Amicus Curiae Brief — Easter Seal Society for Crippled Children & Adults of Louisiana, Inc. v. Playboy Enterprises, Inc.
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Pe ema
FILED
(4) MAR 3 1968
No. 87-482 JOSEPH F. SPANIOL, JR,
PE a EN Ro Ee ENE ES SERS
Jn the Supreme Court of the Anited States
OCTOBER TERM, 1987
EASTER SEAL SOCIETY FOR CRIPPLED CHILDREN AND
ADULTS OF LOUISIANA, INC., PETITIONER
v.
PLAYBOY ENTERPRISES, INC., ET AL.
ON PETITION FOR A WRIT OF CERTIORARI TO
THE UNITED STATES COURT OF APPEALS FOR
THE FIFTH CIRCUIT
BRIEF FOR THE UNITED STATES AS AMICUS CURIAE
CHARLES FRIED
Solicitor General
JAMES M. SPEARS -
Acting Assistant Attorney General
JOHN F. CORDES
DWIGHT G. RABUSE
Attorneys
Department of Justice
Washington, D.C. 20530
(202) 633-2217
QUESTION PRESENTED
Whether under the “work made for hire” provisions of
the Copyright Act of 1976, 17 U.S.C. 101 and 201(b), peti-
tioner owned the copyright in a videotape made by a
television station at petitioner’s request but without its
close supervision.
(1)
TABLE OF CONTENTS
Page
Ne sees wine k eae ee ia eit ash aia se hoe hk 6 |
ee le sas beak tea ebe cen ketase 6
TI RSL ORCS Gus Sea ES ISS) A er ae ae 9
TABLE OF AUTHORITIES
Cases:
Aldon Accessories Ltd. v. Spiegel, Inc., 738 F.2d 548 (2d
Cir.), cert. denied, 469 U.S. 982 (1984) .......... 3, 4, 6, 7, 8
Brunswick Beacon, Inc. v. Schock-Hopchas Pub. Co., 810
EB ee 7
Evans Newton Inc. v. Chicago Systems Software, 793
F.2d 889 (7th Cir. 1986), cert. denied, No. 86-441 (Nov.
EEE Ss SS SESS OCI ges Bea a eo am 7
May v. Morganelli-Heumann & Assoc., 618 F.2d 1363
(Sth Cir. 1980) ..... 26S ASE RECEP PET See ere 8
Statutes:
Copyright Act of 1976, 17 U.S.C. 101 ef seq.:
oh whe Wheeden es eens es |
a ess cceeacsntutssaensss |
I EO os ks ack eveseesseends |
cache acaseaceeress l
Miscellaneous:
1 M. Nimmer, Nimmer on Copyright (1987) itaka veka 2
(IIT)
Jn the Supreme Court of the Gnited States
OCTOBER TERM, 1987
No. 87-482
EASTER SEAL SOCIETY FOR CRIPPLED CHILDREN AND
ADULTS OF LOUISIANA, INC., PETITIONER
Vv.
PLAYBOY ENTERPRISES, INC., ET AL.
ON PETITION FOR A WRIT OF CERTIORARI TO
THE UNITED STATES COURT OF APPEALS FOR
THE FIFTH CIRCUIT
BRIEF FOR THE UNITED STATES AS AMICUS CURIAE
This brief is submitted in response to the Court’s invita-
tion to the Solicitor General to express the views of the
United States.
STATEMENT
1. Under Section 201 of the Copyright Act of 1976
(the Act), 17 U.S.C. 201, the copyright in a work “vests
initially in the author or authors of the work” (17 U.S.C.
201(a)). In the case of so-called “works made for hire,”
“the employer or other person for whom the work was pre-
pared is considered the author” and, “unless the parties
have expressly agreed otherwise in a written instrument
signed by them, owns all of the rights comprised in the
copyright” (17 U.S.C. 201(b)). Section 101 of the Act, 17
U.S.C. 101, defines two categories of works that con-
stitute “works made for hire.” One category, defined in
(1)
2
subsection (1), includes works “prepared by an employee
within the scope of his or her employment.”! The other,
defined in subsection (2), includes works “specially
ordered or commissioned for use as a contribution to a
collective work, as a part of a motion picture or other
audiovisual work, as a translation, as a supplementary
work, as a compilation, as an instructional text, as a test,
as answer material for a test, or as an atlas, if the parties
expressly agree in a written instrument signed by them that
the work shall be considered a work made for hire.”
2. The present case arose in March 1982 when peti-
tioner Easter Seal Society contracted with WYES, a New
Orleans public television station, for the videotaping of a
Staged “Mardi Gras-style” parade and “Dixieland” jam ses-
sion that petitioner proposed to broadcast as part of a
forthcoming telethon. The parties made no agreemenit
concerning copyright ownership. With a certain amount
of direction from Easter Seal representatives, WYES
created a five-hour “field tape” from which it then edited a
16-minute “master tape.” The master tape was broadcast
during the National Easter Seal Telethon. Pet. App.
2a-3a, 56a-58a.
Some time later, Julius Cain, WYES’s director of
broadcasting, was asked by a Canadian television pro-
ducer to send him some Mardi Gras footage. Cain for-
warded 40 minutes of tape copied from the Easter Seal
field tape. Portions of that tape were thereafter incorpo-
rated as part of an “adult” film entitled “Candy, the Strip-
per” that was created, produced, and distributed by
various entities, including respondent Playboy Enter-
prises, Inc. The film was shown nationally on cable tele-
' The Copyright Act contains no definition of the terms “employee”
or “scope of employment.” 1 M. Nimmer, Nismmer on C opyright
§ 5.03[{B][1], at 5-12 (1987).
3
vision four times during two days in May 1983. One or
more of the persons who had appeared in the Easter Seal
field tape recognized themselves in the footage now con-
tained in “Candy, the Stripper.” Pet. App. 3a-4a.
In August 1983, petitioner brought an action in the
United States District Court for the Eastern District of
Louisiana, alleging copyright infringement (Pet. App. 4a).
The district court granted partial summary judgment in
respondents’ favor (id. at 56a-70a). The court rejected peti-
tioner’s claim that under the work-made-for-hire provi-
sions it owned the copyright to the field tape. The court
found, first (id. at 61a), that because there was no written
agreement designating the tape as a work made for hire,
the tape could not fall within subsection (2) as a “specially
ordered or commissioned” work. The court turned next
(id. at 61a-68a) to whether the tape might be‘a work made
for hire under subsection (1), on the ground that in mak-
ing the tape WYES was an “employee” of Easter Seal act-
ing “within the scope of [its] employment.” Applying the
standard elaborated by the Second Circuit in Aldon Ac-
cessories Ltd. v. Spiegel, Inc., 738 F.2d 548, cert. denied,
469 U.S. 982 (1984), the district court framed (Pet. App.
65a) the legal inquiry as “whether [petitioner] exercised
such control and supervision over the work of WYES
* * * during the creation of the Field Tape that WYES
could be held to be an ‘employee’ acting within the ‘scope
of employment.’ ” The court reviewed the evidence (id. at
66a-67a) and concluded that WYES was an “independent
contractor[ ] in the pure sense of the word when [it]
created the Field Tape” (id. at 66a).? It accordingly con-
2 In particular, the district court noted that while an Easter Seal
representative had “organized the performers and produced the live
parade and jam session,” John Beyer, a WYES employee, “was
responsible for the creation and production of the Field Tape which
a
4
cluded that petitioner could not claim copyright in the
field tape on the premise that WYES was its “employee.”
3. The court of appeals affirmed on other grounds
(Pet. App. la-52a). Expressly rejecting (id. at 21a-32a) the
analysis of the Second Circuit in Aldon Accessories, the
court applied what it termed a “literal interpretation” (id.
at 16a) of the work-made-for-hire provisions. Under that
interpretation, the court of appeals stated (ibid. (footnote
omitted)), “a court should first determine —using agency
law rutes— whether or not the seller is an employee or an
memorialized the live event.” Beyer “use[{d] his expertise to achieve the
desired result on videotape” — including “arrang{ing] camera angles”;
“ensur[ing] that the lighting was adequate for videotaping purposes”;
and “ensur[ing] that the live music could satisfactorily be recorded on
audiotape.” Beyer was also “completely responsible for the direction
and supervision of the * * * crew who physically controlled all the
necessary taping equipment.” By contrast, petitioner’s “contribution
in the form of ideas, and * * * minimal involvement in the planning
of the shoot was that normally expected from a client and did not
render [petitioner] the author of the Field Tape.” Pet. App. 66a-67a.
> The court also discerned in two district court decisions a third, so-
called “conservative” interpretation of the work-made-for-hire provi-
sions (Pet. App. 19a-21a). Under that approach, the court explained,
“[iJf the work was undertaken at the instance and expense of the
buyer, and if the buyer had the right to control the work, regardless of
whether or not the right was exercised, then the seller was a (legal)
~ employee within the meaning of [subsection (1) of the work-made-for-
hire provisions}” (id. at 19a (emphasis in original)). The court added
(id. at 19a-20a), however, that even if the buyer prevails under that
prong of the conservative test, the seller will nonetheless own the
copyright if a work falls within one of the nine categories in subsection
(2) and there is a written agreement treating the work as a work-made-
for-hire. The court rejected the conservative approach (id. at
20a-21a), noting that it ignored the statutory changes effected by the
Copyright Act of 1976. It also observed (Pet. App. 20a) that even the
few cases that have applied the conservative standard would have been
decided the same way had a different test been applied.
independent contractor. Then, the court should apply the
statute.” The court explained that if the seller of the work
is an “employee” under agency principles, then subsection
(1) of the work-made-for-hire provisions applies; and
under subsection (1), if the work was made within the
scope of employment, the employer is deemed to be the
author. If, on the other hand, the seller is an independent
contractor under agency principles, then subsection (2),
covering “specially ordered or commissioned” works, ap-
plies; in that event, the employer will be deemed to be the
copyright author only if the work falls within one of the
nine categories enumerated in subsection (2) and there is a
written instrument that designates the work to be a “work
made for hire.”
Applying the “literal” interpretation (Pet. App. 35a-37a),
the court held that WYES owned the copyright in the field
tape and therefore affirmed the judgment of the district
court. It noted (id. at 37a) that petitioner had “never con-
tended that WYES was not an independent contractor
hired to create the disputed work.” Under the court’s
analysis, therefore, subsection (2) of the work-made-for-
hire provisions applied; and because there was no agree-
ment designating the tape as a work made for hire, WYES
was therefore the copyright owner. The court observed,
however (id. at 36a), that petitioner “would probably lose
on its claim that the field tapes were ‘works made for hire’
under any view of the 1976 Act.” Indeed, the court sur-
mised, even the so-called “conservative” approach — which
4 The court explained (Pet. App. 34a) that “[t)he ‘literal’ interpreta-
tion of the 1976 Act has more in its favor” than the two competing ap-
proaches it had discerned in the case law. In particular, the court
found that its preferred approach “makes sense” out of the statutory
provisions, “ties the meaning of ‘work for hire’ to a well-developed
doctrine in agency law,” and “gives buyers and sellers the greatest
predictability” (id. at 34a-35a).
6
treats buyers of works most favorably—“might not get
[petitioner] to the promised land” (id. at 36a-37a).
DISCUSSION
Petitioner challenges the Fifth Circuit’s interpretation of
the work-made-for-hire provisions of the Copyright Act
of 1976. We agree that the courts of appeals have adopted
conflicting interpretations and that the issue may well war-
rant resolution by this Court. In our view, however, the
outcome of the present case would not have been different
under a different interpretation of the work-made-for-hire
provisions. Accordingly, the case is not an appropriate
vehicle for resolving the issue on which the lower courts
are divided. We therefore conclude that certiorari should
be denied.°
1. The plaintiff in the Aldon Accessories case was a
designer and marketer of figurines and other decorative
items for the home. In 1977, one of its principals con-
ceived the idea of designing a line of statuettes depicting
mythological creatures. After contracting with certain
overseas artisans to fashion the items, the principal went
abroad and actively oversaw the process by which the
figurines were created. Holding that the plaintiff was the
owner of the copyright in the merchandise, the Second
Circuit reasoned (738 F.2d at 552) that while the foreign
concerns were independent contractors, they had been
“sufficiently supervised and directed by the hiring party to
be considered ‘employees’ acting within ‘the scope of
employment.’ ” The court therefore applied subsection (1)
$ Although the petition sets forth three questions presented (Pet. i),
we believe that the question whether the Fifth Circuit has correctly in-
terpreted the work-made-for-hire provisions is better addressed as a
single question and have accordingly set out our views in that format.
7
of the work-made-for-hire provisions and upheld the
plaintiff’s claim.
The Seventh Circuit followed the Aldon Accessories in-
terpretation in Evans Newton Inc. v. Chicago Systems
Software, 793 F.2d 889 (1986), cert. denied, No. 86-441
(Nov. 10, 1986). That case involved a dispute about
ownership of the copyright in a certain computer manual.
Holding for the plaintiff, the court of appeals found that
the manual was a work made for hire. The court explained
(793 F.2d at 894) that piaintiff’s president had “supervised
and directed the work,” and it noted that in fashioning the
manual the defendant had “merely used [its] programming
skills to produce the work according to [the plaintiff’s]
specifications.’’®
2. In the present case, the court of appeals expressly
rejected (Pet. App. 21a-32a) the Second Circuit’s analysis
® In Brunswick Beacon, Inc. v. Schock-Hopchas Pub. Co., 810
F.2d 410 (1987), the Fourth Circuit distinguished Aldon Accessories
on its facts, but did not dispute the Second Circuit’s rationale. The
court upheld a newspaper’s copyright in certain advertisements that it
had prepared and published at the request of advertisers. Rejecting the
claim that the advertisers owned the copyright under the work-made-
for-hire provisions, the court held, first (810 F.2d at 413), that because
there was no agreement to treat the advertisements as works made for
hire, subsection (2) could not apply. Moreover, the newspaper could
not be characterized as an “employee” of the advertisers for purposes
of subsection (1). While “the advertisers told the [newspaper] what
they wanted, * * * there is no suggestion that they supervised [the
newspaper’s] employees as they developed the advertisements or
directed the manner of the work’s completion” (ibid.). Judge Hall
dissented (id. at 414-415). In his view, the newspaper was an employee
under subsection (1) because the advertisers “retained the right to con-
trol and supervise both the nature and content of the ads” (id. at 415).
As far as we can tell, Judge Hall’s dissenting opinion in Brunswick
Beacon is the only court of appeals opinion that embraces what the
Fifth Circuit characterized as the “conservative” interpretation of the
provisions.
8
in Aldon Accessories, in favor of what it termed a “literal”
approach to the work-made-for-hire provisions —/.e., as
we read the opinion, an interpretation under which subsec-
tion (1) reaches only those cases where the maker of the
work is “literally” an employee of the claimant.’ We agree
with petitioner (Pet. 19-20) that the issue on which the
lower courts are divided is important and may in the
future warrant resolution by this Court. We believe,
however, that this case is not an appropriate vehicle for
doing so.
The district court in this case applied the Aldon Ac-
cessories standard but, on the facts presented, rejected
petitioner’s claim. The court observed (Pet. App. 66a-67a)
that WYES’s employee, John Beyer, had “use[d] his exper-
tise to achieve the desired result on videotape” and that
petitioner’s role was limited to what would be “normally
expected from a client.” On the record below, the district
court could not find that petitioner “exercised such control
and supervision over the work of WYES and Beyer during
the creation of the Field Tape that WYES could be held to
be an ‘employee’ acting within the ‘scope of employment’ ”
(id. at 65a). Petitioner has not suggested that any of the
trial court’s findings are clearly erroneous.
The court of appeals applied a different legal standard
but reached the same result. Indeed, the court observed
(Pet. App. 36a) that petitioner “would probably lose on its
claim that the field tapes were ‘works made for hire’ under
any view of the 1976 Act.” We agree. For that reason, we
believe that the present case is not an appropriate vehicle
for resolving the conflict in the Circuits concerning the
work-made-for-hire provisions.
7? Prior to the Fifth Circuit’s decision in this case, the Ninth Circuit,
in dicta, had endorsed a similar construction of the work-made-for-
hire provisions. May v. Morganelli-Heumann & Assoc., 618 F.2d
1363, 1368 n.4 (1980).
9
CONCLUSION
The petition for a writ of certiorari should be denied.
Respectfully submitted.
CHARLES FRIED
Solicitor General
JAMES M. SPEARS
Acting Assistant Attorney General
JOHN F. CORDES
DWIGEHT G. RABUSE
Attorneys
MARCH 1988
>. U.S. GOVERNMENT PRINTING OFFICE: 1988—202-037/60329
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