, Flexible Production
and the Tranformation of Industrial Relations
in the Motion Picture and Television Industry,
47 INDUSTRIAL & LABOR RELATIONS REV.
EE sone deeee vada etakenkn ekkes 35
Pierre-Michel Menger, Artistic Labor Markets
and Careers, 25 ANN. REV. SOCIOLOGY
RE ST PC -RSOe at oe ee 35
Frank Rose, THE AGENCY: WILLIAM MORRIS AND
THE HIDDEN HISTORY OF SHOW BUSINESS (1995)... 2
BRIEF AMICUS CURIAE
OF THE WILLIAM MORRIS AGENCY
The William Morris Agency submits this brief as
amicus curiae on behalf of respondent Alex E. Ferrer.’
INTEREST OF AMICUS CURIAE
1. Founded in 1898, the William Morris Agency
(WMA) is the largest and most diversified talent and
literary agency in the world, with principal offices in
New York, Beverly Hills, Nashville, London, Miami
Beach and Shanghai. The Agency represents clients in
all segments of the entertainment industry, including
motion pictures, television, music and personal
appearances, Broadway theatre and theatrical touring,
book publishing, commercial endorsements, sports
marketing, corporate consulting, digital media, and
video games.
' Pursuant to S.Ct. R. 37.3(a), all parties have consented
to the filing of the brief. Letters evidencing such consent
have been filed with the Clerk of the Court.
Pursuant to Rule 37.6, Amicus Curiae affirms that no
counsel for any party authored this brief in whole or in part,
and no counsel] or party made a monetary contribution
intended to fund the preparation or submission of this brief.
No person other than Amicus Curiae, or its counsel, made a
monetary contribution to its preparation or submission.
Amicus Curiae’s relationship with Respondent, and
the underlying transactions in this case, are fully disclosed
in the following section.
In 1898, a young German Jewish immigrant
posted a cross-hatch trademark above his door in New
York City — four X’s, representing a W superimposed on
an M — and went into business as “William Morris,
Vaudeville Agent.” During an illustrious history that
spans three centuries, immortalized in print and on
stage,’ the William Morris Agency played an integral
role in shaping the face of entertainment. By the time
WMA formally incorporated in New York State on
January 31, 1918, Morris was joined by son William,
Jr., and by Abe Lastfogel as directors of the company.
As silent film grew into an exciting new form of
entertainment, Morris was quick to encourage his
performing clients to experiment in the new medium
while the competition held fast to vaudeville. Stars
such as Al Jolson, the Marx Brothers, Mae West and
Charlie Chaplin helped forge the Agency’s dominance
in both New York and Hollywood. The momentum
continued to build during the 1920's. Clients included
such luminaries as George Jessel. The nascent
medium of radio provided yet another frontier to
explore. By 1930, after some 32 years at the helm,
Morris passed leadership of the agency to his son and
Abe Lastfogel. With Morris, Jr. heading the new office
in Los Angeles and Mr. Lastfogel running the operation
in New York City, the Agency featured an impressive
? See, e.g., Frank Rose, THE AGENCY: WILLIAM MoRRIS
AND THE HIDDEN HISTORY OF SHOW BUSINESS (1995); Bye
Bye Birdie (Broadway 1960) (book by Michael Stewart)
(Albert Peterson, talent agent for Conrad Birdie, appears to
have an affiliation with a thinly-disguised WMA).
2
roster of clients, including such superstars as Jimmy
Cagney, Louis Armstrong and Will Rogers. WMA
attained further industry dominance with the
December 1949 acquisition of the Berg-Allenberg
Agency. New clients included Frank Capra, Clark
Gable and Judy Garland, joining a roster that already
included Sammy Davis, Jr., Milton Berle and Rita
Hayworth.
With the arrival of television, the 1940's also
presented yet another entertainment frontier to
conquer. Some worried about television's impact on the
health of the film industry, but WMA recognized a new
business paradigm that would eventually make it
possible to package stars, producers, writers and show
concepts for sale to corporate sponsors, which controlled
television’s early days. The following decades brought
unimagined success to scores of WMA clients, including
Steve McQueen, Frank Sinatra, Andy Griffith, Marilyn
Monroe, Elvis Presley, Katharine Hepburn, Jack
Lemmon, Walter Matthau, Kim Novak, Dick Van Dyke
and Bill Cosby.
By 1965, WMA’s Music Department had emerged
as an industry powerhouse, representing, among
others, the Rolling Stones, the Byrds, the Beach Boys
and Sonny & Cher. Less than 10 years later, in 1973,
the Agency’s newly established Nashville office
provided another significant boost to the operations of
William Morris, extending the Agency's reach into
country music and beyond. During the 1980's, the
Agency continued to expand in other ways, acquiring
the Jim Halsey Company, adding performers such as
The Oak Ridge Boys, Waylon Jennings and Tammy
Wynette.
The early 1990's also brought great success to
WMaA’s Literary Department, which announced the
largest book-to-screen deal ever inked when it sold the
television rights for “Scarlett,” the sequel to Margaret
Mitchell’s GONE WITH THE WIND. WMA later broke
new ground with the creation of the Corporate
Advisory/New Media Department, which evolved into
William Morris Consulting (WMC). WMC now
operates in a broad spectrum of industry segments,
including telecommunications, technology, lodging,
gaming, publishing, retail, and consumer products.
The William Morris Agency is committed to
being a world-class corporate citizen. We believe that
the success of our clients and, ultimately, ofour Agency
is inextricably tied to our role as a socially-responsible
company. Since the 1940's, WMA has taken an
industry-leading role as a civic-minded organization.
Then, as now, our company understands charitable
engagement is a critical aspect of our legacy. This
conviction has led to the formation of the Lastfogel
Foundation of the William Morris Agency, which
encourages young people and their families to
participate in arts, education, health and the
environmental programs dedicated to the communities
where we live and work.
2. The William Morris Agency has a tangential
involvement in the transaction that underlies this case.
As noted above, WMA “packages” the different
elements and constituents for successful television
programming and content: actors, directors, producers,
writers, and show concepts. Not limited to traditional
4
network boundaries, agents in WMA’s television
division actively pursue opportunities for their clients
covering all commercial, broadcast networks, cable,
first-run syndication and international broadcast
systems, and spanning an array of programming
formats. Today, many television packages represented
by the William Morris Agency currently occupy key
time slots on television schedules.
Judge Alex, starring the respondent here, Judge
Alex E. Ferrer, and syndicated nationwide by
Twentieth Century Fox was packaged by the William
Morris Agency. WMA receives a “series packaging fee”
for this television program, consisting of 5% of gross
receipts, which is the standard commission on first run
syndication. Judge Alex Ferrer was never a William
Morris client, and WMA receives no commission on the
salary paid to Judge Ferrer.
In his negotiations with Judge Ferrer, leading to
the conclusion of the Personal Management Agreement
(PMA) between Arnold Preston and Judge Ferrer of
March 6, 2002, Preston represented himself as a
licensed talent agent with WMA. See J.A. 8 (in fax
cover letter from Ferrer to Preston, Preston is
addressed at the William Morris Agency); J.A. 21 (4 5)
(in fact, Preston was an assistant-trainee at WMA, not
a licensed talent agent). Mr. Preston was never
promoted from his trainee status, and subsequently
was dismis sed from employment with the William
Morris Agency.
3. As one of the world’s leading talent agencies,
the William Morris Agency has an obvious — and
substantial — interest in the proper regulation of the
5
provision of consulting services to all sorts of talent,
working in all aspects of the media and entertainment
sectors. The statutory scheme at issue in this case,
California’s Talent Agencies Act, Cal. Labor Code §
1700 et seq. (hereinafter “TAA,” or “the Act”), is one
such approach to ensure the proper licensure and
regulation of talent agencies, and to prevent
unscrupulous agents from taking advantage of
inexperienced, unwitting or vulnerable individuals who
seek access to the challenging and demanding
entertainment world. Particularly significant, in this
regulatory respect, are the modalities of dispute
settlement when issues arise — as they inevitably do —
in the relationships between artists, their agents and
managers, and media enterprises.
California Labor Code §§ 1700.44 & 1700.45,
attempts to find an equilibrium between party
autonomy in the conclusion of talent contracts and the
necessity of government regulation over this service
sector. The carefully-wrought statutory scheme
protects party autonomy, evidenced by the provision of
ADR mechanisms (including arbitration), but also
fulfills the need for neutral administrative
determinations of the qualifications of talent agents,
the propriety of their form contracts, and best practices
in the industry. The William Morris Agency endorsed
the enactment ofrules for theatrical and motion picture
agents (as well as artists’. managers) through
Califernia’s Employment Agencies Act in 1937, and
supported the TAA when it was adopted in its present
form’ by the California legislature in 1978. WMA
continues to support the TAA’s operation — as through
the licensure, oversight, and adjudicative decisions of
California’s Labor Commissioner — to this very day.
Even more particularly, WMA submits that the
TAA’s provisions for the allowance of stays of
arbitration (when the parties select such a dispute
settlement mechanism), see Cal. Labor Code § 1700.45,
as threshold questions of the Act’s applicability are
administratively determined, is entirely consistent
with Congress’s well-stated policy goal, under the
Federal Arbitration Act (FAA), 9 U.S.C. § 1 et seq., of
promoting arbitration and the effective enforcement of
arbitral agreements. Far from reflecting some sort of
hostility to alternative dispute resolution, California’s
TAA strikes the right balance between the exercise of
a state’s legitimate police powers in regulating a
service industry (including the manner in which that
sector resolves disputes with its constituents), and the
need for quick and final resolutions of disputes through
arbitration.
STATEMENT
Petitioner and his amici have forcefully criticized
California’s Talent Agencies Act (TAA), Cal. Labor
Code § 1700 et seq., as somehow subversive of federal
objectives of uniformity in the regulation of commerce
and the promotion of arbitration, with nary an
appreciation for the legislative history of this
enactment and the important public policies underlying
this statute. Any consideration by this Court of
whether the TAA is preempted by the Federal
Arbitration Act, should at least take passing notice of
the regulatory system established by California for the
licensure, oversight, and disciplining of talent agents.
In 1913, California legislated an Employment
Agencies Act (EAA), which, in recognition of the state’s
infant entertainment industry, covered “theatrical
employment agencies,” including “circuses, vaudeville,
theatrical and other entertainers, exhibitors, and
performers.” 1913 Cal. Stat. 515 (ch. 282). A 1937
enactment added the category of “motion picture
employment agencies,” 1937 Cal. Stat. 230 (ch. 90), and
a 1943 amendment augmented the statute to cover
“artist managers,” defined as persons who “engaged in
the occupation of advising, counseling, or directing
artists on the development of their professional careers
and who procures, offers, or promises employments or
engagements of an artist. ...” 1943 Cal. Stat. 1326 (ch.
329). Even when the EAA was repealed in 1967, artist
managers (under the Artists Managers Act) remained
under the jurisdiction ofthe state Department of Labor.
In 1978, the California legislature adopted the
Talent Agencies Act in its current form. See 1978 Cal.
Stat. ch. 1382, currently codified at Cal. Labor Code §
1700 et seq. What had previously been known as “artist
managers’ were denominated as “talent agents” in the
TAA. See Cal. Labor Code § 1700.4 (amended in 1982,
1982 Cal. Stat. ch. 682, to exclude application to those
who advise recording artists) In 1982, a
comprehensive review of the TAA was conducted by a
specially-constituted Entertainment Commission,
which consisted of representatives from the artist
community (Ed Asner, John Forsythe, and Cicely
Tyson), the talent agency constituency (Jeffrey Berg,
Roger Davis, and Richard Rosenberg), and personal
managers (Bob Finkelstein, Patricia McQueeny, and
Larry Thompson), under the chairmanship of the State
Labor Commissioner. See Report of the California
Entertainment Commission, May 23, 1985 (transmitted
Dec. 2, 1985), Cal. Doc. E2035 R4 1985, at 3-4.
One major issue considered by the
Entertainment Commission was whether criminal
penalties should be prescribed for those who engaged in
the procurement of employment for artists, without
being properly licensed under the TAA. The
Commission rejected this proposal, and concluded that
existing civil remedies . . . to anyone who
has been injured by the Act, are sufficient
to serve the purpose of deterring violation
of the Act and punishing breaches... .
Perhaps the most effective weapon for
ensuring compliance with the Act is the
power of the Labor Commissioner, at a
hearing on a Petition to Determine
Controversy, to find that a personal
manager or anyone has acted as an
unlicensed talent agent and, having so
found, declare the contract void trom
inception and order the restitution to the
artist of all fees paid by the artist and the
forfeiture of all expenses advanced to the
artist.
Id. at 26-27. This compromise — foregoing criminal
sanctions against unlicensed talent agents in favor of
administrative recourse with the state Labor
9
Commissioner — is reflected in the TAA itself. See Cal.
Labor Code § 1700.44(b).
The TAA provides a comprehensive and strict
regulatory regime for talent agents, in order to ensure
the welfare of the artists they represent. See Waisbren
v. Peppercorn Productions, Inc., 41 Cal. App.4th 246,
254, 48 Cal. Rptr.2d 437 (1995). As a condition for
licensure, applicant talent agents are subject to
background checks and fingerprinting. See Cal. Labor
Code §§ 1700.6 & 1700.7. Agents must also post a
surety bond in the amount of $50,000 in order to satisfy
any obligations to their clients. See id. § 1700.15.
Moneys held by an agent for a client-artist must be in
trust. Id. § 1700.25. Under the Act, the Labor
Commissioner must approve all form contracts between
agents and artists, id. § 1700.23, agents must file their
fee schedules with the Commission, id. § 1700.24, and
must maintain records for inspection by the
Commission. See id. § 1700.27.
The TAA has substantive provisions which
prohibit an agent from issuing false, fraudulent or
misleading information or advertisements, id. §
1700.32, employing clients in unsafe places, id. §
1700.33, accepting registration or referral fees, or
engaging in fee-splitting with employers. See id. §§
1700.39 & 1700.40. The Act is especially stringent as
concerns the relationship between talent agents and
artists who are minors. See id. §§ 1700.34, 1700.36 &
1700.37. In the event of agent misconduct, the Labor
Commissioner may suspend or revoke that agent’s or
agency’s license. See id. § 1700.21.
The TAA also recognizes an additional overlay of
10
control of the talent agent profession: by “bona fide
labor union[s] regulating the relations of its members
to a talent agency.” Id. § 1700.45(b). Such franchise
arrangements have been recognized in other
jurisdictions. See, e.g., Am. Fed. of Telev. & Radio
Artists, AFL-CIO v. Association of Talent Agents, 576
N.Y.S.2d 575, 576 (N.Y. App. Div. 1991).
In the provisions under dispute in this case, Cal.
Labor Code §§ 1700.44 & 1700.45, controversies
between agents and artists are to be submitted to the
state Labor Commission. The California Supreme
Court has construed this provision to mean that the
Labor Commissioner has plenary authority even in
disputes where a violation of the TAA is raised as a
defense. See Styne v. Stevens, 26 Cal.4th 42, 26 P.3d
343 (2001).
In a carefully-crafted provision, the California
legislature allowed for arbitration of disputes between
artists and agents, Cal. Labor Code § 1700.45, provided
that certain requisites were satisfied, including that
the Labor Commissioner have reasonable notice of the
arbitral hearings and the opportunity to attend, id. §§
1700.45(c) & (d), and that the arbitral proceedings be
conducted pursuant to California’s Code of Civil
-Procedure. Section 1700.45 also provides that
fijf there is an arbitration provision in a
contract, the contract need not provide
that the talent agency agrees to refer any
controversy between the applicant and
the talent agency regarding the terms of
the contract to the Labor Commissioner
for adjustment, and Section 1700.44 shall
}]
not apply to controversies pertaining to
the contract.
Id. § 1700.45 ( 3).
SUMMARY OF ARGUMENT
A. The law selected by the parties to the
underlying contract (the Personal Management
Agreement (PMA)) in this case was California law, and
California law was expressly applied to the conduct of
any arbitral proceedings. J.A. 17-18. Under this
Court’s holding in Volt Information Sciences, Inc. v.
Board of Trustees of Leland Stanford Junior Univ., 489
U.S. 468, 478-79 (1989), party autonomy is to be
judicially respected, and if the parties have selected a
lex arbitrii that allows for stays of arbitration for
parallel state judicial or administrative proceedings, no
preemptive radiation under the Federal! Arbitration Act
(FAA) incapacitates such a result. See id. at 474-75,
477, 479. So long as the application of state law does
not actually frustrate an ultimate recourse to
arbitration, see Doctor’s Associates, Inc. v. Casarotto,
517 U.S. 681, 688 (1996), anterior state administrative
proceedings are permissible.
Such is the case here. California’s Talent
Agencies Act (TAA) affirmatively allows the arbitration
of agent-artist disputes, see Cal. Labor Code § 1700.45,
and provides for an administrative procedure prior to
arbitration, “even if the result is that arbitration is
stayed where the [Federal Arbitration] Act would
otherwise permit it to go forward.” Volt, 489 U.S. at
479. California’s Labor Commissioner can make a
12
non-preclusive ruling that the regulatory interests of
the State have been satisfied. The arbitrator in this
case, in any event, has indicated that such a
determination would be helpful in the disposition of the
matter. J.A. 38.
In Buckeye Check Cashing, Inc. v. Cardegna, 546
U.S. 440 (2006), and predecessor cases, the Court held
that “unless the challenge is to the arbitration clause
itself, the issue of the contract’s validity is considered
by the arbitrator in the first instance.” Id. at 445-46
(citing Prima Paint Corp. v. Flood & Conklin Mfg. Co.,
388 U.S. 395, 403-04 (1967); and Southland Corp. v.
Keating, 465 U.S. 1, 10 (1984)). The PMA’s arbitration
provision merged any challenge of the arbitral clause
with a dispute regarding the contract as a whole,
including the propriety of its formation.
B. There is no inconsistency between the FAA's
goal of effectuating contracts that include arbitration
as the means of dispute settlement, and allowing
certain administrative determinations to also take
place. This is particularly so when those
administrative proceedings occur prior to the
conclusion of the arbitral process and the
administrative determinations are non-preclusive in
effect. To hold in favor of Petitioner here “would
undermine the detailed enforcement scheme created by
[California in the TAA and] the substantive statutory
prerogative of the [Labor Commissioner] to enforce
those claims for whatever relief and in whatever forum
the [Labor Commissioner] sees fit[,] simply to give
greater effect to an agreement between private parties”
to arbitrate. E.E.O.C. v.Waffle House, Inc., 534 U.S.
13
279, 296 & n.10 (2002).
California’s TAA shows a high degree of gracious
solicitude to arbitral proceedings. If the parties in an
agent-artist relationship wish to employ arbitral
mechanisms to resolve their dispute, they need do
nothing more than allow the Labor Commissioner to
make a threshold determination under the TAA and
then give the Commissioner the opportunity to
participate in the arbitral proceedings. Indeed, if the
requisites of Cal. Labor Code § 1700.45 are fully
satisfied, and the proper notice is made pursuant to the
contract, the parties can fully waive recourse to the
Labor Commissioner.
C. This Court should appreciate the unique
nature of the labor market for entertainment and
media talent, especially in the context of weighing the
application of a federal statutory scheme and its
preemptive effect. See, e.g., United States v. Shubert,
348 U.S. 222 (1955). Markets in creative talent present
unique regulatory challenges, and many states (not just
California) have legislated in this field.
California courts, in construing the TAA, have
elucidated the significant public policy rationale behind
the dispute settlement provisions of the Act and have
roundly condemned the tactics of certain agents or
representatives who would seek to deny the Act’s
protections to their artist-clients. See Styne v. Stevens,
26 Cal.4th 42, 51, 26 P.3d 343, 349 (2001); Buchwald v.
Superior Court, 254 Cal. App.2d 347, 355, 62 Cal. Rptr.
364 (1967). Petitioner's attempts to circumvent the
TAA, through his audacious interpretation of his own
ambiguously-drawn arbitration clause in the PMA,
14
should be unavailing.
California’s Labor Commissioner — under the
TAA as part of the applicable law selected by the
contract and its arbitration provision — should be able
to make an administrative determination as to
Petitioner’s licensure status and any potential effects it
may have on the formation of the contract. No
principled pursuit of congressional policy of promoting
arbitration, nor any ground for preemption by the
Federal Arbitration Act, counsels a different result in
this case.
ARGUMENT
A careful review of the parties’ agreed-to
arbitration clause, in light of the policy objectives and
remedial structure of California’s Talent Agencies Act
(TAA), should lead this Court to conclude that resort to
administrative determinations, prior to (and not
preclusive of) arbitration, does not offend Congress’s
policy of promoting the effective enforcement of arbitral
agreements under the Federal Arbitration Act (FAA).
A. Principles of Party Autonomy, as
Effectuated by the FAA, Dictate the
Application of Administrative Procedures
under California’s Talent Agencies Act to
Disputes Arising Under this Contract.
1. An essential policy objective of the FAA, as
legislated by Congress, is to effectively enforce freely-
bargained-for contracts between private parties that
select arbitration as the method for resolving disputes
15
under those agreements. See Volt Information
Sciences, Inc. v. Board of Trustees of Leland Stanford
Junior Univ., 489 U.S. 468, 478-79 (1989) (“The FAA
was designed ‘to overrule the judiciary’s long-standing
refusal to enforce agreements to arbitrate,’ Dean Witter
Reynolds Inc. v. Byrd, 470 U.S. [213], at 219-220
[(1985)], and to place such agreements ‘ “upon the same
footing as other contracts,” ’ Scherk v. Alberto-Culver
Co., 417 U.S. [506], at 511 [(1974)] (quoting H.R.Rep.
No. 96, 68th Cong., Ist Sess., 1, 2 (1924)).”); Prima
Paint Corp. v. Flood & Conklin Mfg. Co., 388 U.S. 395,
404 n.12 (1967) (FAA was designed “to make
arbitration agreements as enforceable as other
contracts, but not more so.”).
In Mitsubishi Motors Corp. vv. Soler
Chrysler-Plymouth, Inc., 473 U.S. 614 (1985), the Court
observed that “[h]aving made the bargain to arbitrate,
the party should be held to it unless Congress itself has
evinced an intention to preclude a waiver of judicial
remedies for the statutory rights at issue.” Id. at 628;
see also Shearson/American Exp., Inc. v. McMahon,
482 U.S. 220, 242 (1987) (“Accordingly, the McMahons,
‘having made the bargain to arbitrate,’ will be held to
their bargain. Their RICO claim is arbitrable under
the terms of the Arbitration Act.”).
A key corollary to this principle of party
autonomy under the FAA is that if the parties, by
virtue of their contract, have selected an applicable law
that includes procedures for the interaction of arbitral,
administrative and judicial mechanisms for dispute
settlement, these state-law procedures should be
respected. This was confirmed by this Court in Volt,
16
where at issue was a construction contract that
included an arbitration provision, but which also
selected California law as the applicable law of the
contract. See 489 U.S. at 470. Volt petitioned a
California trial court to compe] arbitration; Stanford
sought a stay of arbitration pursuant to Cal. Civ. Proc.
Code Ann. § 1281.2(c) (West 1982) (still in force), which
permitted “a court to stay arbitration pending
resolution of related litigation between a party to the
arbitration agreement and third parties not bound by
it, where ‘there is a possibility of conflicting rulings on
a common issue of law or fact’.” Id. at 471.
Volt resisted the application of a stay, under
California procedural law, as being preempted under
the FAA. The Court rejected this challenge,
“conclud[ing] that even if §§ 3 and 4 of the FAA are
fully applicable in state-court proceedings, they do not
prevent application of Cal. Civ. Proc. Code Ann. §
1281.2(c) to stay arbitration where, as here, the parties
have agreed to arbitrate in accordance with California
law.” Id. at 477. The Court elaborated on this holding
by noting that
it does not follow that the FAA prevents
the enforcement of agreements to
arbitrate under different rules than those
set forth in the Act itself. Indeed, such a
result would be quite inimical to the
FAA’s primary purpose of ensuring that
private agreements to arbitrate are
enforced according to their terms.
Arbitration under the Act is a matter of
consent, not coercion, and parties are
17
generally free to structure their
arbitration agreements as they see fit.
Just as they may limit by contract the
issues which they will arbitrate . . . so too
may they specify by contract the rules
under which that arbitration will be
conducted. Where, as here, the parties
have agreed to abide by state rules of
arbitration, enforcing those rules
according to the terms of the agreement is
fully consistent with the goals of the FAA,
even if the result is that arbitration is
stayed where the Act would otherwise
permit it to go forward. By permitting the
courts to “rigorously enforce” such
agreements according to their terms, we
give effect to the contractual rights and
expectations of the parties, without doing
violence to the policies behind by the
FAA.
Id. at 479 (quoting Dean Witter Reynolds, Inc. v. Byrd,
470 U.S. 213, 221 (1985)). Finally, this Court
concluded that the FAA did not preempt the California
statute because “the FAA does not confer a right to
compel arbitration of any dispute at any time; it confers
only the right to obtain an order directing that
‘arbitration proceed in the manner provided for in [the
parties] agreement’.” 489 U.S. at 474-75 (quoting 9
U.S.C. § 4).
18
2. A careful review® of the choice-of-law and
arbitration provisions in the Personal Management
Agreement (PMA) between Preston and Ferrer of
March 6, 2002, J.A. 8, 17-18 (YJ 12 & 13), indicates
that the parties intended that California’s procedural
law be applied to any arbitration between the parties.
Paragraph 12 of the PMA provides in pertinent part
that “[t]his agreement shall be governed by the laws of
the state of California, applicable to agreements wholly
entered into and performed herein.” J.A. 17.
Paragraph 13 of the PMA (denominated “Arbitration”)
reads in full as follows:
In the event of any action, suit or
proceeding arising from or based upon
this Agreement brought by either party
hereto against each other, the prevailing
party shall be entitled to recover from the
other attorneys[] fees in connection
therewith in addition to the costs of such
action, suit or proceeding. In the event of
any dispute under or relating to the terms
of this agreement, or the breach, validity,
> This Court has been hitherto hindered in making such
an examination. Preston’s Petition studiously avoided
quoting the arbitration clause in full, detracting from its
plain meaning. See Pet. 3 (citing Pet. App. 6a) (referencing
the California Court of Appeal decision, which referred to
the provision as a “standerd American Arbitration
Association (AAA) arbitration clause.” See 145 Cal. App.4th
at 443). Likewise, Preston's brief fails to quote the provision
fully. See Pet. Br. 3.
19
or legality thereof, it is agreed that the
same shall be submitted to arbitration to
the American Arbitration Association in
the city of Los Angeles, California, and in
accordance with the rules promulgated by
the said association, and judgment upon
the award rendered by the arbitrator(s),
may be entered into any court having
jurisdiction thereof. Nothing in this
agreement shall be construed to require
any act contrary to any law or regulation
of any guild or union. If there is any
conflict between this agreement and any
present or future law, the latter shall
prevail, but in such an event, the
provisions of such agreement shall be
curtailed only to the extent necessary to
bring it within the requirements of said
law, rule or regulation.
J.A. 17-18 (§ 13).
Despite Petitioner’s assertion, see Pet. 3; Pet. Br.
3, and the conclusory statement of the California Court
of Appeal, see 145 Cal. App.4th at 443, it is by no
means clear that this is, in its entirety, a “standard
American Arbitration Association (AAA) arbitration
clause.” See id. At least for commercial disputes
arising under a contract concluded by the parties, the
AAA recommended the following arbitration clause:
Any controversy or claim arising out of or
relating to this contract, or the breach
thereof, shall be settled by arbitration
administered by the American Arbitration
®
20
Association under its Commercial
Arbitration Rules, and judgment on the
award rendered by the arbitrator(s) may
be entered in any court having
jurisdiction thereof.
Commercial Arbitration Rules and Mediation
Procedures (Including Procedures for Large, Complex
Commercial Disputes), Amended and Effective July 1,
2003, http://www.adr.org/sp.asp?id=26396#stan (last
visited Dec. 5, 2007). The “standard” AAA arbitration
clause thus covered “any controversy or claim” arising
out of a contract, “or the breach thereof.” Id. The PMA
proposed by Preston, and signed by Ferrer, covered,
instead, “any dispute under or relating to the terms of
this agreement, or the breach, validity, or legality
thereof....” J.A. 18.
The additional coverage of the arbitral clause in
the PMA must, however, be read in light of the
particular choice-of-law provision embedded into the
arbitral clause:
If there is any conflict between this
agreement and any present or future law,
the latter shall prevail, but in such an
event, the provisions of such agreement
shall be curtailed only to the extent
necessary to bring it within the
requirements of said law, rule or
regulation.
J.A. 18. This choice-of-law provision speaks specifically
to the procedural] and substantive law for the
arbitration. After all, the PMA already had provided a
21
general choice-of-law determination. See J.A. 17 (4 12)
(“[t}his agreement shall be governed by the laws of the
state of California, applicable to agreements wholly
entered into and performed herein.”).
3. The parties’ designation of California law as
the applicable law governing any dispute settlement
procedure (including recourse to arbitration), has two
broad consequences for the outcome of this case,
necessitating the affirmance of the decision below.
a. The first, as already suggested, is that
because “where, as here, the parties have agreed to
arbitrate in accordance with California law,” Volt
Information Sciences, 489 U.S. at 477, the FAA does
not preempt the terms of California’s Talent Agencies
Act, insofar as Cal. Labor Code § 1700.45 provides for
an administrative procedure anterior to arbitration,
“even if the result is that arbitration is stayed where
the [Federal Arbitration] Act would otherwise permit it
to go forward.” Id. at 479.
This Court has consistently construed its
decision in Volt as preserving the autonomy of contract
parties to select dispute settlement mechanisms which
mix arbitral, administrative and judicial features. See
Green Tree Financial Corp. v. Bazzle, 539 U.S. 444,
452-53 (2003) (“Rather the relevant question here is
what kind of arbitration proceeding the parties agreed
to. That question does not concern a state statute or
judicial procedures, cf. Volt Information Sciences, Inc.
v. Board of Trustees of Leland Stanford Junior Univ.,
489 U.S. 468, 474-476 (1989). It concerns contract
interpretation and arbitration procedures.”);
Mastrobuono v. Shearson Lehman Hutton, Inc., 514
22
U.S. 52, 57 (1995) (“We have previously held that the
FAA’s proarbitration policy does not operate without
regard to the wishes of the contracting parties.”) (citing
Volt).
As this Court made clear in E.E.0.C. vu. Waffle
House, Inc., 534 U.S. 279 (2002), “[w]hile ambiguities
in the language of the agreement should be resolved in
favor of arbitration, Volt, 489 U.S., at 476, we do not
override the clear intent of the parties, or reach a result
inconsistent with the plain text of the contract, simply
because the policy favoring arbitration is implicated.”
Id. at 293; see id. at 293 n.9 (“We concluded [in Volt]
that the FAA did not pre-empt the California statute
because ‘the FAA does not confer a right to compel
arbitration of any dispute at any time; it confers only
the right to obtain an order directing that “arbitration
proceed in the manner provided for in [the parties’]
agreement”.” (quoting Volt, 489 U.S. at 474-475
(quoting 9 U.S.C. § 4)).
Party autonomy in these situations can be
preserved, and state procedural law can be applied to
stay an arbitration, so long as the application of state
law does not actually frustrate an ultimate recourse to
arbitration. See Doctor’s Associates, Inc. v. Casarotto,
517 U.S. 681, 688 (1996) (“The state rule examined in
Volt determined only the efficient order of proceedings;
it did not affect the enforceability of the arbitration
agreement itself.”); Byrd, 470 U.S. at 219 (rejecting
“the suggestion that overriding goal of the [FAA] was to
promote the expeditions resolution of claims,” allowing
for stays of arbitral proceedings).
That is precisely the situation here. The
23
application of California’s TAA, Cal. Labor Code §
1700.45, merely stays the arbitral proceedings, in order
for the state Labor Commissioner to make a non-
preclusive ruling that the regulatory interests of the
State (including a determination of whether Preston is
actually a properly-licensed talent agent) have been
satisfied. Needless to say, this determination would be
quite helpful in the disposition of the matter, as,
indeed, the arbitrator indicated here. See J.A. 38 (4
5(ii)) (“the results of the Labor Commissioner hearing
could also inform the Arbitrator as to the remedy or
relief that would be just and equitable under the
circumstances of this case.”).
Under the terms of the contract agreed to by
Preston and Ferrer,‘ California’s procedural law,
including TAA section 1790.45, can be applied to stay
the arbitration. Such an application of state procedural
law is not preempted by the Federal Arbitration Act, as
per this Court’s decision in Volt.
b. The structure and intent of the party’s
agreement to arbitrate also counsels an affirmance of
* Significantly, the PMA’s arbitration clause did not
contain a provision opting-out of Labor Commission
determinations of disputes, as required by Cal. Labor Code
§§ 1700.23 & 1700.45(3) (“If there is an arbitration provision
in a contract, the contract need not provide that the talent
agency agrees to refer any controversy between the
applicant and the talent agency regarding the terms of the
contract to the Labor Commissioner fo: adjustment, and
Section 1700.44 shall not apply to controversies pertaining
to the contract.”).
24
the decision below in light of this Court’s ruling in
Buckeye Check Cashing, Inc. v. Cardegna, 546 U.S. 440
(2006), and predecessor cases. In Buckeye, the Court
held that “unless the challenge is to the arbitration
clause itself, the issue of the contract’s validity is
considered by the arbitrator in the first instance.” Id.
at 445-46 (citing Prima Paint Corp. v. Flood & Conklin
Mfg. Co., 388 U.S. 395, 403-04 (1967); and Southland
Corp. v. Keating, 465 U.S. 1, 10 (1984)); see also First
Options of Chicago, Inc. v. Kaplan, 514 U.S. 938, 943
(1995).
Petitioner has made much of the assertion that
Ferrer has never challenged the validity of the
arbitration clause itself. See Pet. Br. 6, 11. And,
indeed, the court below suggested that the thrust of
Ferrer’s position was that the PMA was void ab initio
because Preston was not a licensed talent agent under
the TAA. See Pet. App. 3a-10a; 145 Cal. App.4th at
444. Ferrer’s position, taken before the California
Superior Court, and as reflected in his complaint for
declaratory and injunctive relief, was rather more
nuanced. See J.A. 27 (4 5) (“Plaintiff contends that (a)
the Contract is void by reason of Defendant’s attempt
to procure employment for Plaintiff in violation of [the
TAA], [and] (b) the Contract’s arbitration clause does
not vest authority in an arbitrator to determine
whether the contract is void... .”).
The peculiar structure of the PMA’s arbitration
clause — as drafted by Preston and dispatched to Ferrer
for his emendations and approval (see J.A. 8) —
essentially merges any challenge of the arbitral clause
with a dispute regarding the contract as a whole,
25
including the propriety of its formation. After all, the
arbitral clause specifically references the application of
California law in this respect. J.A. 18 (4 13) (“If there
is any conflict between this agreement {to arbitrate’]
and any present or future law, the latter shall prevail,
but in such an event, the provisions of such agreement
shall be curtailed only to the extent necessary to bring
it within the requirements of said law, rule or
regulation.”).
However the application of the California law
selected by the parties is viewed ~ whether as
governing the procedure of the dispute settlement
mechanisms (including the possibility of a stay of
arbitration) or as a substantive provision determining
the manner of challenging the PMA’s formation as a
contract — the identical result is reached here. The
parties have agreed to the application of the Talent
Agencies Act, and under either the Volt precedent or
the Prima Paint-Southland-Buckeye line of decisions,
there is no preemption by the Federal Arbitration Act.
B. Recourse to State Administrative
Determinations, Anterior to Arbitration,
Does Not Undermine the FAA.
Petitioner and his amici have sought to frame
this case as whether this Court’s ruling in Buckeye
* This interlineation is perfectly appropriate since the
previous sentence reads, in pertinent part, “it is agreed that
the same [the dispute] shall be submitted to arbitration. . .
.” J.A. 18 (emphasis added).
26
Check Cashing, Inc. v. Cardegna, 546 U.S. 400 (2006),
ought to be extended to situations where state law
provides for an administrative procedure before
arbitration. As suggested by the previous discussion,
based on the peculiarities of the arbitration agreement
between Preston and Ferrer, it appears that the parties
actually consented to the involvement of California’s
Labor Commissioner, under the TAA, to make a
determination of certain threshold issues under the Act.
Chief among these was whether Preston was a duly-
licensed talent agent, and, if not, whether the PMA
(including its arbitration clause) was void ab initio. To
the extent that the PMA — which was, after all, drafted
by Preston — merged the threshold validity of the
contract with the agreement to arbitrate, Petitioner
should hardly be seen as now complaining of the
involvement of the California Labor Commissioner in
making a determination in a procedure that is required
under the applicable law expressly selected by contract.
See American Airlines, Inc. v. Wolens, 513 U.S. 219, 248
(1995) (O'Connor, J., concurring in part) (“If the court
finds the language to be ambiguous, it might invoke the
familiar rule that the contract should be construed
against its drafter, and thus that respondents should
receive the benefit of the doubt.”) (quoting 2 E.
Farnsworth, FARNSWORTH ON CONTRACTS § 7.11, at
265-68 (1990)).
_ But, even putting aside the particular bargain
made by the parties here, it is not inconsistent with the
goal of the FAA in effectuating contracts that include
arbitration as the means of dispute settlement, to allow
certain administrative determinations to also take
place. This is especially so when those administrative
27
proceedings occur prior to the conclusion of the arbitral
process and the administrative determinations are non-
preclusive in effect.
Amicus is mindful that this Court has, in other
contexts, indicated that recourse to an administrative
procedure does not necessarily preclude arbitration. See
Gilmer v. Interstate/Johnson Lane Corp., 500 U.S. 20,
28-29 (1991);' Shearson/American Express, Inc. v.
McMahon, 482 U.S. 220, 231 (1987). Both Gilmer and
McMahon involved federal administrative schemes, the
Age Discrimination in Employment Act (ADEA) and the
Securities Exchange Act, respectively. In Gilmer, the
Court acknowledged that administrative proceedings
through the EEOC, under the ADEA, can occur in
tandem with arbitration of employment disputes. See
500 U.S. at 28 (“An individual ADEA claimant subject
to an arbitration agreement will still be free to file a
charge with the EEOC, even though the claimant is not
able to institute a private judicial action.”). Likewise, in
McMahon, this Court’s concern was whether arbitration
would diminish the effectiveness of section 10(b) claims
under the Securities Exchange Act, and concluded it
would not. See 482 U.S. at 232-33.
In its discussion in Gilmer, this Court generally
considered the potential interplay of arbitral and
administrative mechanisms:
The Sherman Act, the Securities Exchange
Act of 1934, RICO, and the Securities Act
of 1933 all are designed to advance
important public policies, but, as noted
above, claims under those statutes are
appropriate for arbitration. “[S]o long as
28
the prospective litigant effectively may
vindicate {his or her] statutory cause of
action in the arbitral forum, the statute
will continue to serve both its remedial
and deterrent function.”
500 U.S. at 28 (quoting Mitsubishi, 473 U.S. at 637).
This holding was further clarified in this Court’s
decision in Waffle House, where it was argued that an
arbitral agreement between two private parties
precluded an administrative agency (in that instance,
the EEOC) from seeking victim-specific relief on behalf
of an aggrieved employee. See 534 U_S. at 290-96. The
Court rejected this proposition and concluded that
pursuant to Title VII and the ADA,
whenever the EEOC chooses from among
the many charges filed each year to bring
an enforcement action in a particular case,
the agency may be seeking to vindicate a
public interest, not simply provide
make-whole relief for the employee, even
when it pursues entirely victim-specific
relief. To hold otherwise would undermine
the detailed enforcement scheme created
by Congress simply to give greater effect to
an agreement between private parties that
does not even contemplate the EEOC’s
statutory function.
We have held that federal] statutory
claims may be the subject of arbitration
agreements that are enforceable pursuant
to the FAA because the agreement only
determines the choice of forum. .. . To the
29
extent the Court of Appeals construed an
employee's agreement to submit his claims
to an arbitral forum as a waiver of the
substantive statutory prerogative of the
EEOC to enforce those claims for whatever
relief and in whatever forum the EEOC
sees fit, the court obscured this crucial
distinction and ran afoul of our precedent.
Id. at 296 & n.10 (citations omitted).
The combined teaching of these precedents, as
relevant to this case, is that arbitral and administrative
mechanisms can co-exist under a state statutory scheme
without running afoul of FAA preemption. This is
particularly so where, as here (but unlike in Waffle
House), the parties did appear, in the PMA, to
“contemplate the [California Labor Commissioner’s]
statutory function.” 534 U.S. at 296. Even more
importantly, administrative determinations under the
TAA neither preclude subsequent arbitral proceedings
(although they may stay them), and any determinations
made by the Labor Commissioner are not necessarily
binding on the arbitrator.
Moreover, it is important to emphasize, as noted
above, supra at 8-10, that California’s TAA was
expressly designed to create a system of regulatory
control over talent agents (and their relations with
artist-clients) that would substitute for the imposition
of criminal penalties for an individual acting as a talent
agent without a license. See Report of the California
Entertainment Commission, May 23, 1985 (transmitted
Dec. 2, 1985), Cal. Doc. E2035 R4 1985, at 26-27
(“existing civil remedies . . . to anyone who has been
30
injured by the Act, are sufficient to serve the purpose of
deterring violation of the Act and punishing breaches. .
.. “); see also Cal. Labor Code § 1790.44(b); Yoo v. Robi,
126 Cal. App.4th 1089, 1104, 24 Cal. Rptr.3d 740, 750
(2005); Waisbren, 41 Cal. App.4th at 262, 48 Cal. Rptr.
at 437. To hold in favor of Petitioner here “would
undermine the detailed enforcement scheme created by
{California in the TAA and] the substantive statutory
prerogative of the [Labor Commissioner] to enforce those
claims for whatever relief and in whatever forum the
[Labor Commissioner] sees fit[,] simply to give greater
effect to an agreement between private parties” to
arbitrate. Waffle House, 534 U.S. at 296 & n.10.
Petitioners and his amicis arguments
mischaracterize the nature of administrative
proceedings under the TAA, and should be unavailing.
It is true that a determination made by the Labor
Commissioner unde r the TAA is subject to judicial
review de novo. See Cal. Labor Code § 1700.44(a).
Ironically enough, this provision was included for the
protection of talent agents (putative or real), such as
Preston, in the event the Labor Commissioner entered
a determination that was unfavorable to their interests.
See id. (providing for the posting of an appeal bond “not
exceeding twice the amount of the judgment,” on the
assumption that judgments would be rendered against
talent agents in favor of client-artists). But such
judicial review, even assuming it is initiated by either of
the parties here, would not necessarily be preclusive on
the decision of the arbitrator.
Likewise, there is no suggestion that the TAA has
been construed as erecting an impermissible
31
impediment or bar to arbitration in cases such as this.
Insofar as the TAA establishes an exhaustion of
administrative remedies requirement, such is equally
applied to judicial and arbitral proceedings. The
California Supreme Court made clear in Styne uv.
Stevens, 26 Cal.4th 42, 26 P.3d 343 (2001), that a
pending case in state superior court must be stayed in
favor of Labor Commissioner determinations under the
TAA, even if a TAA violation is raised as a defense in
the judicial proceeding. See id. at 54-55, 26 P.3d at 351-
52. There is no intelligible reason that a different result
should apply in an instance where the parties have
selected arbitration as the means of dispute settlement.
In short, far from exhibiting some hostility or
animus to arbitration in disputes between artists and
their agents, the TAA shows a high degree of deference
to arbitral proceedings. The provisions of Cal. Labor
Code § 1700.45 are by no means difficult to satisfy if the
parties wish to employ arbitral mechanisms to resolve
their dispute. Assuming there is even a “controversy”
under the Act to resolve, see id. § 1700.44(a), the Act’s
provisions demand nothing more than allowing the
Labor Commissioner to make a non-preclusive finding
under the TAA, and then giving the Commissioner the
opportunity to participate in the arbitral proceedings.
Indeed, if the requisites of section 1700.45 are fully
satisfied, and the proper notice made under the contract
is made, the parties can fully waive recourse to the
Labor Commissioner. See id. (“If there is an arbitration
provision in a contract, the contract need not provide
that the talent agency agrees to refer any controversy
between the applicant and the talent agency regarding
the terms of the contract to the Labor Commissioner for
32
adjustment, and Section 1700.44 shall not apply to
controversies pertaining to the contract.”).
The hard truth of this case is that Mr. Preston
drew-up the PMA in a form that had never been
approved by the Labor Commissioner, under Cal. Labor
Code § 1700.23. He had the opportunity to draft an
arbitration clause that, at once, fully complied with
section 1700.45 and clearly expressed the intent of the
parties to waive recourse to the Labor Commissioner.
Instead, he drafted a clause that incorporated sub
silentio the TAA as part of the law governing the
arbitral procedure, hoping this would satisfy the
reasonable, opt-out and notice requirements of section
1700.45. This “constructive ambiguity” — if that is what
itcan charitably be described as — should not redound to
Preston’s benefit here. That Preston seeks to avoid a
potential administrative determination by the Labor
Commissioner that he was not a licensed talent agent
under the TAA, and thus that the opt-put provisions for
arbitration under section 1700.45 could never apply,
may be deeply embarrassing to him. That Preston
might be hung figuratively on the petard of his own
defective drafting in the PMA should be of no moment to
this Court. In any event, the operation of the TAA in
this fashion hardly rises to the level of an impediment
to a federal policy favoring the preemptive effect of the
FAA in this case.
33
C. California’s TAA Regulates a Unique Labor
Market for Entertainment and Media
Talent, and its Arbitral Provisions Should
Not be Preempted by the FAA.
Amicus is mindful that this Court has hitherto
indicated that the vindication of significant social
policies, whether in federal or state law or actuated by
judicial or administrative review, is not a ground to
avoid the FAA’s preemptive effect or to invalidate the
use of arbitration in resolving disputes. See Green Tree,
531 U.S. at 90 (“These cases demonstrate that even
claims arising under a statute designed to further
important social policies may be arbitrated because “so
long as the prospective litigant effectively may vindicate
[his or her] statutory cause of action in the arbitral
forum,” the statute serves its functions.”) (quoting
Gilmer, 500 U.S. at 28 (quoting Mitsubishi, 473 U.S. at
637))).
Nevertheless, it may be helpful for this Court to
fully appreciate the unique nature of the labor market
for entertainment and talent media, especially in the
context ofv ~ ghing the application ofa federal statutory
scheme and its preemptive effect. See, e.g., Columbia
Artists Management, Inc. v. United States, 381 U.S. 348
(1965) (per curiam) (booking and managing of concert
artists); United States v. Shubert, 348 U.S. 222 (1955);
Hart v. B. F. Keith Vaudeville Exchange, 262 U.S. 271
(1923), on remand, 12 F.2d 341 (2d Cir. 1926), cert.
denied, 273 U.S. 703 (1926) (application of the Sherman
Act to vaudeville and theatrical productions).
It has been well-documented in economic,
sociological, and industrial relations literature that
34
markets in creative talent present unique regulatory
challenges. See William J. Baumol & William G.
Bowen, PERFORMING ARTS: THE ECONOMIC DILEMMA
(1966); Richard E. Caves, GETTING OUR ACT TOGETHER:
THE ECONOMIC ORGANIZATION OF CREATIVE INDUSTRIES
(2000); Pierre-Michel Menger, Artistic Labor Markets
and Careers, 25 ANN. REV. SOCIOLOGY 541 (1999). This
has been particularly observed in the motion picture
and television production industries. See Darlene C.
Chisholm, Profit-Sharing versus Fixed-Payment
Contracts: Evidence from the Motion Pictures Industry,
13 J. L., ECON. & ORGANIZATION 169 (1997); Alan Paul
& Archie Kleingartner, Flexible Production and the
Tranformation of Industrial Relations in the Motion
Picture and Television Industry, 47 INDUSTRIAL& LABOR
RELATIONS REV. 663 (1994); Susan Christop*erson &
Michael] Storper, The Effects of Flexible Specialization of
Industrial Politics and the Labor Market: The Motion
Picture Industry, 42 id. 331 (1989). Talent agents and
artist managers are key players in the process of
connecting artists with content producers. See Michael
Cieply, Tilting Hollywood’s Balarice of Power to Talent
Agency Clients, N.Y. TIMES, March 19, 2007, at Cl;
William T. Bielby & Denise D. Bielby, Organizational
Mediation of Project-Based Labor Markets: Talent
Agencies and the Careers of Screenwriters, 64 AM.
SOCIOLOGICAL REV. 64 (1999).
It is for these reasons that the profession of talent
agents and the practice of procuring employment for
artist-clients have been subject to regulation in many
states, and not just California. See, e.g., Ariz. Rev. Stat.
§ 23-521(A) (2007); Ariz. Admin. Code R20-5-328 (2007)
35
(subjecting talent agents, within certain definitions, to
regulation as an employment agency); Fla. Stat. Ann. §
468.415 (2007) (sexual misconduct in the operation of a
talent agency); La. Rev. Stat. Ann. § 23:251(B) (2007)
(employment of minors by talent agencies); N.Y. Arts &
Cult. Aff. Law § 37.07(1) (McKinney 2007) (advertising
limits for talent agents and artist managers). Where
talent agent regulation through arbitral processes has
been an issue, it has been ruled that the arbitrability of
such disputes must be decided by courts in light of the
parties’ agreement and the context of state law. See
Am. Fed. of Telev. & Radio Artists, AFL-CIO uv.
Association of Talent Agents, 576 N.Y.S.2d 575, 576
(N.Y. App. Div. 1991).
California courts, in construing the TAA, have
elucidated the significant public policy rationale behind
the dispute settlement provisions of the Act and have
roundly condemned the tactics of certain agents or
representatives who would seek to deny the Act’s
protections to their artist-chents. In Buchwald uv.
Superior Court, 254 Cal. App.2d 347, 62 Cal. Rptr. 364
(1967), a case decided under the old Artist Managers
Act, but with substantially the same operative
provisions as the TAA, the court held that the statute
applied to a contract even if its terms appeared to
disclaim that services for the procurement of creative
employment were being provided. See id. at 355, 62 Cal.
Rptr. at 370 (“Clearly the Act may not be circumvented
by allowing the language of the written contract to
control [otherwise] [t]he form of the transaction, rather
than its substance would control.”).
As another California court has held:
36
[t]he rationale for denying a personal
manager recovery even for activities which
were entirely legal is based on the public
policy of the Act to deter personal
managers from engaging in illegal
activities. Knowing they will receive no
help from the courts in recovering for their
legal activities, managers are less likely to
enter into illegal arrangements. In
Waisbren, the court observed one reason
the Legislature did not enact criminal
penalties for violation of the Act was
“because ‘the most effective weapon for
assuring compliance with the Act is the
power... to declare any contract entered
into between the parties void from the
inception.’ ”
Yoo, 126 Cal. App.4th at 1103-04, 24 Cal. Rptr.3d at
749-50 (quoting Waisbren, 41 Cal. App.4th at 262
(quoting from the 1985 California Entertainment
Commission report)). This policy rationale and remedial
structure of the TAA has been confirmed by the
California Supreme Court. See Styne, 26 Cal.4th at 51,
26 P.3d at 349 (“In furtherance of the Act’s protective
aims, an unlicensed person’s contract with an artist to
provide the services of a talent agent is illegal and
void.”) (citing Waisbren and Buchwald).
Petitioner’s attempts to “circumvent” the TAA,
Buchwald, 254 Cal. App.2d 347, 62 Cal. Rptr. 364,
through his creative interpretation of his own
ambiguously-drawn arbitration clause in the PMA,
should be unavailing. If, in fact, he was unlicensed as
37
a talent agent at the time of the execution of the PMA,
its terms (including the arbitration clause) are void ab
initio.
Obviously, the arbitrator is free to reach
whatever conclusions he can on this point. Preston is
not at liberty, however, to circumvent the authority of
California’s Labor Commissioner — under the TAA as
part of the applicable law selected by the contract and
its arbitration provision — to make an administrative
determination as to Preston’s licensure stuus and any
potential effects it may have on the formation of the
contract. And, indeed, the arbitrator has expressed his
interest in such a determination. See J.A. 38 (4 5(ii))
(“the results of the Labor Commissioner hearing could
also inform the Arbitrator as to the remedy or relief that
would be just and equitable under the circumstances of
this case.”). No principled pursuit of Congress's policy
of promoting arbitration, nor any ground for preemption
by the Federal Arbitration Act, counsels a different
result in this case.
38
CONCLUSION
The decision of the California court of appeal
should be affirmed.
Respectfully submitted,
DAVID J. BEDERMAN
Counsel of Record®
1301 Clifton Road
Atlanta, Georgia 30322-2770
(404) 727-6822
JUDITH B. PROWDA
Of Counsel
15 West 75th Street
Suite 5C
New York, New York 10023
Counsel for Amicus Curiae
December 7, 2007
6 Counsel of Record acknowledges the assistance of Mark
D. Richardson, Emory Law School class of 2009.
39
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