Opposition — Taxe v. United States
Supreme Court brief1977
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No. 76-497 MICHAEL RODAK, JR. CLape
Iu the Supreme Court of the Huited States
OctToser TERM, 1976
RICHARD TAXE, PETITIONER
Vv.
UNITED STATES OF AMERICA
ON PETITION FOR A WRIT OF CERTIORARI TO
THE UNITED STATES COURT OF APPEALS FOR
THE NINTH CIRCUIT
BRIEF FOR THE UNITED STATES IN OPPOSITION
RoserT H. Bork,
Solicitor General,
RICHARD L. THORNBURGH,
Assistant Attorney General,
JEROME M. Felt,
HENRY WALKER,
Attorneys,
Department of Justice,
Washington, D.C. 20530.
~-
In the Supreme Court of the Hnited States
OcTOBER TERM, 1976
No. 76-497
RICHARD TAXE, PETITIONER
Vv.
UNITED STATES OF AMERICA
ON PETITION FOR A WRIT OF CERTIORARI TO
THE UNITED STATES COURT OF APPEALS FOR
THE NINTH CIRCUIT
BRIEF FOR THE UNITED STATES IN OPPOSITION
i
OPINION BELOW
The opinion of the court of appeals (Pet. App. A) is
reported at 540 F. 2d 961.
JURISDICTION
The judgment of the court of appeals was entered on June
8, 1976. A petition for rehearing aad with a suggestion for re-
hearing en banc was denied on August 23, 1976. The peti-
tion for a writ of certiorari was filed on October 8, 1976,
and is therefore out of time under Rule 22(2) of Rules of
this Court. The jurisdiction of this Court is invoked under
1254(1).
QUESTIONS PRESENTED
1. Whether the Sound Recording Amendment of
1971, 17 U.S.C. (Supp. V) | et seq., is unconstitutionally
vague on its face or as applied in this case.
(1)
2
2. Whether the prosecutor's closing argument denied
petitioner due process.
3. Whether the district court erred in not holding a
hearing on petitioner's challenge to the affidavits under-
lying four search warrants.
STATEMENT
Following a jury trial in the United States District
Court for the Central District of California, petitioner
and three others were convicted of infringing copyrighted
sound recordings, willfully and for profit, in violation of
17 U.S.C. (Supp. V) I(f), 101(e) and 104, and of conspiring
to do so, in violation of 18 U.S.C. 371. In addition,
petitioner was convicted of mail fraud, in violation of 18
U.S.C. 1341. He was sentenced to four years’ imprisonment
and fines totalling $26,000, and ordered to pay the costs
of his prosecution. The court of appeals affirmed the con-
victions but vacated and remanded that portion of the
judgment imposing costs on petitioner (Pet. App. A).
Petitioner stipulated at trial that, at his direction,
record albums and tapes manufactured by major record
companies were purchased on the open market and
copied onto tapes that were then sold to the general
public (Pet. 6). In the copying process slight changes were
made in each recording: the speed was increased or de-
creased, echo effects were produced, and some sounds were
eliminated or others were added by use of sophisticated
electronic equipment. Petitioner and his co-defendants
then promoted the sale of these altered tapes as authen-
tic works, describing them as “Today’s hits as done by
your favorite artists. Custom simulated by Sound 8 singers
and musicians” (ibid.; Pet. App. A2).
ARGUMENT
The Sound Recording Amendment to the Copy-
right Act, 17 U.S.C. (Supp. V) | ef seq., provides copy-
3
right protection for sound recordings that are “fixed”
after February 15, 1972. The owner of a copyright in a
sound recording is granted the exclusive right to “dupli-
cate” the recording, as by records or tapes that “recap-
ture[ ] the actual sounds fixed in the recording” (17
U.S.C. (Supp. V) |(f)). That right, however, does not extend
“to the making or duplication of another sound record-
ing that is an independent fixation of other sounds, even
though such sounds imitate or simulate those in the
copyrighted sound recording” (ibid.; emphasis added).
The Amendment further provides that the “unauthor-
ized manufacture, use, or sale” of records and tapes that
are “copies” of copyrighted musical works “shall consti-
tute an infringement of the copyrighted work” sub-
jecting the infringer to civil liability and, “in a case of
willful infringement for profit,” to criminal prosecution
(17 U.S.C. (Supp. V) 101(e)). Willful infringement for
profit carries with it a penalty (in the case of a first of-
fender) of up to one year’s imprisonment and a fine of
not more than $25,000 (17 U.S.C. (Supp. V) 104(b)).
1. Petitioner contends (Pet. 9-40) that the law is
unconstitutionally vague on its face.
Since First Amendment freedoms are not involved in this
case, petitioner’s challenge “ ‘must be examined in the light
of the facts of the case at hand’ ”—that is, as the statute has
been applied to his conduct—unless the statute can be said
to have “proscribed no comprehensible course of conduct at
all.” United States v. Powell, 423 U.S. 87, 92 (quoting
United States v. Mazurie, 419 U.S. 544, 550). Both courts
below correctly determined that the statute forbids a
reasonably ascertainable course of conduct.
First, a “sound recording”—the work subject to copy-
right protection—is defined as a work “that result[s] from
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the fixation of a series of musical, spoken, or other sounds”
(17 U.S.C. (Supp. V) 26). The meaning of “fixation” in the
context of the statute imports the capture and preservation
(on a device such as a record or a tape) of sounds for further
perception or communication (see ibid.). The copyright
owner's exclusive right to “duplicate” (17 U.S.C. (Supp. V)
I(f)) such sound recordings is not (contrary to petitioner's
assertion (Pet. 19-20)) unconstitutionally vague simply
because the term “duplicate” is not further defined in the
statute. Read in context and given its commonsense
meaning, the copyright owner's exclusive right to
“duplicate” his sound recording conveys upon him the sole
power lawfully to reproduce his work, much as the
copyright owner of a literary work has the exclusive right to
duplicate the subject of his copyright.
Furthermore, the exclusive right of duplication con-
ferred upon the copyright owner—and therefore forbidden
to all others during the period of the copyright—derives
additional meaning from the limits the statute sets on that
right. Thus, individuals other than the copyright owner may
with impugnity “mak[e] or duplicat{e]* * * another sound
recording that is an independent fixation of other sounds,
even though such sounds imitate or simulate those in the
copyrighted sound recording” (17 U.S.C. (Supp. V) I(f)). In
simple terms, the statute permits anyone, by efforts that are
independent of the copyright owner’s, to produce and
reproduce “other sounds” than those that appear in the
copyrighted work—even if those “other sounds” are
intended to be and indeed are quite similar to the ones
subject to the statute’s protection.
A record or a tape that is not an “independent fixation
of other sounds,” however, is a “cop[y] of the copyrighted
musical work.” Whether the sounds on a particular record
or tape constitute a copy of a copyrighted work, or an
5
independent fixation of other sounds, typically poses
issues of similarity for the trier of fact to resolve. See
Ideal Toy Corp. v. Fab-Lu Ltd. (Inc.), 360 F.2d 1021 (C.A.
2); First American Artificial Flowers, Inc. v. Joseph
Markovits, Inc., 342 F. Supp. 178 (S.D.N.Y.). If the record
or tape is found to be a copy, its unauthorized manufac-
ture, use, or sale will constitute infringement (17 U.S.C.
(Supp. V) 101(e)).
In short, the statute meaningfully proscribes ascer-
tainable conduct. It cannot be said to “ ‘leave[] open * * *
the widest conceivable inquiry, the scope of which no one
can foresee and the result of which no one can foreshadow
or adequately guard against’ ” (United States v. Powell,
supra, 423 U.S. at 92, quoting from United States v. L.
Cohen Grocery Co., 255 U.S. 81, 89). Those who sincerely
desire to do so may without undue difficulty conform their
conduct to the statute’s demands. While there may be cases
at the margin where the reach of the statute’s prohibition
against infringement may cause doubt, that is not reason
enough to overcome the presumption of validity that
attaches to Acts of Congress (United States v. National
Dairy Products Corp., 372 U.S. 29, 32), for “the law is full of
instances were a man’s fate depends on his estimating
rightly” (Nash v. United States, 229 U.S. 373, 377).
2. Since the Sound Recording Amendment is not
unconstitutionally vague on its face, the question be-
comes whether, as petitioner also contends (Pet. 40-54),
that statute is unconstitutionally vague as applied to this
case. We submit that it is not. Petitioner was on notice
that the copying and unauthorized use of another’s copy-
righted work is prohibited. He took the risk, when he re-
recorded copyrighted works in their entirety while
making only insignificant changes in them, that a jury
might find that he had copied the originals within the
6
meaning of the statute. That the jury so found is hardly
Surprising, given that the success of petitioner's
marketing of the “pirated” recordings was directly
dependent on the public's acceptance ‘of his advertise-
ment of “[t]oday’s hits as done by your favorite
artists.”
Petitioner argues (Pet. 44-45) that the statute is un-
constitutionally vague as applied to him for an additional
reason. He contends that, since the Registrar of Copy-
rights permits an entire record album to carry a single
copyright notice, notwithstanding that some of the bands
on that record may contain sound recordings that were
fixed prior to the statute’s effective date and thus not
copyrighted, an individual in petitioner’s position is un-
able to tell from the album alone which sound recordings
on an album are protected and which are not.
Conspicuously absent from petitioner’s argument is
any claim that he has been convicted of infringing any
noncopyrighted sound recordings.' Indeed, petitioner’s
argument amounts to the unpersuasive assertion that,
since the Registrar of Copyrights has erroneously afforded
copyright protection to some sound recordings not en-
titled to that protection under the statute, it violates
due process to convict petitioner of infringing sound
recordings that are entitled to and have that protection.
In sum, even assuming that the practice allowed by
the Registrar has the effect in some cases of seeming to
‘The government initially charged petitioner with infringing a
number of entire albums. When the district court ruled that there could
be no infringement of particular “bands” containing sound recordings
“fixed” prior to the effective date of the statute, the government limited
the infringement charges to individual “bands” that were the subject of
valid copyrights (Pet. App. 5). Thus petitioner could not have been
found guilty of infringing noncopyrighted works.
aad
5
grant protection to works not copyrightable,? that can-
not make the application of the statute’s prohibition in
cases where the infringed works are lawfully copyrighted
unconstitutional on vagueness grounds.
3. Petitioner next contends (Pet. 55-93) that improper
remarks by the prosecutor during closing argument de-
prived him of a fair trial. The court of appeals gave careful
attention to this claim (Pet. App. 7-10). Although it
concluded that several of the prosecutor’s remarks were
“unprofessional,” “troublesome,” “{unJreasonable,” and
constituted “misconduct,” it also viewed other of the
challenged remarks as “permissible,” “supported by
evidence,” and constituting “fair comment” (Pet. App. 8-
10). It held that, on balance and given the district court’s
curative instructions, any error caused by the prosecutor's
closing argument was not sufficiently prejudicial to warrant
reversal.
The district court was in the best position to gauge the
propriety and impact of the prosecutor’s argument on the
fairness of the trial. The court of appeals closely scrutinized
the crgument in light of “the facts as a whole” (Pet. App. 9).
?As the court of appeals observed (Pet. App. 4), the statute itself
appears to contemplate the practice allowed by the Registrar in
providing that “[t]he copyright provided by this title shall protect all the
copyrightable component parts of the work copyrighted” (17 U.S.C. 3).
Furthermore, as the court also noted (Pet. App. 4-5), anyone wishing
to determine whether particular “bands” of a copyrighted album are in
fact not subject to the statute’s protection may do so by obtaining (fora
fee) a copy of the copyright certificate from the Registrar (17 U.S.C.
215). Since the copyright notice on the album gives notice that some,
even if not all, of the bands are protected, and since it is relatively simple
to determine which bands are or are not protected, it cannot be said
that the Registrar's practice makes compliance with the law
unconstitutionally difficult.
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Those courts were satisfied that due process was not denied,
and further review by this Court is not necessary.*
4. Petitioner contends (Pet. 94-103) that the district
court erred in refusing to hold a hearing on his challenge
to the accuracy of the affidavits underlying four search
warrants, pursuant to which many of petitioner's infring-
ing tapes were seized. Petitioner argues, as he did in the
district court, that the FBI agent who made the aver-
ments in the affidavits wrongfully omitted to state that
he and other agents had previously been guided (by peti-
tioner himself) about the premises described in the af-
fidavit and had found no “pirated” tapes, thereby making
the averment that such tapes would be found on those
premises untruthful.
The court of appeals correctly ruled (Pet. App. 7) that
these claims are insubstantial. The omission of any men-
tion of the tour of the premises given by petitioner was
immaterial to the question of probable cause. It does not
follow, simply because on a tour guided by petitioner
himself the agents did not see any “pirated” tapes, either
that such tapes were not in fact on the premises (as in-
deed they turned out to be) or that the agent’s statement
of his belief that they were present (a belief that was
amply confirmed) constituted a deliberate falsehood
intending to deceive the magistrate into authorizing
a search on less than probable cause. As the court of ap-
peals ruled (Pet. App. 7) “{t}he recording contains no
‘There is no need to hold this case pending the decision in Darden v.
Florida, No. 76-5382. certiorari granted November |. 1976. In that case
a state prosecutor in summation characterized the defendant as an
animal who should be kept on a leash (Pet. App. B, p. 750) and
repeatedly expressed his wish that the defendant had been killed or
mutilated by one of the victims of the crime for which the defendant was
on trial. Taken even in their worst light, the comments by the federal
prosecutor in the present case are benign in comparison.
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substantial showing of falsity.”4 Petitioner suggests no
persuasive reason for further review of this conclusion,
and accordingly there is no need in this case to consider
what remedy might be appropriate where the affidavit
underlying a search warrant does indeed contain a mis-
statement or a materia! omission.°
CONCLUSION
The petition for a writ of certiorari should be denied.
Respectfully submitted.
RoBeERT H. Bork,
Solicitor General.
RICHARD L. THORNBURGH,
Assistant Attorney General.
JEROME M. FEIT,
HENRY WALKER,
Attorneys.
DECEMBER 1976.
4In an affidavit filed by the agent in connection with the govern-
ment’s Opposition to petitioner's motion to suppress, the agent
explained that during the tour of the premises he was not shown the
offices, and that he did see large tape reels that he believed to be copies of
masters used to produce the illegal tapes, and unlabeled tape car-
tridges that he believed to be illegal tapes. See the government's
brief on appeal, pp. 81-82. Furthermore, the tour did not include a
visit to a secret room on the premises, located behind a false book-
shelf. See id. at 24, 39-40, 83.
‘The courts of appeals have not adopted a uniform approach to
the problem of misstatements in search warrant affidavits, as we
discuss in our Brief in Oppositien in Lee v. United States, No. 75-
6969, certiorari denied October 18, 1976, a copy of which we are send-
ing to petitioner's counsel. The different approaches of the several
courts of appeals are irrelevant here, where the affidavit did not con-
tain any material omission or any false statement.
DOJ-1976-12
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