Petition for Writ of Certiorari — Duncan v. Pacific & Southern Co.
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ALEXANDER 1. Steyay |
In The
Supreme Court of the United States
October Term, 1984
>)
CAROL DUNCAN, d/b/a TV NEWS CLIPS,
Petitioner,
vs.
SOUTHERN AND PACIFIC COMPANY, INC., d/b/a
WXIA-TV,
Respondent.
°
PETITION FOR WRIT OF CERTIORARI
TO THE UNITED STATES COURT OF APPEALS
FOR THE ELEVENTH CIRCUIT
co)
Lyman Ray PartEerson
317 Gambrell Hall
1291 Clifton Road, N.E.
Atlanta, Georgia 30322
(404) 329-6821
Attorney for Petitioner,
Carol Duncan, d/b/a TV News Clips
COCKLE LAW BRIEF PRINTING CO., (800) 835-7427 Ext. 333
QUESTIONS PRESENTED
1. Does the First Amendment’s free speech clause pre-
vent a television station from using the copyright law to
deny reasonable public access to its previously aired tele-
vision newscasts?
2. Does the fair use doctrine protect the publie’s right of
reasonable access to copyrighted news reports broadcast
over the public airwaves?
3. Does the Court of Appeals’ decision violate the Copy-
right Statute in providing perpetual copyright protection
for future works which are to be destroyed shortly after
they are created?
ii
TABLE OF CONTENTS
Pages
Questions P esented . i
Petition. ...... iinet eisai alae atdeagaaa ae 1
Opinions Below ............... | RP bie Aa mi 1
Jurisdiction ]
Constitutional and Statutory Provisions Involved .......... 1
Statement of the Case 2
A. The Broadcast Monitoring Industry 0000... 3
B. WXIA’s Retention and Marketing Policy .......... 6
C. History of this Lawsuit —20
Reasons for Granting the Writ:
|. This Court Should Determine Whether the
first Amendment’s Free Speech Clause Prevents a
Television Station from Using the Copyright Law te
Deny Reasonable Publie Access to Its Previously
Aired Television Newscasts.
A. The Importance of the Question 00.0
B. The Free Speech Issue
C. The Copyright Issue
D. The Interrelationship of Free Speech and
Copyright
Ii. This Court Should Determine Whether the
Fair Use Doctrine Protects the Public’s Right of Rea-
sonable Access to Copyrighted News Reports Broad-
cast Over the Public Airwaves. oo ccccccccssssssescsssuseeeeen:
lil
TABLE OF CONTENTS—Continued
Pages
A. The Fair Use Doctrine Analyzed .
B. The Origin of the Fair Use Doctrine —... 18
C. The Cause of the Confusion 20
I nsntevinerotinsnnicnionitgeetonemeenmtanenimnenennen 22
III. This Court Should Determine Whether the
Court of Appeals’ Decision Violates the Copyright Act
by Providing Perpetual Copyright Protection for Fu-
ture Works Which are te be Destroyed Shortly After
They Are Created. . Sila neaidhsaibisiieneitcumesateandieimesniinieinihe 23
Conclusion . 25
Appendix:
Appendix A—Court of Appeals’ Opinion ......... Al
Appendix B—District Court’s Opinion |. A19
Appendix C—Order Denying Petition for Re-
Ge . A438
Appendix D—Constitutional and Statutory Pro-
a A45
Appendix E—Cease and Desist Letter A47
TABLE OF AUTHORITITES
CASES
Board of Education v. Pico, 457 U.S. 853 (1982) 10
Columbia Broadcasting System, Inc. v. Demo-
cratic National Committee, 412 U.S. 94 (1973) —.. 12
lv
TABLE OF AUTHORITIES—Continued
Pages
Folsom v. Marsh, 9 F. Cas. 342 (C.C.D.Mass 1841) ..... 18
l‘ortnightly Corp. v. United Artists Television,
Inc., 392 U.S. 390 (1968) 17
Gannett Co., Inc. v. DePasquale, 443 U.S. 368 (1979) ..... 1]
Harper & Row Publisliers, Ine. v. Nation Enter-
prises, 723 F.2d 195 (2d Cir. 1983), cert. grant-
ed, 104 S. Ct. 2655 (1984) .... Salmiaaen 10
List Publishing Co. v. Keller, 30 F. 772 (C.C.D.S
N.Y. 1887) ae
Mazer v. Stein, 347 U.S. 201 (1954) = aN 18
Miami Herald Publishing Co. v. Tornillo, 418 U.S.
241 (1974) ....... | 11
Office of Communication of the United Church of
Christ v. Federal Communications Commission,
425 F.2d 548 (D.C. Cir. 1969) pean ae
Sony Corporation of America v. Universal City
Studios, Inc, — U.S. —, 104 S. Ct. 774
1984) 15, 16, 18, 22
Stanley v. Georgia, 394 U.S. 557 (1969) 0000
Stover v. Lathrop, 33 F. 348 (C.C.D.Colo. 1888) 21
Triangle Publications, Ine. v. Knight-Ridder
Newspapers, Inc., 626 F.2d 1171 (Sth Cir. 1980) 16
Twentieth Century Musie Corp. v. Aiken, 422 U.S.
151 (1975) 12,17
Vv
TABLE OF AUTHORITIES—Continued
Pages
United States v. Paramount Pictures, Ine., 334
U.S. 131 (1948) 18
Wheaton v. Peters, 33 U.S. (8 Pet.) 591 (1834) ........ 12, 22
Wihtol v. Crow, 309 F.2d 777 (8th Cir. 1962) 21
Williams & Wilkins v. United States, 487 F.2d
1345 (Ct. Cl. 1973), aff'd by an equally divided
court, 420 U.S. 376 (1975) ; 21
CoNSTITUTIONAL AND STATUTORY PROVISIONS
United States Constitution
eh RE vice een esnin passim
Art. 1, see. 8, cl. 8 ........ 1, 12, 13, 24
Copyright Act of 1976—17 U.S.C.
See. 101 6, 7, 8, 14, 25
See. 102 6, 7, 23, 25
Sec. 106 17
See. 107 2, 8, 9, 17, 18, 19, 22
See. 107-118 17
Ef ea EMA ROR AEE
> Rete em spanitedl 24, 25
See. 411(a) 7
See. 411(b) 7
TOMES CD ©) EES 3
See. 506 aoe ae
TABLE OF AUTHORITIES—Continued
Pages
Copyright Act of 1909—17 U.S.C.
8 Risa strate ETS eek A ne ee eC as 20, 21
Ee a ee 23
28 U.S. C.
See. 1338(a) 2
See. 1254(1) 1
LeeisLativE MATERIALS
H. R. Rep. 222, 60th Cong., 2d Sess. (1999) ..... Cee ew 21
H. R. Rep. No. 94-1476, 94th Cong., 2d Sess.
Salt nladiscepicakscetacdohenseaeiits este oaedinaneeaeaicen aan 17, 24
MISCELLANEOUS
Boorstyn, N., ed. The Copyright Law Journal,
Special Focus Issue, ‘*The Doctrine of Fair
Use” (1984) liane 14
Clapp, V., Copyright—aA Librarian’s View (1968) ....... 20, 21
Copyright Laws of the United States of America,
1783-1962 (Copyright Office 1962) .
Copyright Revision Act of 1831, 4 Stat. 486 2000... . 19
Drone, K., A Treatise on the Law of Property in
Intellectual Productions (1879) . 19
Nimamer, M., Copreyrtght (1984) ..cccccccccccsccsscssneesnessneensseneene 13, 20
vii
TABLE OF AUTHORITIES—Continued
Pages
Patterson, Book Review, 34 Vand. L. Rev. 833
(1981) . 20
The Supreme Court, 1983 Term, 98 Harv. L. Rev.
87 (1984) ; 16
PO re ea ae a
Petitioner Carol Duncan, d/b/a TV News Clips, (‘‘Mrs.
Duncan”) respectfully prays that a Writ of Certiorari is-
sue to review the judgment and opinion of the United
States Court of Appeals for the Eleventh Cireuit (‘Court
of Appeals’’) entered in the above-entitled case on Octo-
ber 26, 1984.
ray
—QO-——
OPINIONS BELOW
The Opinion of the Court of Appeals rendered Oc-
tober 26, 1984, is reported at 744 F.2d 1490 (11th Cir.
1984)—Appendix A hereto (cited herein as ‘‘App. Al et
seq.”). The Opinion of the United States District Court
for the Northern District of Georgia entered October 13,
1983, is reported at 572 F. Supp. 1186 (N.D. Ga. 1983)—
Appendix B hereto (cited herein as ‘‘App. A19 et seq.’’).
—o-
JURISDICTION
The Judgment of the Court of Appeals was entered on
October 26, 1984. A Petition for Rehearing and a Sugges-
tion for Rehearing in Bane was timely filed on November
14, 1984. The Petition for Rehearing was denied by order
dated December 7, 1984—Appendix C hereto (App. A48).
This Petition for Writ of Certiorari has been timely filed
within ninety days thereafter. The jurisdiction of this
Supreme Court is invoked pursuant to 28 U.S.C. §
1254(1).
ry
“
CONSTITUTIONAL AND STATUTORY PROVISIONS
INVOLVED
This ease involves the First Amendment and Article
I, § 8, el. 8 (Copyright Clause) of the United States Con-
1
stitution and section 107 of the Copyright Act of 1976, 17
U.S.C. § 107, each of which is printed in full in Appendix
D hereto (App. A45 et seq.).
STATEMENT OF THE CASE
This is an action for alleged infringement of statutory
copyright. Jurisdiction of the district court was invoked
under 28 U.S.C. § 1338(a).
Petitioner, Mrs. Carol Duncan, d/b/a TV News Clips
(Mrs. Duncan) is a broadcast monitor in the Atlanta area.
She tapes newscasts off-the-air and provides hard copies,
known as videoclips, of news stories appearing on the
newscasts. These videoclips are usually provided to the
subjects of the news stories.’ Mrs. Duncan monitors news
broadeast by Respondent, Pacific and Southern Company,
Ine., d/b/a WXIA-TV (WXIA), an affiliate of the Na-
tional Broadcasting Company, and other Atlanta television
stations. She limits her service to newscasts and does not
monitor entertainment or sports programming. She does
: Mrs. Duncan’s clients include lawyers, public officials
(Governor Harris of Georgia; Secretary of Transportation
Elizabeth Dole); trade associations (National Association
of Educators; Georgia Association of Educators); govern-
mental agencies (Environ‘nental Protection Agency; In-
ternal Revenue Service; General Services Administration);
newspapers (Atlanta Journal and Atlanta Constitution);
television networks (Cable News Network); political groups
(Georgia Republican Party; National Republican Commit-
tee); colleges and universities (Emory University; More-
house College of Medicine); hospitals (Northside Hospi-
tal; DeKalb General Hospital; Piedmont Hospital; Grady
Hospital); public utilities (Georgia Power); and numerous
businesses of various kinds.
3
not sell videotapes of the newscasts, only videoclips of
stories appearing as a part of the newscasts.
A. The Broadcast Monitoring Industry.
A broadcast monitoring service is to the electronic
media what a newspaper clipping service is to the print
media. Both provide clips, or clippings, of news stories
reported by the media to viewers or readers. The services
of broadcast monitors and newspaper clipping concerns
are such that a particular television station or newspaper
could not perform them even if so inclined. A television
station or newspaper can provide a record only of the
news it carries. Neither can monitor or review the news
reported by its competitors.
This case is unique in that a television station objects
to a monitoring service for television viewers of the same
type that has been provided for d cades to newspaper
readers. There is not a single reporced case brought by a
newspaper publisher against a newspaper clipping service
for copyright infringement based upon a claim that the
copyright laws prohibit news clipping agencies.
A new and growing industry, broadcast monitoring
developed because of the nature of television newscasts.
Every commercial television station in this country, each
of which is licensed by the Federal Communications Com-
mission, broadcasts news several times a day. The public
pays them for their efforts by the purchase of goods ad-
vertised on the newscasts.
Television newscasts are fast paced, short-lived pres-
entations. They contain many news stories during a thir-
ty, sixty, or ninety minute period. Often competing sta-
tions present newscasts in the same city at the same time.
The stories on the newscasts are brief and presented be-
tween frequent commercial breaks. Given these facts, a
viewer interested in a particular story carried by three
stations in a city will see the story he is interested in on
all three channels only by chance. Yet, the contents of
the story about the same subject may vary substantially
from channel to channel.
Local television newscasters do not limit their news
to local stories. Television stations often report news
stories, for example, about national companies such as
General Motors, IBM, Exxon or Proctor and Gamble.
These companies have a business purpose in knowing what
is reported about them nationwide in different locales.
For them, as well as for many subjects of the news stories,
a broadcast monitor is a significant source of information
which is frequently unavailable elsewhere, even from the
broadcaster of the report.
The success of broadcast monitoring services is proof
that they provide a service to the public by fulfilling a
need. Businesses have a legilimate concern for their
image as presented by the media. Public officials need to
know what is being reported over the airwaves about a
particular event. Attorneys sometimes require records of
television coverage of an accused client in support, for
example, of a motion for change of venue. Indeed, the
ephemeral nature of television newscasts means that the
services of a broadcast monitor are useful whenever a rec-
ord of publicly aired information is needed. But the full
potential of the industry has not been realized because it
is new and still developing.
AOE re .
The decision below will seriously erode, if not destroy,
the industry.’ Less than two months after the Court of
Appeals rendered its decision, WXIA’s attorney sent a
cease and desist letter to a broadcast monitor in New York
City which was monitoring WXIA newscasts and enclosed
a copy of the decision. In view of the Copyright Act’s
sanctions for “willful infringement,” 17 U.S.C. 4 504 (c)
(2), and criminal sanctions, zd., § 506, svch a letter with
a copy of the opinion will serve to shut down one monitor,
then another, and finally to stamp out a new industry.
The importance of broadcast monitoring derives in
part from the fact that the function of a newscaster is in-
herently different from that of the creative artist. The
newscaster’s only role is to convey to the public informa-
tion about community, state and national affairs. News-
casters also convey to the public what would otherwise be
private information about individuals and various entities,
regardless of the desires or wishes of the subjects of the
stories. The right of the newscaster to do so is clear un-
der the First Amendment. The right of those individuals
and entities to have reasonable access to those reports
about them after they have been broadcast should be made
equally clear. A broadcast monitor complements, but does
2 Litigation against a broadcast monitor similar to this case
is presently pending in Texas. Community Television
Foundation of South Florida, Inc. d/b/a WPBT-TV Channel
2 v. Jack Cato and Shirley Cato, d/b/a Broadcast News
Reports, Civil No. H-83-5742, U.S.D.C., $.D. Tex., Houston
Div.
3 The letter is reprinted as Appendix E, A47. The public
significance of this case is shown by the fact that CBS,
Inc. filed an extensive amicus memorandum in the Dis-
trict Court and an amicus brief in the Court of Appeals.
not compete with, the television newscaster in providing a
public service.
B. WXIA’s Retention and Marketing Policy.
WXIA, like most local newseasters, retains videotapes
of its newscasts for only one week. (App. A37) In accord-
ance with the apparent custom of the industry, it reuses
the videotape on which a newscast is recorded every sev-
enth day. The videotape used to record a Monday’s news-
casts, for example, is reused to record the next Monday’s
newseasts. The newscasts of the previous Monday are
erased as the more recent newscasts are recorded over
them. WXIA does retain ‘‘partial visual elements the
program” (App. A37) for its library, as well as the scripts
and an eudiotape of the newscast. (App. A2)
WXIA does not actively market videoclips from its
newscasts, (App. A2) ‘‘and admits that it has no real con-
cern that it ever sell any tapes.’’ (App. A41) It does sell
videoclips to persons who request them ‘‘as a public
service” (App. A21-22) but only at its discretion. For
example, as the Court of Appeals noted, WXIA refuses to
sell tapes to candidates for public office ‘‘because the sale
could appear to be an endorsement or other show of sup-
port for the candidate. Out of a similar concern over
favortism, the station asks for a subpoena before selling a
tape that will be used in litigation.” (App. A2 n.1)
Relying ou the 1976 Copyright Act provision permit-
ting copyright protection for live broadcasts if simultane-
ously recorded, 17 U.S.C. § 101 (definition of ‘‘fixed”) and
102, WXIA claims copyright protection for its newscasts.
But it does not undergo the effort and expense of register-
semper
~]
ing its claim of copyright on those newscasts with the
Copyright Office.‘
C. History of This Lawsuit.
On March 11, 1981, WXIA broadeast a short news
story about Floyd Junior College. The total story, the
subject of which was a physical fitness trail the college
had installed, lasted less then two minutes (App. A21) on
a ninety minute newscast. Mrs. Duncan sold a videoclip
of that story to the public relations director of the college
who purchased it at the request of WXIA. (Tr. Trans. 62)
The fee was $55.00. (App. A42)
In May, 1981, in preparation for this litigation, WXIA,
for the first time ever, sought to register the copyright of
one of its newscasts, the newscast of March 11, 1981.5 The
videotape of the newscast, however, was no longer in exis-
tence. Presumably in accordance with its custom, WXIA
had erased the videotape. (App. A37) Ironically, WXIA
used the alleged infringing videoclip made by Mrs. Duncan
which it had obtained from Floyd Junior College (App.
All n.9) and an audiotape of the newscast for registra-
4 The copyright of a work must be registered in order for
the owner to bring an action for its infringement. 17
U.S.C. § 411(a). But a live television newscast cannot
be registered as such since only works fixed in a tangible
medium of expression are copyrightable. 17 U.S.C. §
102. It is the videotape of the newscast that is copy-
righted, 17 U.S.C. § 101 (definition of ‘‘fixed’’), and special
rovision is made for the registration of videotapes of
ive television broadcasts. 17 U.S.C. § 411(b).
5 At the time of trial, a year and over 1,000 newscasts after
the March 11, 1981 newscast, WXIA had not registered a
claim of copyright on any other of its newscasts.
8
tion.” The Copyright Office, of course, could not register
the non-existent videotape of the newscast, but did register
the videoclip and the audiotape. The Copyright Office had
no way of knowing that the videoclip deposited with it was
made by Mrs. Duncan and not fixed ‘‘by or under the au-
thority of the author,’’ 17 U.S.C. $101 (definition of
‘“‘fixed’’).
In June, 1981, WXIA filed this lawsuit for copyright
infringement seeking $50,000 in statutory damages and a
permanent injunction to prevent Mrs. Duncan from moni-
toring its newseasts. WXITA admitted that Mrs. Dunean’s
use of its newscasts does not harm it financially in any
way, (Tr. Trans. 84) that Mrs. Duncan was not in compe-
tition with it, (Tr. Trans. 86) and that yesterday’s news-
east has no economic value for it. (Tr. Trans. 87)
The District Court denied Mrs. Dunean’s fair use de-
fense without applying the four statutory factors of sec-
tion 107 because ‘417 U.S.C. §107 does not automatically
require any use which is sought to be labelled ‘fair’ to be
analyzed under the guidelines set forth in subparagraph
(1) through (4). Rather, it is only where the use is clear-
ly for ‘purposes such as criticism, comment, news report-
ing, teaching (including multiple copies for classroom use),
scholarship, or research,’ ... that the Court’s interest in
subfactors (1) through (4) is triggered.” (App. A32-33)
The court held Mrs. Duncan’s use of WXIA’s newscasts to
be an infringement, denied WXIA a permanent injunction
because of ‘‘First Amendment considerations,” found the
6 WKXIA retained a copy of the “Fitness Trail” story, but that
copy did not contain the introduction to the story by the
anchor persons on the newscast as did the clip made by
Mrs. Duncan.
nS ee tan BE ne
actual damages to be ‘‘trivial’? and awarded WXIA
$35.00.
The Court of Appeals rejected the District Court’s
interpretation of 17 U.S.C. § 107. It applied the four stat-
utory factors relating to fair use and relied most heavily
on the fact that Mrs. Duncan’s use was a commercial use.
The Court of Appeals affirmed the District Court’s denial
of Mrs. Duncan’s defense of fair use and finding of in-
fringement, reversed as to the denial of a permanent in-
junction, and remanded the case for the entry of the in-
junction. WXIA did not contest the award of damages on
appeal.
ra’
Vv
REASONS FOR GRANTING THE WRIT
I. This Court Should Determine Whether the First
Amendment’s Free Speech Clause Prevents a Tele-
vision Station from Using the Copyright Law to Deny
Reasonable Public Access to Its Previously Aired
Television Newscasts.
A. The Importance of the Question.
The core question in this case involves the interre-
lationship of free speech and copyright as applied to tele-
vision newscasts: Can copyright law be used to override
the First Amendment right of reasonable public access
to news reports broadcast over the public airwaves?
This issue is in itself an ‘‘important question of fed-
eral law which has not been, but should be, sett!ed by this
eourt.” Moreover, the Court of Appeals’ opinion raises
two related issues of major importance in the adminis-
10
tration of the copyright law. The first is whether the fair
use doctrine protects the publie’s right of reasonable ac-
cess to copyrighted news reports after they have been
broadcast over the public airwaves. The second is wheth-
er the Court of Appeals violated the copyright statute in
providing perpetual copyright protection for future works
to be destroyed shortly after they are created. These
are “questions whose resolution will have immediate im-
portance far beyond the particular facts and the parties
997
involved. ...
B. The Free Speech Issue.
For the first time in the history of copyright, a fed-
eral court has used the copyright statute to order a per-
manent injunction that denies reasonable public access
to news reports. This is a manifest denial of the “right
to receive information and ideas,” under the First Amend-
ment. Board of Education v. Pico, 457 U.S. 853, 867
(1982). Cf. Stanley v. Georgia, 394 U.S. 557, 564 (1969)
7 This case also presents an issue in regard to the electronic
media similar to that which Harper & Row Publishers,
Inc. v. Nation Enterprises, 723 F.2d 195 (2d Cir. 1983),
cert. granted, 104 S. Ct. 2655 (1984), presents in regard
to the print media. Both cases involve the application of
the fair use doctrine to news reported by the media.
Harper & Row involves the print media, while this case
involves the electronic media. But Harper & Row, finding
the use to be a fair use, is contrary to the Court of Appeals’
decision in this case. If this Court should affirm Harper
& Row, the Eleventh Circuit’s opinion would stand con-
trary to a decision of this Court; if this Court should re-
verse Harper & Row, there would be confusion as to the
applicability of the fair use doctrine to news reported by
the electronic media. The copyright owner in Harper &
Row intended to provide more than reasonable access to
the material; in this case, the copyright owner seeks to
inhibit public access to the copyrighted material.
11
(“It is now well established that the Constitution protects
the right to receive information and ideas.”)
The First Amendment protects the media’s right to
report what it wishes, when it wishes, where it wishes
without regard to taste, decorum er respect for privacy.
The First Amendment even pretects the press from being
compelled to correct a wrong report. JMJiami Herald Pub-
lishing Co. v. Tornillo, 418 U.S. 241 (1974). The First
Amendment, one can assume, also protects the right of
the electronic media to destroy a record of what it has
reported.
The First Amendment should also protect the pub-
lie’s right of access to that which the media reports. For
the First Amendment protection for the media ‘‘derives,
not from any specia! status of members of the press as
such, but rather ‘[i]n seeking out the news the press. .
acts as an agent of the public at large,’ .. .” Gannett Co.,
Inc. v. DePasquale, 443 U.S. 368, 397-98 (1979) (Powell,
J. coneurring).
There are any number of reasons why a citizen or a
group of citizens may wish to have newscasts monitored,
for example, prejudicial reporting as to minorities, see,
e.g. Office of Communication of the United Church of
Christ v. Federal Communications Commission, 425 F.2d
543 (D.C. Cir. 1969), or for purposes of researching media
treatment of a particular issue. But given the fact that
news is ‘‘the history of the day”, the First Amendment
protects the right of a citizen to use the services of a
broadcast monitor regardless of the reason.
C. The Copyright Issue.
When, as in this case, copyright law is applied to a
new medium of communication, the issue of the proper
12
administration of that law arises anew. For as the elec-
tronic media involves an ‘‘unusual order for first amend-
ment values,” Columbia Broadcasting System v. Demo-
cratic National Committee, 412 U.S. 94, 101 (1973), it also
involves an unusual order of copyright values.
WXIA has not yet answered the basic question in
this case: What copyright values is it seeking to protect
in denying publie aceess to its previously aired newscasts,
the videotapes of which it erases. The question is of
particular importance because it involves the issue of
copyright protection for ephemeral reports of news only
temporarily available to the public.
Certain fundamental principles control the applica-
tion of copyright law. The constitutional purpose of copy-
right is to promote learning, U. S. Const., Art. I, $8,
el. 8; copyright is the grant of a limited statutory monop-
oly, Wheaton v. Peters, 33 U.S. (8 Pet.) 591 (1834); and
copyright is primarily for the benefit of the public and
only secondarily for the benefit of the copyright owner.
Twentieth Century Music Corp. v. Aiken, 422 U.S. 151,
156 (1975).
8 At trial, WXIA testified that its concern was “to protect
its image,” and that Mrs. Duncan’s tapes are of inferior
quality. (Tr. Trans. 84-86) Mrs. Duncan argued below that
since WXIA regularly erases the videotapes of its news-
casts, it is destroying evidence of defamation that it may
perchance commit and preventing others from obtaining
evidence of any such defamation. The Court of Appeals
said, ‘“‘An effort to discourage defamation suits might be
an abuse of the copyright laws and a violation of the
First Amendment, but that possibility is entirely imaginary
in this case.” (App. A-13-14) But of course the applica-
tion of the rule of this case will not be limited to this
case. Even if WXIA’s purpose is not to discourage defama-
tion actions, that is clearly the significant effect of its use
of copyright in this case as no financial considerations
are involved.
LEE ERT ge pert mA AE Re ncn NE ES Sr om
- .
13
The Court of Appeals’ decision is contrary to each
of these fundamental propositions, for it holds that the
fact that television newscasters regularly destroy the video
tapes of their newscasts does not affect their right to
plenary copyright protection.
The opinion thus treats copyright as an absolute, not
a limited, monopoly. The injunction the court ordered
provides perpetual copyright protection like the common
law copyright Congress abolished. 17 U.S.C. § 301. Since
Congress can grant copyright only for ‘‘limited times”,
U.S. Const., Art. I, § 8, el. 8, “A federal copyright statute
which purported to grant copyright protection in per-
petuity would clearly be unconstitutional.” Nimmer,
Copyright, §1.05[A], p. 1-34 (1984).°
D. The Interrelationship of Free Speech and Copyright.
The fact that the subject matter of the copyright here
involved is news brings into issue the interrelationship
of the free speech clause of the First Amendment and the
copyright clause. As the District Court said, “Courts and
commentators have for years recognized a possible ten-
sion between copyright and first amendment freedom of
speech.” (App. A27) While perhaps true in some cases,
9 As Professor Nimmer’s comment implies, the vice is in
the fact that the copyies protection is perpetual. Thus,
an injunction based on the — statute that gives
protection for a series of works as long as they exist, al-
though each of the works has only a seven-day existence,
can properly be characterized as perpetual. The purpose
of denying perpetual copyright is to ensure that copy-
righted works will eventually go into the public domain,
a purpose that can never be realized as to WXIA’s news-
casts since WXIA erases the videotapes of its newscasts.
14
there is no such tension in this case; here the two consti-
tutional provisions can be, and should be, complementary.
The copyright clause and the free speech clause both
deal with the same subject, communication of ideas; both
reflect the same values, protection of the expression of
ideas; and both promote the same policy, the free flow of
information. The copyright clause thus incorporates First
Amendment values.
The means by which First Amendment values are in-
corporated into the copyright clause is the fair use doe-
trine. As one copyright scholar has stated:
‘The purpose of the fair use doctrine is to strike
a balance between the First Amendment and the
Copyright Act. The First Amendment protects the
publie’s right to the free flow of ideas and informa-
tion; the Copyright Act protects the copyright own-
er’s right to the exclusive use and control of the work.
Tie fair use doctrine strikes that balance by pre-
venting a rigid application of the Copyright Act that
would unreasonably interfere with or prevent the pub-
lic dissemination of ideas and information.’’ N. Boor-
styn, ed., The Copyright Law Journal, Special Focus
Issue, ‘‘The Doctrine of Fair Use,” 2 (1984).
The application of the fair use doctrine to printed
material and to television newscasts, however, involves dif-
ferent considerations. Unlike printed material, which is
pubiished and disseminated in permanent form, television
broadcasts, including newscasts, are not published, they
are performed. 17 U.S.C. § 101 (definition of ‘‘perform”
and ‘‘publication”). The profit for the television news-
caster comes not from the sale of copies of the work, but
from advertisers. Thus, if the same copyright protection
logically applied to printed materials such as books is in-
Co eae
ere ge
15
discriminately applied to television newscasts, the news-
caster can use copyright law to inhibit rather than promote
the flow of information.
That is precisely what WXIA is seeking to do in this
ease. The free speech clause should prevent a television
station from using copyright to deny reasonable public ac-
cess to its previously aired newscasts. The fair use doc-
trine correctly applied as required by First Amendment
principles should protect the public’s right of access to
previously aired copyright newscasts.
These issues present substantial questions of law.
The importance of the questions is such that they merit
this Court’s consideration.
II. This Court Should Determine Whether the Fair Use
Doctrine Protects the Public’s Right of Reasonable
Access to Copyrighted News Reports Broadcast Over
the Public Airwaves.
The Court of Appeals’ opinion relied most heavily on
the fact that Mrs. Duncan’s use of the newscasts is a com-
mercial use. This reliance is inconsistent with this Court’s
statement that a use “that has no demonstrable effect upon
the potential market for, or value of, a copyrighted work
need not be prohibited in order to protect the author’s
incentive to create.” Sony Corporation of America v.
Universal City Studios, Inc., — U.S. —-, 104 S. Ct. 774, 793
(1984). The Court of Appeals virtually ignored the fact
that Mrs. Duncan’s use of the newscasts does not affect
the value of, or WXIA’s market for, its newscast—the
viewing audience.
16
As in Sony, Mrs. Duncan’s use of the television news-
casts does not create “a disincentive to produce that more
than offsets the benefit inherent in allowing more viewers
to see the programs.” The Supreme Court, 1983 Term,
98 Harv. L. Rev. 87, 293 (1984). Yet, the Court of Appeals,
by emphasizing Mrs. Duncan’s commercial use and sub-
stantially ignoring the lack of any financial harm to
WXIA, contradicted Sony, and “established what amounts
to a virtually per se rule that commercial motive destroys
the defense of fair use.” Triangle Publications, Inc. v.
Knight-Ridder Newspapers, Inc., 626 F.2d 1171, 1175 (5th
Cir. 1980).
A ruling that commercial motive destroys the fair
use defense turns the doctrine on its head. As discussed
below, the fair use doctrine originated as, and remains,
a fair “commercial” use doctrine: it presupposes a limi-
tation on the copyright monopoly by reason of a com-
mercial use by a competitor. When properly applied, the
focus is necessarily on the limitation of the monopoly, not
on the use itself.
The fair use doctrine is the most important limitation
on the copyright monopoly. As previously discussed, its
importance derives from the fact that its purpose is “to
strike a balance between the First Amendment and the
Copyright Act.” But fair use cases are characterized by
frequent reversals, close decisions, and sharp dissents. As
noted by Justice Blackmun in Sony, it ‘‘has been called
with some justification, ‘the most troublesome in the whole
law of copyright.’” Sony Corporation of America v. Uni-
versal City Studios, Inc., supra, 104 8. Ct. at 806 (Black-
mun, J. dissenting). This troublesomeness derives from
a failure of analysis, a point which merits discussion.
17
A. The Fair Use Doctrine Analyzed.
The use of a copyrighted work will necessarily be one
of three kinds: an unfair use (an infringement), a fair use
(not an infringement) or what can be characterized as a
normal use, for example, the reading of a book (neither an
infringement nor a non-infringement). Twentieth Century
Music Corp. v. Atken, 422 U.S. 151, 155 (1975) (**[I]f an
unlicensed use of a copyrighted work does not conflict with
an ‘exclusive’ right conferred by the statute, it is no in-
fringement of the holder’s rights.”’)
To determine whether a use is either unfair or fair,
one must begin with the fact that copyright consists of
a series of rights to which a given work is subject. Fort-
nightly Corp. v. United Artists Television, Inc., 392 U.S.
390, 393 (1968). (“The Copyright Act does not give a
copyright holder control over all uses of his copyrighted
work.”) These are the “exclusive” rights of the copy-
right holder.
These exclusive rights are: to reproduce the work in
copies, to prepare derivative works, to distribute copies,
to perform and to display the copyrigiited work. 17 U.S.C.
§ 106. Although designated as exclusive, these uses are
subject to the limitations set forth in twelve sections of
the Copyright Act, 17 U.S.C. §§ 107-118, the most notable
of which is the fair use doctrine. id., §107.!° Thus, to
be characterized as an infringing or as a fair use, a use
has to be of the kind reserved “exclusively” to the copy-
10 In the 1976 Copyright Act, Congress treated fair use as an
“equitable rule of reason,” H. R. Rep. No. 94-1476, 94th
Cong., 2d Sess. 65 (1976), and listed four non-exclusive
factors for courts to use in determining whether a use is
fair: (1) the nature of work, (2) the nature of the use, (3)
the amount used and (4) the effect on the value of or
market for the work. 17 U.S.C. § 107.
18
right owner. Otherwise, it cannot be an infringement and
there is no need to characterize it as a fair use. Such a
use is simply a normal use.
The fair use of a work “is not an infringement of
copyright.” 17 U.S.C. § 107. The fair use doctrine, then, is
a limitation on the copyright monopoly. That monopoly,
primarily economic in nature, is intended to serve the
publie interest. Mazer v. Stein, 347 U.S. 201, 219 (1954).
If the public interest is to be properly served, the fair
use doctrine is best viewed as a public right to limit a pri-
vate economic monopoly. “The copyright law, ... makes
reward to the owner a secondary consideration.” United
States v. Paramount Pictures, Inc., 334 U.S. 131, 158
(1948).
If one does not invade the economic monopoly of the
copyright owner, the use is presumptively fair. Sony
Corporation of America v. Umiversal City Studios, supra.
In this case, however, we have the unusual situation of
a use that does not invade the “economic” monopoly of
the copyright owner, but which does provide economic
benefits to the user. The question is whether the Court
of Appeals improperly refused to characterize this use
as a fair use.
B. The Origin of the Fair Use Doctrine.
The fair use doctrine originated in an 1841 case, Fol-
some v. Marsh, 9 F. Cas. 342 (C.C. D. Mass. 1841), a con-
troversy between two publishers of biographies of George
Washington. Justice Story held the defendant liable for
infringement, but in doing so, he said:
“The question, then, is whether this is a justifi-
able use of the original materials, such as the law
19
recognizes as no infringement of the copyright of the
plaintiffs. .. . In short, we must often, in deciding
questions of this sort, look to the nature and object of
the selections made, the quantity and value of the ma-
terials used, and the degree in which the use may
prejudice the sale, or diminish the profits, or super-
sede the objects, of the original work.” 9 F. Cas. 341,
348.
This language created the fair use doctrine and, ex-
cept for the nature of the work, encompasses the factors
Congress used in providing guidelines for courts to use in
determining whether a use is fair. 17 U.S.C. ¢ 107. To
grasp the full import of the language, it is necessary to
view it in the context of the exclusive rights of the copy-
right owner in 1841. Those rights were “the sole right
of printing, reprinting, publishing and vending” the copy-
righted work. Copyright Revision Act of 1831, 4 Stat. 436.
These rights were wholly commercial in nature and only
a competitor would seek to exercise them. As originally
established, the fair use doctrine was necessarily intended
to enable a competitor to make a reasonable commercial
use of a copyrighted work.
Eaton Drone in his 19th century classie on copyright
law makes the point clear in his discussion of the fair use
doctrine: “It is a recognized principle that every author,
compiler or publisher may make certain uses of a copy-
righted work, in the preparation of a rival or other publi-
cation.” E. Drone, A Treatise on the Law of Property in
Intellectual Productions, 386 (1879).
If a competitor’s commercial use of a copyrighted
work which presumably harms the value of or market for
the work can be a fair use, a fortiori a non-competitor’s
20
commercial use of such a work that does not harm the
value of, or market for, the work should be a fair use.
C. The Cause of the Confusion.
The confusion about the fair use doctrine centers on
the right to copy. Prior to the 1909 Act, the right to copy
a copyrighted work was limited to works other than books,
as statuary and works of fine art. See V. Clapp, Copy-
right—A Librarian’s View (1968); Patterson, Book Re-
view, 34 Van. L. Rev. 833, 836-38 (1981).
In the 1909 Copyright Act Congress gave to the copy-
right owner the exclusive right “to copy” all copyrighted
works. 17 U.S.C. § 1 (1909 Act). There is, of course, a
significant distinction between the exclusive right to copy
a work of art—a painting or statue—and the exclusive
right to copy a book. The normal use of a painting or
statue does not involve copying the work, while the normal
use of a book may well entail copying. For the first time,
the 1909 Act gave the copyright owner an exclusive right
(to copy a book) that an individual might wish to exercise
in making a non-commercial, non-competitive use of the
work.
Since the right to copy was now made an exclusive
right of the copyright owner for all works, a strict con-
struction of the language could mean that the individual’s
copying for personal uses only would be an infringement
of copyright. Thus a leading copyright scholar writes,
2 . subject to the privilege of fair use, .. . copyright
infringement occurs whenever an unauthorized copy...
is made, even if it is used solely for the private purposes
of the reproduced. ...” Nimmer, Copyright, § 8.02[C],
21
pp. 8-26 (1984). See Wihtol v. Crow, 309 F.2d 777 (8th
Cir. 1962). This proposition, directly contrary to the
constitutional purpose of ecopyright—the promotion of
learning—was clearly not the law prior to the 1909 Act.
Stover v. Lathrop, 33 F. 348, 349 (C.C.D. Colo. 1888) ; Last
Publishing Co. v. Keller, 30 F. 772, 773 (C.C.S.D.N.Y.
1887). And even today, the better view is that a per-
sonal use is a fair use. Waoltams & Wilkins v. United
States, 487 F.2d 1345 (Ct. Cl. 19738) aff'd by an equally
divided court, 420 U.S. 376 (1975).
The exclusive right of the copyright owner to copy all
copyrighted works created confusion because the fair use
doctrine could now be perceived as an invasion of the
copyright owner’s property rather than what it was in fact
—a limitation on the statutory monopoly of copyright."
The change in perception meant a change from a strict
construction of the monopoly of copyright to a strict con-
struction of the doctrine of fair use. Thus, in this ease,
11 Congress clearly did not intend to change the nature of
copyright in the 1909 Act. Concerning the new language
—the right ‘‘to print, reprint, publish, copy and vend’”—
the House Report stated: ‘Subsection (a) of §1
adopts without change the phraseciogy of § 4952
of the Revised Statutes, and this, with the insertion of
the word ‘copy,’ practically adopts the phraseology of
the first copyright act Congress ever passed—that of
1790.” H.R. Rep. No. 2222, 60th Cong., 2d Sess. 4 (1909).
Of this comment, it has been written: “Ironically,
so far from ‘retain[ing] without change’ the old phrase-
ology, the committees (the House of Representatives and
the Senate shared the same report) were introducing a
word that was new in the context. . . . Through it the
copyright proprietors, without seeking it and apparently
quite by accident, acquired at least the semblance of an
activity that was to have increasing importance in the
new century.” V. Clapp, Copyright—A Librarian’s View
27 (1968).
22
the Court of Appeals construed the fair use doctrine, not
the copyright monopoly, strictly.
But the view that the fair use doctrine is an invasion
of the copyright owner’s property to be strictly construed
requires the rejection of the teachings of this Court from
Wheaton v. Peters, 33 U.S. (8 Pet.) 591 (1834) to Sony
Corporation of America v. Universal City Studios, supra,
as to the nature of copyright—that it is a limited statutory
monopoly. And because “the fair use of a copyrighted
work ...is not an infringement of copyright,” 17 U.S.C.
§ 107, this view is also contrary to the copyright statute.
D. The Policy Issue.
This case presents a fundamental policy issue of copy-
right Jaw: Can copyright be used to prohibit reasonable
pub'ie aecess to short-lived copyrighted works publicly dis-
seminated for a brief period of time?
The issue is important because of the application of
copyright to the electronic media. This Court provided
an answer in Sony, but a slightly different factual situa-
tion led the Court of Appeals to a different result con-
trary to that case. The lower federal courts continue to
need direction from this Court in the area of copyright
law and the meaning of fair use. Given the fact that “the
natural tendency of legal rights to express themselves in
absolute terms to the exclusion of all else is particularly
pronounced in the history of the constitutionally sanc-
tioned monopolies of copyright and patent,” Sony Cor-
poration of America v. Universal City Studios, supra, at
104 S. Ct. 784 n.3, the danger is that lower courts will do
what the Court of Appeals did in this case: create an
anti-copyright, one that is used to inhibit rather than to
promote learning, as the Constitution commands.
23
The policy issue here is a complex and difficult one
which merits a full hearing by this Court. How it is re-
solved will determine whether the fair use doctrine can
continue to maintain the copyright monopoly within rea-
sonable bounds as it is extended to subject matter beyond
the paradigm for which it was created.”
The implications of the Court of Appeals’ decision
are critical for the future development of copyright law.
When the fair use doctrine is properly analyzed and ap-
plied, it is clear that it protects Mrs. Dunean’s use of
WXIA’s television newscasts. To say otherwise is to
create further confusion about the fair use doctrine and
to distort the purpose of copyright. This case is one that
requires this Court’s consideration now in the interest of
sound administration of the law of copyright.
III. This Court Should Determine Whether the Court of
Appeals’ Decision Violates the Copyright Act by
Providing Perpetual Copyright Protection for Future
Works Which are to be Destroyed Shortly After They
Are Created.
The Court of Appeals’ decision holds that the regis-
tration of an alleged infringing copy of a portion of a work
12 It is significant that Congress in the 1976 Copyright Act
made a major change in the law of copyright. Until that
Act, every copyright statute in this country, see Copyright
Laws of the United States of America, 1783-1962 (Copy-
right Office 1962), with one minor exception, 17 U.S.C.
§ 12 (1909 Act), required publication of the work as a
condition for obtaining a statutory copyright. Section 12
provided copyright for certain kinds of unpublished works
not reproduced for sale, i.e., lectures, dramatic or musical
compositions and photographs, works of art, plastic works
or drawings. The 1976 Act provides copyright protection
from the moment of fixation, 17 U.S.C. § 102, and thus
no longer ensures public access to the copyrighted work
by requiring publication. )
24
which the copyright owner has intentionally destroyed en-
titles that owner to a permanent injunction providing
copyright protection for similar works which it has not yet
created and which it will systematically destroy on a seven
day cycle after they are created. As discussed above, the
decision creates a federal common law copyright which,
like the state common law copyright Congress abolished,
17 U.S.C. § 301, provides copyright protection in perpetu-
itv. See n.9, supra.
The Court of Appeals, treating copyright as an ab-
solute monopoly, ignored both constitutional and statutory
principles. First, the opinion ignores the fact that the
Constitution empowers only Congress to provide for copy-
right and only for limited times. U.S.Const., Art. 1, $8,
el. 8. The limitation, of course, is in furtherance of the
promotion of learning, for it means that at the expiration
of the copyright term, the work shall go into the public
domain. Yet, in this case, the copyrighted works are de-
stoyed within seven days of creation. There is no copy of
the videotape of the newscast in issue, that of March 11,
1981, in existence, not even a registration copy.
Second, the statute requires registration of a claim of
copyright as a condition of judicial relief. 17 U.S.C. § 411.
‘‘Under the bill, as under the law now in effect, a copy-
right owner who has not registered his claim can have a
valid cause of action against someone who has infringed
his copyright, but he cannot enforce his right in the courts
until he has made registration.” H.R. Rep. No. 94-
1476, 94th Cong., 2d Sess. 157. The videotaped portion of
the newscast that was registered was not even fixed ‘‘by
25
or under the authority of the author” as the statute re-
quires. 17 U.S.C. $101 (definition of ‘‘fixed”)
A permanent injunction to restrain the copying of
future live television newscasts would relieve WXIA of the
duty of complying with any of the requirements of the stat-
ute. It would not have to register its claim of copyright
for judicial relief as required by statute, 17 U.S.C. § 411,
and, not having to register its claim of copyright, it would
not even have to fix the work in a tangible medium of ex-
pression, as required by the statute. 17 U.S.C. § 102. The
effect of a permanent injunction in this case would be to
provide copyright protection for works that may not even
be copyrightable.
WXIA has obviously determined that copyright regis-
tration is not worth the expense. Yet, because the Court
of Appeals ignored the registration requirements of the
statute, it unwittingly granted WXIA copyright protec-
tion in perpetuity for unregistered ephemeral works. The
case rewards a class of copyright claimants with an abso-
lute monopoly without exacting any benetit for society.
The consequences of a decision which does so warrant
this Court’s immediate consideration.
fay
Vv
CONCLUSION
For each and all of the foregoing reasons, a writ of
certiorari should issue to review the judgment and opinion
of the Eleventh Cireuit.
Respectfully submitted,
Lyman Ray Patrerson
Attorney for Petitioner
Carol Duncan, d/b/a
TV News Clips
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APPENDIX A
PACIFIC AND SOUTHERN COMPANY, INC., d/b/a
WXIA-TYV, Plaintiff-Appellee, Cross-Appellant,
V.
Carol DUNCAN, d/b/a TV News Clips, Defendant-Appel-
lant, Cross-Appellee.
No. 83-8782.
United States Court of Appeals,
Eleventh Cireuit.
Oct. 26, 1984.
Appeals from the United States District Court for the
Northern District of Georgia.
Before FAY and JOHNSON, Circuit Judges and
Young", District Judge.
JOHNSON, Circuit Judge:
Pacific and Southern Company, the owner of a televi-
sion station, charges that Carol Duncan, d/b/a TV News
Clips, has infringed its copyright by videotaping its news
broadeasts and selling the tapes to the subjects of the
news reports. We hold that the appellant has violated the
copyright laws because her activities do not constitute
‘fair use” of the material. We also conclude that the
television station is entitied to a permanent injunction pre-
venting the appellant from continuing to infringe its copy-
right. Accordingly, we affirm in part and reverse in part.
* Honorable George C. Young, U.S. District Judge for the
Middle District of Florida, sitting by designation.
A2
l. Facts
Pacific and Southern Company does business as
WXIA-TYV, a television station in Atlanta, Georgia. It
broadcasts four local news programs each day and places
a notice of copyright at the end of each newscast. A pro-
gram consists of self-contained news stories originating
outside the studio and linked together by live commentary
from the anchor persons, along with weather reports and
shorter news reports originating from the studio itself.
WXIA records the entire program on videotape and audio-
tape. It retains a written transcript of the program for a
year and the audiotape for an indefinite period of time; it
also maintains videotape copies of all the news stories
taped before broadcast and stories originating live from a
location outside the studio. The station erases the video-
tape of the entire program after seven days, a practice
that destroys any record of the visual element of segments
of the show broadcast live from within the studio.
WXILA does not currently market videotape copies of
its news stories. Nevertheless, some people ask the sta-
tion for a chance to view a tape at the station or to pur-
chase a copy for personal use. WXIA has always honored
requests to view tapes and usually allows persons to buy
the tapes they want.' The revenue from tape sales is a
small portion of WXIA’s total profits.
1. The tapes cost one hundred dollars. WXIA will not sell
tapes to political candidates because the sale could appear
to be an endorsement or other show of support for the
candidate. Out of a similar concern over favoritism, the
station asks for a subpoena before selling a tape that will
be used in litigation.
A3
Carol Duncan operates a business known as TV News
Clips, a conuercial enterprise belonging to a nationwide
association of news clipping organizations. TV News
Clips videotapes television news programs, identifies the
persons and organizations covered by the news reports,
and tries to sell them copies of the relevant portion of the
newscast.’ It does not seek the permission of WXIA or
any other broadcaster before selling the tapes, nor does it
place a notice of copyright on the tapes. <A label on each
tape does say, however, that it is ‘‘for personal use only
not for rebroadcast.” TV News Clips erases all tapes
after one month.
This case began when TV News Clips sold a copy of a
news feature to Floyd Junior College, the subject of a
story aired by WXIA on Mareh 11, 1981. WATA obtained
the tape purchased by Floyd Junior College, registered its
copyright,? and brought this action to obtain damages for
the infringement of its copyright and an injunction pre-
venting unauthorized copying and sales of its news pro-
gram. ‘The district court, 572 F.Supp. 1186, found that the
news feature was protected by the copyright laws and that
TV News Clips had not made ‘‘fair use” of the material.
It rejected the fair use defense without reaching the four
factors listed in 17 U.S.C.A. § 107 (1977) because TV News
Clips had not met its threshold burden of showing that its
activity served a purpose such as ‘‘criticism, comment,
2. TV News Clips belongs to the International Association of
Broadcast Monitors, an organization of 20 to 30 members.
Ms, Duncan is a past president of the association.
3. The customers pay $65 for an initial purchase and $25 for
subsequent purchases.
4. WXIA does not normally register the copyright for its
news programs.
A4
news reporting, teaching . .. seholarship, or research,”
categories listed in the preamble to Section 107. Yet de-
spite finding that TV News Clips had clearly violated
WXIA’s copyright, the district court denied the request
for an injunction for three reasons. First the sales did not
seriously threaten WXIA’s creativity, so an injunction
would not significantly further the main objective of the
copyright laws, fostering creativity. Second, the court
feared that an injunction would threaten First Amendment
values served by the increased public availability of the
news made possible by TV News Clips. Finally, the court
found that WXIA had abandoned its copyright on several
portions-of the newscasts; it declined to formulate a de-
cree that would distinguish between the abandoned and un-
abandoned portions.
II. ‘‘Fair Use” Defense to Statutory Liability
The news feature broadcast by WXIA undoubtedly
falls within the protection of the copyright laws. The edi-
torial judgment used to present effectively the events cov-
ered by the broadcast made it an ‘‘original’’ work of au-
thorship, Wainwright Securities, Inc. v. Wall Street Tran-
script Corp., 558 F.2d 91, 95 (2d Cir. 1977), cert. denied, 434
U.S. 1014, 98 S.Ct. 730, 54 L.Ed.2d 759 (1978), and the fea-
ture became ‘‘fixed”’ in a tangible medium when it was re-
corded at the time of transmission.’ Thus, it met the re-
quirements of 17 U.S.C.A. $102 (1977). The fact that the
infringing tape is the only exact copy of the transmission
5. The feature in this case was prerecorded, but the final
yong broadcast by WXIA included a live introduction
y the anchor person and graphics (stating the reporter's
name and location) superimposed over the pretaped ver-
sion.
Ad
still in existence does not nullify the copyright. The stat-
ute requires only that the original work be ‘‘fixed” for a
period of ‘‘more than transitory duration,” not for the
entire term of the copyright. 17 U.S.C.A. §§101, 102
(1977).
A copyright grants to the owner several exclusive
rights, including the right to reproduce the copyrighted
work and to distribute copies to the public. The courts
have, however, developed over the years the concept of
‘‘fair use” to describe some limited and useful forms of
copying and distribution that are tolerated as exceptions
to copyright protection.° The 1976 Copyright Act codified
this judicial doctrine at 17 U.S.C.A. § 107 (1977) without
significantly altering it. The statute divides into a ‘‘ pre-
amble” and a list of factors to consider during the search
for fair use:
[T]he fair use of a copyrighted work, including such
use by reproduction in copies... for purposes such as
criticism, comment, news reporting, teaching (includ-
ing multiple copies for classroom use), scholarship, or
research, is not an infringement of copyright. In de-
termining whether the use made of a work in any par-
ticular case is a fair use the factors to be considered
shall ineclude—
6. TV News Clips analogizes itself to a newspaper clipping
service or an archive, both of which qualify for an exemp-
tion apart from the fair use doctrine. The statute defines
an archive with some precision, and TV News Clips does
not match the description. 17 U.S.C.A. § 108 (1977). Like-
wise, it cannot be considered a newspaper clipping serv-
ive because it does not purchase the copy that it sells to
its clients. 17 U.S.C.A. § 109 (1977).
A6
(1) the purpose and character of the use, including
whether such use is of a commercial nature or is for
nonprofit educational purposes;
(2) the nature of the copyrighted work;
(3) the amount and substantiality of the portion used
in relation to the copyrighted work as a whole; and
(4) the effect of the use upon the potential market
for or value of the copyrighted work.
17 U.S.C.A. § 107 (1977).
TV News Clips argued in the district court that its use
of the news broadcast was a fair use of the material be-
cause it served an important societal interest in full access
to the news. The court rejected the fair use defense with-
out considering the four statutory factors because TV
News Clips did not copy and distribute the material for
purposes such as the ones listed in the preamble. The dis-
trict court reasoned that since TV News Clips’ use was not
‘inherently productive or creative,” like each of the pre-
amble uses, analysis of the four factors was unnecessary.
We agree with TV News Clips that the district court
should have considered the four factors set out in the stat-
ute. The statute uses mandatory language to the effect
that in a fair use determination, the ‘‘factors to be con-
sidered shall include” (emphasis added) the four listed.’
7. Asa result, the House Committee on the Judiciary may
have overstated its intention to leave the doctrine of fair
use unchanged, because the statute clearly offers new
guidance for courts considering fair use defenses. It es-
tablishes a minimum number of inquiries that a court must
carry out, even if it leaves to the courts how to assign rela-
tive weights to each factor and how to supplement the
first four factors. See House Report No. 94-1476. U.S.
Code Cong. & Ad. News 1976, p. 5659.
=_- el
AZ7
The preamble merely illustrates the sorts of uses likely to
qualify as fair uses under the four listed factors.
The approach taken by the district court impedes the
ability of the fair use doctrine to function as a ‘‘rule of
reason.” Fair use allows a court to resolve tensions be-
tween the ends of copyright law, public enjoyment of ere-
ative works, and the means chosen under copyright law,
the conferral of economic benefits upon creators or origin-
al works. Where strict enforcement of the rights of a
copyright holder under 17 U.S.C.A. § 106 (1977) would
conflict with the purpose of copyright law or with some
other important societal value, courts should be free to
fashion an appropriate fair use exemption. The district
court fashioned a per se rule that a use must be inherently
productive or creative before it can be a fair use, but a
doctrine meant to resolve unforeseen conflicts of values
should not turn on such a narrow inquiry. The Supreme
Court, in its recent fair use decision in Sony Corp. v. Uni-
versal City Studios, — U.S. —, 104 S.Ct. 774, 78 L.Ed.2d
574 (1984), did not conduct any preliminary tests before
analyzing the four statutory factors. It expressly refused
to look to productivity alone in determining whet consti-
tuted a fair use. Jd. at n. 40. Hence, the Supreme Court’s
recent application of the doctrine, as well as the tradi-
tional purpose of fair use, points out the error of the dis-
trict court’s reasoning.
Despite the district court’s erroneous interpretation
of the law, we need not remand this case for further fact-
finding. The district court resolved all the issues of fact
necessary for us to conclude as a matter of law that TV
News Clips’ activities do not qualify as a fair use of the
copyrighted work. See Triangle Publications, Inc. v.
A8
Knight-Ridder Newspapers, Inc., 626 F.2d 1171, 1175 (5th
Cir.1980) (analyzing usage under the four statutory fac-
tors where district court had made findings under an er-
roneous view of controlling legal principies).*
The purpose and character of TV News Clips’ use of
WXIA’s work heavily influences our decision in this case.
TV News Clips copies and distributes the broadcast for un-
abashedly commercial reasons despite the fact that its cus-
tomers buy the tapes for personal use. The district court
characterized TV News Clips, as a ‘‘full-fledged commer-
cial operation.” 572 F.Supp. at 1189 n. i. TV News Clips
denies that its activities have a commercial purpose; in-
stead, it says that its purpose is ‘‘private news reporting,’’
ineant to provide the public with a record of news reports.
Of course, every coinmercial exchange of goods and serv-
ices involves both the giving of the good or service and the
taking of the purchase price. The fact that TV News
Clips focuses on the giving rather than the taking cannot
hide the fact that profit is its primary motive for making
the exchange.
This commercial nature of the use militates quite
strongly against a finding of fair use, for the Supreme
Court emphasized in Sony, supra, that a commercial pur-
pose makes copying onto a videotape cassette “‘presump-
tively unfair.” 104 S.Ct. at 792. Even before the Su-
8. Fair use is probably best characterized as a mixed question
of law and fact that can be decided by an appeliate court
if the trial court has found facts sufficient to evaluate each
of the four statutory factors. Cf. Meeropol v. Nizer, 560
F.2d 1061, 1070 (2d Cir. 1977) (trial court erroneously deter-
mined fair use as a matter of law before allowing case to
go to jury because there were no factual findings regard-
ing first or fourth statutory factors).
AQ
preme Court’s decision, many federal courts had found the
commercial nature of a use especially significant, if not
determinative. See MCA, Inc. v. Wilson, 677 F.2d 180 (2d
Cir.1981); Triangle Publications, Inc. v. Knight-Ridder
Newspapers, Inc., supra, at 1175-76; Association of Ameri-
can Medical Colleges v. Mikaelian, 571 F.Supp. 144, 153
(E.D.Pa.1983) (Commercial purpose is not determinative,
but ‘‘a court should not strain to apply the fair use de-
fense when it is being invoked by a profit-making defend-
ant’).
We also note that TV News Clips’ use is neither pro-
ductive nor creative in any way. It does not analyze the
broadcast or improve it at all. Indeed, WXIA expressed
concern over the technical inferiority of the tapes. TV
News Clips only copies and sells. As the uses listed in the
preamble to Section 107 indicate, fair uses are those that
contribute in some way to the public welfare. Until re-
cently a few courts had automatically considered unpro-
ductive or uncreative uses to be unfair. Universal City
Studios, Inc. v. Sony Corp. of America, 659 F.2d 963 (9th
Cir.1981), rev’d, — U.S. —, 104 S.Ct. 774, 78 L.Ed.2d 574
(1984); Rubin v. Boston Magazine Co., 645 F.2d 80 (1st
Cir.1981) ; Dow Jones & Co., Inc. v. Board of Trade, 546
F.Supp. 113 (S.D.N.Y.1982). Although the Supreme
Court has rejected ‘‘productive use” as an absolute pre-
requisite to a defense of fair use, it has recognized that
the distinction between productive and unproductive uses
could be ‘‘helpful in calibrating the balance.” Sony, 104
S.Ct. 795, n. 40. The unproductive nature of TV News
Clips’ use affects the balance in this case.
The fourth fair use factor, the effect on the potential
market for the work, is closely related to the first. By ex-
A10
amining the effect of a use, a reviewing court can measure
the success of the original purpose and single out those
purposes that most directly threaten the incentive for cre-
ativity which the copyright tries to protect. Some com-
mercial purposes, for example, might not threaten the in-
centives because the user profits from an activity that the
owner could not possibly take advantage of. See Triangle
Publications, Inc. v. Knight-Ridder Newspapers, Inc.,
supra. But in this case, TV News Clips uses the broad-
casts for a purpose that WXIA might use for its own bene-
fit. The fact that WXIA does not actively market copies of
the news prograins does not matter, for Section LOT looks
to the ‘‘potential market’’ in analyzing the effects of an
alleged infringement. Copyrights protect owners who in-
mediately market a work no more stringently than owners
who delay before entering the market. TV News Clips
sells a significant number of copies that WXIA could itself
sell if it so desired; therefore, TV News Clips competes
with WXIA in a potential market and thereby injures the
television station. This evidence is reinforced by a pre-
sumption established in Sony that a commercial use nat-
urally produces harmful effects. 104 S.Ct. at 793. The
actual harmful effect, along with the presumption, under-
iuines any fair use defense.
The third factor directs our attention to the amount
and substantiality of the portion used in relation to the
copyrighted work as a whole. The Floyd Junior College
story stands alone as a coherent narrative, and WXIA
saves it as a distinct unit for future reference apart froi
the rest of the March 11 broadcast. The Register of Copy-
rights issued a certificate of copyright for the Floyd Jun-
ior College seguient and for the entire broadcast. More-
All
over, the district court found that WXIA had properly
registered the story and the whole broadeast.? We agree
with the district court that the feature stands alone as a
copyrighted work in this case.'° Hence, TV News Clips
copied an entire work. And even if the story could not
stand independent of the entire newscast, we could not
ignore that tact that TV News Clips tapes virtually all of
the broadcast on a daily basis. By bringing a suit for in-
junctive relief as well as damages, WXIA is challenging
the entire practice of copying and selling news stories, not
just the sale of the Floyd Junior College story.'!! Because
TV News Clips uses virtually all of a copyrighted work,
the fair use defense drifts even further out of its reach.
See Marcus v. Rowley, 695 F.2d 1171 (9th Cir.1983).
Finally, the second factor calls on us to analyze the
nature of the copyrighted work. This is the only factor
9. TV News Clips contends that the district court erred in its
finding that WXIA had properly registered the Fioyd Junior
College story because WXIA had deposited, pursuant to
17 U.S.C.A. § 408(b) (1977), the copy made by News Clips.
This invalidated the registration, it argues, because the
copy was not fixed “under authority of the author.” It is
true that a work must be fixed under authority of the author
in order for the protections of copyright to take effect. 17
U.S.C.A. § 101 (1977). But the tape that ‘‘fixes’”’ a broad-
cast need not be the same tape that is deposited for reg-
istration.
10. This case differs from Triangle Publications, Inc. v. Knight-
Ridder Newspapers, inc., supra, where the court held that
the cover of a magazine was not a copyrighted work apart
from the whole magazine. There was no evidence in that
case that the cover had been registered apart from the
magazine or that they were stored or used separately.
11. In addition, we mention that a small portion of a work
may be especially significant. The single story involving
a particular subject is by far the most significant portion
of the newscast for that potential customer.
Al2
that arguably works in favor of TV News Clips. The im-
portance to society of the news could affect the definition
of a fair use for a number of reasons.'? But the courts
should also take care not to discourage authors from ad-
dressing important topics for fear of losing their copy-
right protections. The necessarily limited impact of this
second factor, along with the commercial and unproductive
purpose of the use, the injury to the potential market, and
the substantial amount of copying, leads us to conclude
that TV News Clips has not made fair use of the protected
work.
TV News Clips urges us to consider a fifth factor in
evaluating its claim of fair use. It points to WXIA’s
status as a governmental licensee, with a duty ‘‘to provide
publie access to newscasts,” and argues that the fair use
doctrine should be employed here to prevent WXIA from
using the copyright laws to restrict public access in viola-
tion of its duties as a government licensee. WXIA is cor-
12. The Supreme Court has mentioned that use of a news
program may give rise to a fair use defense more easily
than use of a full-length motion picture. Sony, supra, 104
S.Ct. at 795, n.40. The Court does not fully explain this
distinction, but the context suggests that the large second-
ary market for motion picture copies makes fair use less
appropriate in that context. As discussion of the fourth
factor revealed, significant commercial harm is _pres-
ent in this case. Another court found that the great public
interest in the contents of a book (the memoirs of Gerald
Ford) called for application of the fair use doctrine. Harper
& Row, Publishers, Inc. v. National Enterprises, 723 F.2d
195 (2d Cir.1983). But the Harper & Row court also relied
on other factors, particularly the fact that the alleged in-
fringer used material from the book that was for the most
part not copyrightable at all. Furthermore, the public in-
terest in the average news story is far less than the interest
in presidential memoirs.
cS Tt i he + cea MT
A13
rect in contending that its duties as a public trustee do not
go as far as TV News Clips claims. The cases cited by
the appellant, Richmond Newspapers, Inc. v. Virginia, 448
U.S. 555, 100 S.Ct. 2814, 65 L.Ed.2d 973 (1980); Columbia
Broadcasting System v. Democratic National Committee,
412 U.S. 94, 93 S.Ct. 2080, 36 L.Ed.2d 772 (1973); Red Lion
Broadcasting Co. v. FCC, 395 U.S. 367, 89 S.Ct. 1794, 23
L.Ed.2d 371 (1969); and Muir v. Alabama Educational
Television Commission, 656 F.2d 1012, 1017 (5th Cir.1981),
on rehearing, 688 F.2d 1033, cert. denied, 460 U.S. 1023, 103
S.Ct. 1274, 75 L.Ed.2d 495 (1983), indicate, if only by im-
plication, that broadcast licensees and the press generally
have a duty to provide public service. That duty finds at
least partial expression in the fair use doctrine. But it is
a long way from this proposition to TV News Clips’ posi-
tion that a licensee violates the public trust by enforcing its
copyright against persons other than members of the
press. WXIA has chosen to produce a news program and
allows anyone interested to view the program after its
broadeast. Certainly it has fulfilled its public obligations
by doing this much. Therefore, WXIA’s status as a public
trustee does not change our evaluation of the fair use
claim.
III. Constitutional Limits on Statutory Liability
The appellant claims that even if its fair use defense
fails, the First Amendment protects its activity. WXIA,
when it enforces the copyright, allegedly violates the First
Amendment in two different ways. First, it destroys and
suppresses evidence of possible use in a defamation action
against itself, and second, it denies the public its right of
access to broadcast material. An effort to discourge defa-
mation suits might be an abuse of the copyright laws and a
Al4
violation of the First Amendment, but that possibility is
entirely imaginary in this case. As for the right of public
access, we acknowledge that the public has a limited inter-
est in ‘‘making television broadcasting more available.”
Sony, supra, 104 8.Ct. at 795. This public interest might
be threatened if WXIA absolutely refused to allow the
public to view recordings or scripts of its broadcasts. But
as the Supreme Court made clear in Sony, the public inter-
est in broadcast availability does not protect every activity
that exposes more viewers to a broadeast. Furthermore,
TV News Clips only increases access in a limited way by
selling to a small group of customers, some of whom would
buy a tape from WXIA anyway. Because the public al-
ready has access to this material and TV News Clips does
not offer any access that WXIA could not provide, TV
News Clips’ activities fall well beyond whatever protec-
tions might be available to further this public access inter-
est. The First Amendment does not conflict with WXTA’s
efiort to enforee its copyright in this case.
Finally, TV News Clips argues that every copyright
ust further the ends of the Copyright Clause of the Con-
stitution. WXIA’s copyright, TV News Clips says, does
not further those ends and should not be enforced, because
WXIA systematically destroys its broadcast videotapes
and deprives the public of the benefits of its creative ef-
forts.. We agree that the Constitution allows Congress to
13. This alleged conflict between the ends of copyright law
and its application in a particular case should be analyzed
under the fair use rubric. We will, however, defer to TV
News Clips’ desire to treat this as a separate defense just
as we did with regard to its First Amendment arguments,
for our conclusion would be the same under either ap-
proach.
4
Al5
create copyright laws only if they benefit society as a
whole rather than authors alone. That is what the Con-
gress has done. But this does not mean that every copy-
right holder must offer benefits to society, for the copy-
right is an incentive rather than a command. And, a for-
tiort, a copyright holder need not provide the most com-
plete public access possible. WXIA provides complete ac-
cess for seven days and permanent access to everything
except the visual images broadcast live from within the
studio. The public benefits from this creative work: there-
fore, enforcing the copyright statute in this case does not
violate the Copyright Clause.
IV. Remedy
WXIA has proven that TV News Clips infringed its
copyright. The district court found that TV News Clips
had regularly copied the newscast and sold the tapes, and
would continue to do so.'S Unless it can obtain an injunc-
tion, WXIA can only enforce its copyrights against TV
News Clips by finding out which stories have been copied
and sold, registering those stories, and bringing many dif-
14. It has created a structure that encourages creativity and
public enjoyment of that creativity by giving authors the
exclusive rights to profit from their works in certain ways.
Since authors most often profit by —— their works
to the public, society usually benefits. Dallas Cowboys
Cheerleaders, Inc. v. Scoreboard Posters, Inc., 600 F.2d
1184 (5th Cir.1979). Where the First Amendment removes
obstacles to the free flow of ideas, copyright law adds
positive incentives to encourage the flow.
15. Indeed, the court considered future sales by TV News
Clips to be a virtual certainty and a “modest social bene-
fit.” 572 F.Supp. at 1196.
Al6
ferent infringement actions against TV News Clips. Each
infringement action would yield a rather small damage re-
eovery.'® This is a classic case, then, of a past infringe-
ment and a substantial likelihood of future infringements
which would normally entitle the copyright holder to a per-
manent injunction against the infringer pursuant to 17
U.S.C.A. § 502(a) (1977). See Milene Music Inc. v. Gotau-
co, 001 F.Supp. 1288 (D.R.1.1982) ; 3 Nimmer on Copyright
§ 13.05[B] (1983). The question is whether the district
court abused its discretion in refusing to issue the injanc-
tion.'!’ Because none of the three grounds relied upon by
the court for denying injunctive relief are legally suffi-
16. The award in this case was $35.
17. TV News Clips insists that WXIA is not legally entitled to
an injunction, because it seeks an injunction against the
infringement of works that have not been created (future
newscasts) rather than an injunction applicable only to
the March 11 program. The statute itself does not impose
such a requirement, for it empowers district courts to issue
injunctions “on such terms as it may deem reasonable to
prevent or restrain infringement of a copyright.” 17 U.S.
C.A. § 502(a) (1977). The appellant bases its argument on
the requirement that an author register a work before in-
stituting an infringement action. 17 U.S.C.A. § 411 (1977).
An injunction against the use of unregistered works would
bypass this requirement.
The district court in this case had the power to issue
such an injunction because the statute provides for in-
junctions to prevent infringement of “a copyright’ (em-
phasis added), not necessarily the registered copyright
that gave rise to the infringement action. The opposite
result would be especially unjust in a case such as this
one in which the registered work and the future works
are so Closely related, part of a series of original works
created with predictabie regularity and similar format and
function. To refuse injunctive relief under these conditions
would render meaningless the fact that registration is “not
a condition of copyright protection.” 17 U.S.C.A. § 408(a)
(1977).
a A I i tA stl Enda He tebhactcaaaen. Aedatlarlepiiiaias cea DS
—" am
ln
Al7
cient to support the decision, we hold that the court did
abuse its discretion.
The court began its discussion by notirg that an in-
junction would not greatly further the ends of the copy-
right laws, because the post-broadcast market is relatively
unimportant to WXIA as a creative incentive. We agree
but find that fact standing alone to be irrelevant. The dis-
incentive to creativity caused by the infringement would he
just as small if WXIA were to wait and bring infringe-
ment actions in the future. The weakness of WXTA’s in-
terest in stopping this infringement has no bearing on
the choice between present injunctive relief and future
damage relief unless some independent consideration
weighs against the use of an injunction in this case.
The ‘‘modest”’ furtherance of First Amendment rights
accomplished by TV News Clips, the second ground relied
upon by the court, does not provide any such independent
reason to disfavor an injunction. It is undoubtedly true
that TV News Clips (like any copyright infringer) in-
creases public access to the copyrighted work. But thie
First Amendment issue of public access was duly consid-
ered when resolving the liability issue. If the First Amend-
ment would not prevent WXIA from recovering for indi-
vidual infringements in the future, it should not bar an in-
junction in the present. The scope of liability affects First
Amendment interests, but the choice of the form of relief
in this case does not.
Finally, the district court found injunctive relief inap
propriate because WXIA regularly abandons the copyright
on a portion of its program when it erases the videotape
of the entire broadcast. Certainly the erasure shows that
Al18
WXIA did not desire to distribute post-broadcast copies of
parts of the program. Failure to distribute a work does
not mean, however, that an owner intends to allow others
to use the work, and it is questionable whether WXIA had
such an intent. Destroying the only known copy of a work
would seem to be the best way to assure that it will not be
used by another. Still, we do not say that destruction of
the only copy of a work can never establish intent to aban-
don. We defer to the trial court’s factual finding that
WAJA intended to abandon portions of its program.
Nevertheless, WXI1A erased only a small portion of its
broadeast. The entire audiotape still survives, along with
many portions of the videotape. The district court, while
recognizing this fact, declined to issue an injunction
against the use of segments of the news programs not
erased by WXIA. It said that ‘‘the precise wording of an
appropriately limited decree is unapparent.” The fact that
a court must make some difficult judgments should not pre-
vent it from efiectuating established legal rights. More-
over, the clear-cut test used by the district court to find an
intent to abandon the copyright (destruction of the only
copy) should make the formulation of the decree more
manageable.
Thus, the tria! court relied on irrelevant and insuffi-
cient grounds in its refusal to grant injunctive relief. It
correctly found that TV News Clips had infringed tbe
copyright of WXIA but abused its discretion by refusing
to grant injunctive relief. Accordingly, the judgment is
AFFIRMED IN PART, REVERSED IN PART, and RE-
MANDED for further proceedings consistent with this
opinion.
ae a ad
A19
APPENDIX B
PACIFIC AND SOUTHERN COMPANY,
INC., d/b/a WXIA-TV
Vv.
Carol DUNCAN, d/b/a TV News Clips.
Civ. No. C81-1106.
United States District Court,
N.D. Georgia,
Atlanta Division.
Oct. 13, 1983.
ORDER
ORINDA D. EVANS, Chief Judge.
This copyright infringement action is before the Court
for findings of fact and conclusions of law following a
bench trial.
This case presents the question whether off the air
video taping of live television news broadcasts by a TV
news monitoring service, followed by the marketing and
sale of news tapes to interested members of the public, in-
fringes the broadcaster’s copyright under federal law. 17
U.S.C. $101 et seq. The Defendant, a television news
“clipping service,” argues that its activities constitute a
permissible fair use under the copyright statute, 17 U.S.C.
§ 107, or alternatively, that the First Amendment to the
United States Constitution prohibits interference with its
activities notwithstanding an otherwise valid copyright.
After due consideration of the evidence and argu-
ments of counsel, the Court hereby finds and concludes
as follows:
A20
I. FINDINGS OF FACT
Plaintiff WXIA-T'V is a television station in Atlanta,
Georgia. It is duly licensed by the Federal Communica-
tions Commission to operate as Channel 11. It broadcasts
a 90-minute news program every evening at 5:30 p.m. A
notice of ecpyrigt appears at the end of each newscast.
TV News Clips (“News Clips”) is the name under
which Ms. Carol Dunean conducts a for-profit television
news monitoring and clipping service.' News Clips video-
tapes Channel 11’s news programs and the news programs
of other stations. It contacts each person or company who
is the subject of a newscast segment to see if they would
like to purchase a copy. Customers pay $65 for an initial
news clip purchase and $25 for subsequent purchases. The
videotaping and sales of copies occur without WXIA’s per-
mission. Copies contain no notice of copyright, but the
tape cassettes are labelled “For personal use only not for
rebroadeast.” News Clips informs purchasers that it is
not affiliated with WXIA.
News Clips erases its tapes one month after the per-
tinent broadcast.
1. The business was originally a one-person operation run
out of Ms. Duncan’s home; however, it has flourished and
is now a full-fledged commercial operation.
News Clips is a member of the International Associa-
tion of Broadcast Monitors, an organization with from 20
to 30 members who provide news “clipping” and related
services. News Clips’ owner, Carolyn Duncan, is a past
president of the association. Duncan provided evidence
that another monitoring service, Videomonitoring Services
of America, Inc., includes among its clients the Brooklyn
Union Gas Co., Fairfield University, the Institute for Be-
havorial Research, Legal Services Corp., National Associa-
tion of Manufacturers, the New York Stock Exchange and
the United States Chamber of Commerce.
A21
The instant litigation began with WXIA’s discovery
that News Clips had sold a tape of a feature from its
March 11, 1981 evening newscast to Floyd Junior College
in Rome, Georgia. The feature was a one minute, 45 sec-
ong segment concerning a newly installed ‘‘fitness trail”
at the junior college. The segment showed individuals
jogging on the trail (at least one of whom was a WXIA
employee) and depicted various athletic equipment along
the way. An on-the-scene reporter made salutary com-
ments about the trail and the health benefits to be de-
rived from using it.
After effecting the copyright registration which is a
prerequisite to bringing a copyright infringement action,
WXIA instituted the within suit. WXIA seeks damages
for the infringement of its copyright on the fitness trail
feature. In addition, it seeks an injunction against News
Clips to stop future unauthorized copying or sales of
copies of its news programs, plus recovery of the costs
of this action, including attorneys’ fees.
As one would expect, WXIA’s news programs are
made up of a variety of elements. Some are pretaped;
some are live. These elements includ: inter alia, on-the-
spot coverage of primary news events, e.g., a speech hy a
publie official; ‘‘on-the-scene’’ comments by news report-
ers; news desk reports on the events of the day; feature
stories such as the fitness trail sequence; weather reports;
editorials; and miscellaneous commentary by the anchor
persons at the news desk.
WXIA has made no effort to develop a market for
sales of copies of its news casts or portions thereof. It
receives infrequent requests for copies; however, when
such requests are received they are accommodated as a
A22
public service. The charge is $100 a copy. However, from
time to time requests are made under circumstances which
cause the station to impose additional requirements and/
or refuse the requests. The evidence showed at least one
occasion in which the station required a subpoena to be
obtained where the news segment was going to be used in
litigation. Also, the station will not provide newscast cop-
ies to political candidates. This is because of a concern
that the copy might be used inappropriately to suggest
involvement of the station in a campaign.
No one from Floyd Junior College appeared at trial
to testify as to its motive in purchasing the fitness trail
sequence. However, testimony concerning the perceived
reason for purchases of the film clips generally was given
at trial by Ms. Duncan, News Clips’ owner. She believes
the majority of her customers purchase clips to study and
thereby improve the image they are projecting to the pub-
lic. She pointed out that she has a number of repeat cus-
tomers who regularly appear in the news. These include
a large public utility, high-level state and federal officials,
a teachers’ lobbying group, and a corporation which reg-
ularly contracts with the Department of Defense. Similar
testimony was given by a professional associate of Ms.
Dunean’s who conducts a news taping business in Canada.
The Canadian company has contracts with the Canadian
government, including specifically, a contract with Can-
ada’s Nuclear Energy Commission.
News Clips also sells clips to lawyers involved in liti-
gation to which a news story may be relevant. Ms. Duncan
conceded that a certain percentage of her customiers—she
thought between five and ten percent—are individuals
who simply wish to purchase a story as a souvenir.
A23
WXIA, on the other hand, asserts that the evidence
does not establish with sufficient certainty why News
Clips’ clients purchase the clips or what they are doing
with them. The Court thinks it reasonable to infer—and
does infer—that some of News Clips’ clients—for example,
the repeat customers specifically mentioned—do purchase
the clips in order to analyze and improve self image. How-
ever, the Court rejects as speculative the estimates of
what percentage of Ms. Duncan’s clients purchase news
clips for the purpose of self study.
Il. DISCUSSION
A. Preliminary Issues
Before turning to the substantive issues presented,
there are unresolved preliminary issues concerning: (1)
whether Plaintiff’s March 11, 1981 newseast was “fixed”
so as to be subject to copyright and (2) whether Plaintiff
properly registered its claim of copyright so as to satisfy
the statutory prerequisite for bringing suit. In order to
rule on these issues, the Court must make certain further
findines of fact. They are:
The fitness trail feature was pretaped.? During the
March 11 broadcast, there was a live introduetion of the
feature by the anchor person; also, superimposed graphics
were added stating the on-the-scene reporter’s name and
the location. While the program was being aired, a video-
tape of the finished product was made from a television
set in the studio. As is its custom, WXIA kept that video-
tape for a period of one week, after which it was destroyed.
2. This tape has both visual and audio aspects.
A24
However, also in accordance with its customary practice,
WXIA will retain the pre-taped fitness trail feature for
five to seven years. WXIA retains written scripts of its
live broadeasts for a period of one year, and audio tapes
of each broadcast for an indefinite period. Thus, WXIA
still has a script of the anchor introduction to the fitness
trail sequence, the pretaped fitness trail feature, and the
audiotape of the entire March 11, 1981 program.
On May 13, 1981, WXIA deposited with the Register
of Copyrights an audio tape and transcript of the entire
March 11, 1981 broadcast, as well as the pretaped fitness
trail feature. On July 24, 1981, WXIA’s counsel further
deposited a description of the entire March 11 news pro-
gram. WXIA received a certificate of copyright for the
fitness trail segment on May 18, 1981, and a certificate
for the entire broadcast on November 3, 1981.
It is a fundamental requirement for copyright protec-
tion that a work be “fixed in any tangible medium of ex-
pression.” 17 U.S.C. § 102.
A work is “fixed” in a tangible medium of expression
when its embodiment in a copy or phonorecord, by or
under the authority of the author, is sufficiently per-
manent or stable to permit it to be perceived, repro-
duced, or otherwise communicated for a period of
more than transistory duration. A work consisting
of sounds, images, or both, that are being transmitted,
is “fixed” for purposes of this title if a fixation of the
work is being made simultaneously with its trans-
mission.
17 U.S.C. § 101.
A25
The fitness trail sequence was fixed when it was pre-
taped. The March 11 program as a whole was fixed at
the time it was aired and the studio videotape was made.
Except in certain cases not relevant here, no copy-
right infringement action may be brought until the claim
of copyright is registered with the Register of Copyrights
in Washington, D.C. 17 U.S.C. § 411(a). Proper registra-
tion is a necessary condition precedent to filing suits A
copyright owner may obtain registration of a claim by de-
livering to the Copyright Office an application, the speci-
fied fee, and an appropriate deposit of the work. 17 U.S.C.
§ 408(a). The deposit requirements are set forth generally
in 17 U.S.C. § 408(b) and vary according to the nature of
the work. As is discussed more fully below, the fitness
trail feature is an “unpublished work”; hence, 17 U.S.C.
§ 408(b)(1) required that the deposit consist of “one com-
plete copy or phonorecord.” Additionally, special regula-
tions applicable to a “transmission program,” e.g., a tele-
vision program, also permitted registration of the March
11 broadcast as a whole by depositing an audiotape of the
entire broadcast and a description of the program. 17
U.S.C. § 408(¢); 37 C.F.R. § 202.21(g). The Court finds
that WXIA’s deposit of the pretaped version of the fit-
ness trail feature on May 13, 1981 constituted a proper
deposit under the provisions of 17 U.S.C. § 408(b)(1) and
established copyright registration for the fitness trail fea-
ture. Additionally, WXIA’s deposit of the audiotape and
3. A certificate of registration does not determine the validity
of the claim, but merely constitutes prima facie evidence.
Durham Industries, Inc. v. Tomy Corp., 630 F.2d 905, 908
(2d Cir.1980); Moore v. Lighthouse Publishing Co., Inc.,
429 F.Supp. 1304, 1308 (S.D.Ga.1977).
A26
description of the entire March 11, 1981 broadcast sufficed
to satisfy the alternative requirement for a deposit of a
transmission program. Thus, WXLA’s claim of copyright
in the news cast as a whole was properly registered.
B. Copyright and Television News: The Scope of
Statutory Protection
It is axiomatic that copyright protection does not ex-
tend to news “events” or the facts or ideas which are the
subject of news reports. Miller v. Universal City Studios,
Inc., 650 F.2d 1365, 1368 (5th Cir.1981); Wainwright Se-
curities, Inc. v. Wall Street Transcript Corp., 558 F.2d
91, 95 (2d Cir.1977), cert. denied, 484 U.S. 1014, 98 S.Ct.
730, 54 L.Ed.2d 759 (1978). But it is equally well-settled
that copyright protection does extend to the reports them-
selves, as distinguished from the substance of the infor-
mation contained in the reports. Watnwright, 558 F.2d
at 95; International News Service v. Associated Press,
248 U.S. 215, 39 S.Ct. 68, 63 L.Ed. 211 (1918); see Chi-
cago Record-Herald Co. v. Tribune Assn., 275 F. 797 (7th
Cir.1921); 1 Nimmer on Copyright § 2.11[B] (1983). Copy-
right protects the manner of expression of news reports,
“the particular form of collocation of words in which the
writer has communicated it.” International News Service,
248 U.S. at 234, 39 S.Ct. at 70. Such protection extends
to electronic news reports as well as written reports. See
17 U.S.C. § 102(a)(5), (6), and (7): see also Iowa State
University Research Foundations, Inc. v. American Broad-
casting Cos., 621 F.2d 57, 61 (2d Cir.1980).
In the instant case, Ms. Duncan’s copying of the fit-
ness trail feature was not a mere attempt to relate the
substance of the information contained in the feature.
A27
Rather, it was a total reproduction embodying both the
facts which were the subject of the feature, and the par-
ticular way in which those facts were presented. There-
fore, WXIA is entitled to a judgment in its favor unless
one of Ms. Duncan’s defenses is meritorious. The Court
now turns to an examination of each of these defenses.
C. First Amendment
Defendant argues that an unlimited copyright in tele-
vision news violates the First Amendment.* She points
to the public’s interest in the fullest possible dissemina-
tion of news, and the unique ephemeral nature of tele-
vision news broadcasts. She further asserts that a tele-
vision station might elect either not to preserve its broad-
cast material in permanent form, or not to make broad-
cast copies readily available to members of the public.
In such a ease, she argues, prohibiting copying might be
tantamount to sanctioning monopolization of information.
Courts and commentators have for years recognized
a possible tension between copyright and first amendment
freedom of speech. See Triangle Publications, Inc. v.
Knight-Ridder Newspapers, 626 F.2d 1711 & n. 1 (5th Cir.
1980) (and cases cited therein); Nimmer, Does Copyright
Abridge the First Amendment Guarantees of Free Speech
and Press? 17 U.C.L.A.Rev. 1180 (1970); Patterson, Pri-
vate Copyright and Public Communication: Free Speech
Endangered, 28 Vand.L.Rev. 1161 (1975). Generally, how-
ever, “[elonflicts between interests protected by the first
amendment and the copyright laws thus far have been
4. She suggests the copyright should be enforceable only
against infringement by a competing broadcaster.
A28
resolved by application of the fair use doctrine.” Wain-
wright Securities, 558 F.2d at 95. Other courts have found
that the copyright dichotomy between ideas and facts,
which are not protected, and the form of expression, which
is, is sufficient in nearly all cases to accommodate the rele-
vant constitutional values. See, e.g., Roy Export Co. Es-
tabltishment of Vaduz, Ltechtenstein v. Columbia Broad-
casting System, Inc., 672 F.2d 1095, 1099-1100 (2d Cir.),
cert. dented, — U.S. —, 103 S.Ct. 60, 74 L.Ed.2d 63 (1982).
In the words of Professor Nimmer:
On the whole .. . it appears that the idea-expression
line represents an acceptable definitional balance as
between copyright and free speech interests. In some
degree it encroaches upon freedom of speech in that
it abridges the right to reproduce the “expression”
of others, but this is justified by the greater public
good in the copyright encouragement of creative
works. In some degree it encroaches upon the au-
thor’s right to control his works in that it renders his
“ideas” per se unprotectible, but this is justified by
the greater public need for free access to ideas as a
part of the democratic dialogue.
1 Nimmer on Copyright §1.10[B] (1983), at 1-76-1-77
(footnotes omitted).
No circuit has recognized a First Amendment excep-
tion to copyright apart from the doctrine of fair use. See
Roy Export, 672 F.2d at 1099-1100; Iowa State University
Research Foundation, 621 F.2d at 61 n. 6; Triangle Pub-
lications, 626 F.2d at 1172; Dallas Cowboys Cheerleaders,
Inc. v. Scoreboard Posters, Inc., 600 F.2d 1184, 1188 (5th
Cir.1979); Walt Disney Productions v. Atr Pirates, 581
A29
F.2d 751, 758-59 (9th Cir.1978), cert. denied, 439 U.S. 1132,
99 S.Ct. 1054, 59 L.Ed.2d 94 (1979); Wainwright Secur-
ities, 558 F.2d at 95. Some courts in dicta have, however,
noted Professor Nimmer’s view that for some works the
“idea” and the expression of that idea may be so insep-
arable, and the work may be so infused with public inter-
est, that both should be in the public domain and exempt
from copyright. Roy Export, 672 F.2d at 1099-1100; Iowa
State University Research Foundation, 621 F.2d at 61 n. 6;
Wainwright Securities, 558 F.2d at 95. Professor Nimmer
gives as examples Vietnam War photographs of the My
Lai massacre or the Zapruder “home movie” of the Ken
nedy assassination.» 1 Nimmer on Copyright § 1.10[C]
(1983), at 1-82-1-83. He suggests that the First Amend-
ment protects a category of works that contribute to the
“democratic dialogue,” a category which he labels “news
photographs.” Jd. at 1-84.
Photographs would refer to all products of the photo-
graphic and analogous processes, including motion pic-
ture film and videotape, but would exclude other
graphic works, such as paintings, sculpture, ete... .
There is a definitional problem as to when a photo-
graph is a news photograph. . . . Perhas a pragmatic
definition would prove useful: e.g., a photograph is
a news photograph only if the event depicted in the
photograph, as distinguish from the fact that the
5. In Time, Inc. v. Bernard Geis Associates, 293 F.Supp. 130
(S.D.N.Y.1968), the court found the unauthorized use of
the Zapruder film to be fair use. Professor Nimmer be-
lieves the case more soundly rests on a First Amendment
rationale. 1 Nimmer on Copyright §1.10[D] (1983) at
1-86 - 1-87. This Court agrees.
A30
photograph was made, is the subject of news stories
appearing in newspapers throughout the country.
Id.
While the Court finds Defendant’s argument theoret-
ically provocative, it has little applicability to the ques-
tion of whether copying the fitness trail feature infringed
Piaintiff’s copyrights. The fitness trail feature is a “soft
news” piece which, though informational, hardly fits in a
eategory with film of the My Lai massacre. Moreover,
Plaintiff has preserved the original film; a copy is avail-
able to anyone who wants one. Indeed, the fitness trail it-
self is available for viewing. Thus, the First Amendment
offers no defense to Ms. Duncan.
D. Fair Use
Defendant argues that her copying of the fitness trail
feature constituted a permissible “fair use” under 17
U.S.C. § 107. For the reasons hereinafter set forth, the
Court rejects her argument.
Fair use has been defined in a much-quoted passage
as “a privilege in others than the owner of a copyright to
use the copyrighted material in a reasonable manner with-
out his consent, notwithstanding the monopoly granted to
the owner [by the copyright].” Rosemont Enterprises,
Inc. v. Random House, Inc., 366 F.2d 303, 306 (2d Cir.
1966), cert. denied, 385 U.S. 1009, 87 S.Ct. 714, 17 L.Ed.2d
546 (1967), quoting Ball, The Law of Copyright and Lit-
erary Property 260 (1944). The doctrine has heen de-
scribed as ‘‘the most troublesome in the whole law of copy-
right.” Dellar v. Samuel Goldwyn, Inc., 104 F.2d 661, 662
(2d Cir.1939). It was codified for the first time in the
A3l
Copyright Act of 1976, but in codifying the doctrine Con-
gress did not seek to preclude further judicial develop-
ment depending on the facts of each case. H.R.Rep. No.
94-1476, 94th Cong., 2d Sess. 66, reprinted in 1976 USS.
Code Cong. & Ad.News 5659, 5680.
Section 107 provides:
Notwithstanding the provisions of section 106, the
fair use of a copyrighted work, including such use
by reproduction in copies or phonorecords or by any
other means specified by that section, for purposes
such as criticism, comment, news reporting, teaching
(ineluding multiple copies for classroom use), scholar-
ship, or research, is not an infringement of copyright.
In determining whether the use made of a work in
any particular case is a fair use the factors to be
considered shall include—
(1) the purpose and character of the use, ineclud-
ing whether such use is of a commercial nature or is
for nonprofit educational purposes;
(2) the nature of the copyrighted work;
(3) the amount and substantiality of the portion
used in relation to the copyrighted work as a whole;
and
(4) the effect of the use upon the potential mar-
ket for or value of the copyrighted work.
Defendant argues that her copying and sale of the
fitness trail feature is a fair use taking into account the
four factors listed under § 107 in subsections (1)-(4). She
concedes that her activity is commercial, but she asserts
that factors (1) and (2) under § 107 favor fair use because
A32
the nature of the copyrighted work is news; also, the pub-
lie interest favors the wider dissemination of news which
she argues is facilitated by her distribution of news seg-
ments. Under factor (3), she argues that because the
fitness trail feature is only a small portion of the March
11 broadcast, a finding of fair use is indicated. Finally,
under factor (4) she contends that her sale of news clips
in no way diminishes WXIA’s news viewership; indeed,
she points out correctly that the market for news clip
segments has been created almost solely through her
efforts.
In arguing that these four factors favor fair use,
Defendant cites a binding decision of the Court of Appeals
for the Fifth Circuit, Triangle Publications, Inc. v. Knight-
Ridder Newspapers, Inc., 626 F.2d 1171 (Sth Cir.1980).°
That case holds that commercial use does not preclude a
finding of fair use; also, it holds that the fourth fair use
factor, effect of the use upon the potential market for
the copyrighted work, is by far the most important factor.
Ms. Dunean’s fair use defense fails because she over-
looks important limiting language in § 107; also, she mis-
identifies the use which is relevant to ‘‘fair use” analysis
in this case.
17 U.S.C. §107 does not automatically require any
use which is sought to be labeled “fair” to be analyzed
under the guidelines set forth in subparagraph (1) through
(4). Rather, it is only where the use is clearly for “pur-
6. Cases decided by the Fifth Circuit Court of Appeals prior
to October 1, 1981 are the law of the Eleventh Circuit.
Bonner v. City of Prichard, 661 F.2d 1206, 1209 (11th Cir.
1981).
A33
poses such as criticism, comment, news reporting, teaching
‘ineluding multiple copies for classroom use), scho!arship,
or research,” 17 U.S.C. § 107 (initial unnumbered para-
graph), that the Court’s interest in subfactors (1) through
(4) is triggered. To interpret the statute otherwise would
invite facile obliteration of copyright protection through
the back door route of the fair use defense.
In determining whether or not Ms. Duncan’s use of
the news clips falls within a category similar to those set
forth in § 107, the Court must first determine exactly what
“use” is relevant here. Insofar as Ms. Duncan is con-
cerned, the relevant “use” is simply her copying of the
newscasts, and her subsequent sale of them. Whatever
use her clients may make of these film clips is irrelevant.’
Ms. Duncan is not being sued as a contributory infringer,
cf. Universal City Studios, Inc. v. Sony Corp. of America,
659 F.2d 963 (9th Cir. 1981), cert. granted, 457 U.S. 1116,
102 S.Ct. 2926, 73 L.Ed.2d 1328 (1982), but rather as the
primary infringer. Furthermore, Ms. Duncan is a stranger
to any use which might be made of the news clips by her
clients. In that respect, she is different from a classroom
teacher who might distribute copies of copyrighted ma-
terial for classroom use. See 17 U.S.C. § 107.
Having made this initial determination, it becomes
readily apparent that Ms. Duncan’s use is not for a pur-
pose such as “criticism, comment, news reporting, teach-
7. The fair use defense would be considered from a different
vantage point were the defendant here a person who
copied WXIA’s newscasts for a personal use. As a matter
of fact, however, this possibility is moot due to WXIA’s
stated indifference to such copying for private personal
use.
A34
ing, scholarship, or research.” That being the case, analy-
sis of the four factors listed under § 107 is unnecessary.
Triangle Publications is factually quite different from
the instant case. For that reason, its holding does not
assist Ms. Duncan. In Triangle, Plaintiff’s magazine was
pictured in a newspaper advertisement prepared by De-
fendant, a competitor, which published a similar maga-
zine. The ad made a direct comparison between the two
magazines, picturing their covers side-by-side. The text
of the ad gave reasons why Plaintiff’s publication was
second best. Plaintiff contended that the display of its
magazine cover infringed its copyright; Defendant claimed
fair use. The Court of Appeals for the Fifth Circuit dis-
cussed each of the four fair use factors under § 107, and
ruled for Defendant. As mentioned above, in so doing
it rejected Plaintiff’s claim that the commercial character
of the use was conclusive against a finding of fair use;
also, the Court held that the fourth fair use factor was
the most important, noting that use of the copyrighted
material in the advertisement did not diminish the value
of plaintiff’s copyright. Triangle Publica: ons, 626 F.2d
at 1177-78.
What is important for purposes of the instant case,
however, is the fact that Defendant’s “use” in Triangle
fell within the language of § 107 limiting its applicability
to “criticism, comment, news reporting, teaching (includ-
ing multiple copies for classroom use), scholarship, or re-
search.” 17 U.S.C. § 107. Specifically, the advertisement
was a classic form of “comment’’ on the copyrighted work
In this respect, Defendant’s comparative advertisement
was conceptually similar to satire or parody, see Metro-
Goldwyn-Mayer, Inc. v. Showcase Atlanta Cooperative Pro-
Se
VP ttn Wo oe pe.
i
j
|
;
;
A35
ductions, Inc., 479 F.Supp. 351 (N.D.Ga.1979), which are
recognized forms of fair use. The justification for these
uses lies not in society’s interest in wider distribution of
the copyrighted material, but rather in its interest in the
infringer’s creative use of the copyrighted material. See
L. Seltzer, Exemptions, and Fair Use in Copyright 23-27
(1977). Comparative advertisement, like satire, in a pro-
ductive and creative use of the copyrighted material. Ms.
Duncan’s copying and distribution, on the other hand, was
not an inherently productive or creative use of the type
referred to in § 107.
Therefore, her fair use defense fails.®
8. Ms. Duncan clearly does not qualify for, and thus has not
sought the protection of the television news archives ex-
emption set forth in the 1976 Copyright Act. See 17 U.S.C.
§ 108(f). Section 108(f) provides an exemption from copy-
right infringement for the “reproduction and distribution
by lending of a limited number of copies and excerpts
by a library or archives of an audiovisual news program.
... This exemption applies where:
(1) the reproduction or distribution is made without
any purpose of direct or indirect commercial advan-
tage;
(2) the collections of the library or archives are (i)
open to the public, or (ii) available not only to re-
searchers affiliated with the library or archives or with
the institution of which it is a part, but also to other
persons doing research in a specialized field; and
(3) the reproduction or distribution of the work in-
cludes a notice of copyright.
17 U.S.C. § 108(a).
The statute does not define “audiovisual news pro-
gram,” but the legislative history states that it is intended
to apply to the daily newscasts of local, regional and nat-
(Continued on next page)
A36
EK. Remedy
As previously stated, Plaintiff seeks injunctive relief,
statutory damages, and an award of costs including attor-
neys’ fees.
As a general rule, a plaintiff is entitled to a perma-
nent injunction when copyright liability has been estab-
lished and there is a threat of continuing infringement.
Universal City Studios v. Sony, 659 F.2d at 976; 3 Nimmer
on Copyright § 14.06[B] (1983), at 14-53-14-54. However,
the Court may omit injunctive relief where it would dis-
serve the public interest. See Id. § 13.05[E][4][e], at 13-
91-13-92.
With respect to any future sales of the fitness trail
feature, injunctive relief is neither necessary nor appro-
priate. Defendant no longer has a copy of the feature;
the circumstances do not suggest that she presently has
access to Plaintiff’s original. The real question is whether
or not the Court should grant broad injunctive relief pro-
hibiting Defendant from future copying of any of WXIA’s
newscasts. After consideration of the evidence presented,
the Court declines to enter such an injunction.
/
(Continued from previous page)
ional television networks, interviews about current events,
and on-the-spot coverage of news events. H.Conf.Rep. No.
1733, 94th Cong., 2d Sess. 73, reprinted in 1976 U.S. Code
Cong. & Ad.News 5810, 5814. It does not apply to docu-
mentary or magazine-format public affairs programs. H.R.
Rep. No. 1476, 94th Cong., 2d Sess. 77, reprinted in, 1976
U.S. Code Cong. & Ad.News 5659, 5690.
Section 108 itself states that nothing in the television
news exemption “in any way affects the right of fair use
as provided by section 107.” 17 U.S.C. § 108(f)(4).
A37
The aim of copyright is to foster creativity. To this
end, the statute gives the copyright holder the exclusive
right to reproduce or distribute the work. See 17 U.S.C.
§ 106. In the instant case, however, Plaintiff destroys its
broadeast videotapes a week after the broadeast. There-
after, it retains only partial visual elements of the pro-
gram. Since WXIA ean only reproduce its news programs
for a period of one week, but has never done so, it must
be concluded that the post-broadeast market is relatively
unimportant to it as a creative incentive. Hence, copy-
right objectives would be insubstantially served by broadly
enjoining Defendant’s sales of copies of Plaintiff’s broad-
casts.
At the same time, the Court must consider whether
broad injunctive relief would infringe upon First Amend-
men rights. While the various elements of Plaintiff’s
broadcasts vary in informational importance, see p. 3,
supra, all material WXIA carries on its broadcasts is pre-
sumptively newsworthy and therefore infused with a high
degree of public interest. Further, the Supreme Court
has recognized that the broadcast media present “an un-
usual order of First Amendment values” due to the in-
herent difficulty in allocating a scarce number of broad-
east frequencies among applicants. Columbia Broadcast-
ing System v. Democratic National Committee, 412 U.S. -
94, 101, 93, S.Ct. 2080, 2086, 36 L.Ed.2d 772 (1973). Under
the Communications Act of 1934, 47 U.S.C. § 151 et seq.,
broadeasters are licensed by the federal government as
public trustees and as such are required to serve the public
interest. Under these circumstances, caution in fashioning
a remedy is indicated and broad injunctive relief will not
A38
be granted unless Plaintiff’s entitlement to and need for
such relief is clear and convincing.
The Court concludes that Ms. Duncan’s sale of news-
east copies does not substantially further public dissemi-
nation or perpetuation of news accounts. Since she de-
troys her tapes within a month of the broadcast, the only
archival purpose served by her activity is that attendant
to getting news clips into private hands (actually, mostly
into corporate file folders). However, the fact remains
that under Plaintiff’s present procedure, film of news
events of possibly great import could be destroyed a week
after the broadcast, with no useful copy being available
thereafter. In such a case, Defendant’s systematic copy-.
ing and sales could represent a modest social benefit.
The Court concludes, moreover, that broad injunctive
relief would improperly prohibit distribution of parts of
newscasts where Plaintiff no longer has any copyright
protection. Where a copyright holder evidences an inten-
tion to abandon his copyright by an overt act of abandon-
ment, protection ceases. 3 Nimmer on Copyright § 13.06
(1983). WXIA’s destruction of its broadcast videotapes
is certainly such an overt act. And while it may be that
large parts of the broadcast can still be pieced together
from taped, audio and script components, and some pre-
taped portions may be entitled to independent copyright
protection, the precise wording of an appropriately limited
decree is unapparent.
In summary, given the referenced First Amendment
considerations, plus Plaintiff’s lack of a clearly demon-
strated entitlement to or need for broad injunctive relief,
the request for such relief will be denied.
Dein Om. st SRN Rn
A39
Plaintiff seeks statutory damages in lieu of actual
damages. Section 504 of the Copyright Act provides that
a plaintiff may elect between “actual damages and any
additional profits of the infringer,” 17 U.S.C. § 504(a)(1),
or statutory damages “in a sum-of not less than $250 or
more than $10,000,” 17 U.S.C. § 504(c)(1), but as much as
$50,000 for “willful infringement.” 17 U.S.C. 4 504(¢) (2).
Plaintiff seeks the fuli $50,000 award, as well as attor-
neys’ fees and costs as provided by 17 U.S.C. § 505.
The remedies of statutory damages and attorneys’ fees
are unavailable to Plaintiff in this action. 17 U.S.C. § 412
provides in pertinent part that
In any action under this title, other than an action
instituted under section 411(b), no award of statutory
damages or of attorney’s fees, as provided by sections
504 and 505, shall me made for—
(1) any infringement of copyright in an unpublished
work commenced before the effective date of its reg-
istration. . . . (emphasis supplied).
Section 411(b) provides
(b) In the case of a work consisting of sounds, images,
or both, the first fixation of which is made simultane-
ously with its transmission, the copyright owner may,
either before or after such fixation takes place, insti-
tute an action for infringement under section 501, fully
subject to the remedies provided by sections 502
through 506 and section 509 and 510, if, in accordance
with requirements that the Register of Copyrights
shall prescribe by regulation, the copyright owner—
A40
(1) serves notice upon the infringer, not less
than ten or more than thirty days before such
fixation, identifying the work and the specific
time and source of its first transmission, and de-
claring an intention to secure copyright in the
work; and
(2) makes registration for the work within
three months after its first transmission.
17 U.S.C. § 411(b).
The fitness trail feature is an unpublished work. “Pub-
lication” under the statute is defined as
The distribution of copies or phonorecords of a work |
to the public by sale or other transfer of ownership, "
or by rental, lease, or lending. The offering to dis-
tribute copies or phonorecords to a group of persons
for purposes of further distribution, public perform-
ance, or public display, constitutes publication. A pub-
lic performance or display of a work does not of itself
constitute publication.
17 U.S.C. § 101.
To perform or display a work publicly means |
(1) to perform or display it at a place open to the |
public or at any place where a substantial number of |
persons outside of a normal circle of a family and its
social acquaintances is gathered; or
(2) to transmit or otherwise communicate a perform-
ance or dispiay of the work to a place specified by
clause (1) or to the public, by means of any device
or process, whether the members of the public capable
A41
of receiving the performance or display receive it in
the same place or in separate places and at the same
time or at different times.
Id.
A transmission, then, is not a publication. Congress
has defined “transmission program” as “a body of material
that, as an aggregate, has been produced for the sole pur-
pose of transmission to the public in sequence and as a
unit.” Jd. The legislative history shows that this defini-
tion encompasses non-syndicated radio and television pro-
grams. H.R.Rep. No. 1476, 94th Cong., 2d Sess. 152, re-
printed wm 1976 U.S. Code Cong. & Ad.News 5659, 5768.
Live television news broadcasts clearly fall into the cate-
gory of unpublished transmission programs.
Plaintiff’s only possibility for an award of statutory
damages is thus to fit within Section 411(b). Plaintiff
cannot fit within that section for two reasons. First, the
fixation of the pretaped fitness trail feature did not first
occur at the time of the transmission. The feature was
fixed earlier, when it was pretaped. Secondly, even if one
were to assume that the fixation only occurred as the broad-
east was being aired, Plaintiff did not give the notice re-
ferred in Section 411(b). Therefore, statutory damages
and attorneys’ fees are not awardable to Plaintiff.
By its own admission, Plaintiff has suffered virtually
no actual damage from the sale of the fitness trail seg-
ment. Although WXIA makes tapes available, it does not
actively attempt to market them and admits that it has no
real concern that it ever sell any tapes. Its actual dam-
ages in this case therefore are trivial. Defendant sold the
A42
fitness trail segment for $55.2 The Court did not hear
evidence on News Clips’ profit per tape, but estimates it
at $35, also a trivial amount. Under these circumstances,
Plaintiff’s actual damages, including Defendant’s profits,
are de minimis. See Shapiro, Bernstein & Co. v. Bleeker,
243 F.Supp. 999 (S.D.Cal. 1965), aff’d 367 F.2d 236 (9th
Cir.1966). The Court will award damages in the amount
of $35.00.
Finally, as the prevailing party, Plaintiff seeks to re-
cover its costs. Under former section 116 of the copyright
statute, the award of costs to the prevailing party was
mandatory. Boz Scaggs Music v. KND Corp., 491 F.Supp.
908, 915 (D.Conn. 1980). Current section 505, 17 U.S.C.
§ 505, commits the award of costs to the court’s discretion.
H.R.Rep. No. 1476 at 163 reprinted in 1976 U.S.Code Cong.
& Ad.News at 5779. Costs may even be awarded to the
losing rather than the prevailing party if the court should
so determine. Kepner-Tregoe, Inc. v. Carabio, 203 U.S.P.Q.
124, 136 (E.D.Mich. 1979). The Court orders that no costs
be awarded in this action.
CONCLUSION
Judgment is to be entered for Plaintiff in the amount
of $35.00. Each side shall bear its own costs.
9. News Clips has since raised its price per tape to $65.
A43
APPENDIX C
IN THE UNTED STATES COURT OF APPEALS
FOR THE ELEVENTH CIRCUIT
No. 83-8782
PACIFIC AND SOUTHERN COMPANY, INC.,
d/b/a WXIA-TY,
Plaintiff-Appellee,
Cross-Appellant,
versus
CAROL DUNCAN, d/b/a TV NEWS CLIPS,
Defendant-Appellant,
Cross-A ppellee.
Appeal from the United States District Court for the
Northern District of Georgia
ON PETITION FOR REHEARING AND SUGGESTION
FOR REHEARING EN BANC
(Opinion October 26, 1984, 11 Cir., 1984, — F.2d —).
(December 7, 1984)
Before FAY and JOHNSON, Cireuit J udges, and
YOUNG", District Judge.
PER CURIAM:
( X ) The Petition for Rehearing is DENIED and no
member of this panel nor other Judge in regular active
service on the Court having requested that the Court be
“Honorable George C. Young, U.S. District Judge for the
Middle District of Florida, sitting by designation.
A44
polled on rehearing en bane (Rule 35, Federal Rules of
Appellate Procedure; Eleventh Circuit Rule 26), the Sug-
gestion for Rehearing En Bane is DENIED.
( ) The Petition for Rehearing is DENIED and the
Court having been polled at the request of one of the mem-
bers of the Court and a majority of the Cireuit Judges
who are in regular active service not having voted in favor
of it (Rule 35, Federal Rules of Appellate Procedure;
Eleventh Circuit Rule 26), the Suggestion for Rehearing
En Banc is also DENIED.
( ) A member of the Court in active service having
requested a poll on the reconsideration of this cause en
bane, and a majority of the judges in active service not
having voted in favor of it, rehearing en bane is DENIED
ENTERED FOR THE COURT:
/s/ Frank M. Johnson, Jr.
United States Cireuit Court
A45
APPENDIX D
Constitutional and Statutory Provisions
United States Constitution
Article TI, (8, el. 8:
/
The Congress shall have Power * * * To Promote the
Progress of Science and useful Arts, by securing for
limited Times to Authors and Inventors the exclusive
Right to their respective Writings and Discoveries.
Amendment I:
Congress shall make no law respecting an establish-
ment of religion, or prohibiting the free exercise
thereof; or abridging the freedom of speech, or of the
press; or the right of the people peaceably to assem-
ble, and to petition the Government for a redress of
grievances.
United States Code, Title 17:
Section 107. Limitations on Exclusive Rights: Fair Use
Notwithstanding the provisions of section 106, the
fair use of a copyrighted work, including such use by
reproduction in copies or phonorecords or by any
other means specified by that section, for purposes
such as criticism, comment, news reporting, teaching
(including multiple copies for classroom use), scholar-
ship, or research, is not an infringement of copyright.
In determining whether the use made of a work in
any particular case is a fair use the factors to be con-
sidered shall include—
A46
(1) the purpose and character of the use, in-
cluding whether such use is of a commercial nature
or is for nonprofit educational purposes;
(2) the nature of the copyrighted work;
(3) the amount and substantiality of the por-
tion used in relation to the copyrighted work as a
whole: and
(4) the effect of the use upon the potential mar-
ket for or value of the copyrighted work.
A47
APPENDIX E
POWELL, GOLDSTEIN, FRAZER & MURPHY
Attorneys at Law
Eleventh Floor
The Citizens & Southern National Bank Building
35 Broad Street, N.W.
Atlanta, Georgia 30335
404 572-6600
Telex 542-864
PGFM ATL
Telecopier 404 572-6999
Cable PGFM
December 7, 1984
CERTIFIED MAIL
RETURN RECEIPT REQUESTED
Video Monitoring Services of Ainerica, Ine.
330 West 42nd Street
New York, New York 10036
Dear Sir or Madam:
I am writing on behalf of my client, Pacific and Southern
Company, Inc. doing business as WXIA-TYV, in Atlanta.
My client is an affiliate of The Gannett Broadcast Group.
I and my client were most surprised to see your recent
brochure, a copy of which I enclose, which announces that
you make videotape copies for commercia! purposes of all
news broadcasts which are produced and copyrighted by
my client as well as other television broadcasters and net-
works.
ae A48
This practice clearly infringes the copyright of my client
in its originally produced copyrighted news broadcasts.
We demand that you cease and desist, immediately and
permanently, from all copying of WXIA-TY’s locai news-
casts.
If you are in any doubt whatsoever about the legal status
of such unlicensed copying for commercial purposes of
copyrighted news broadcasts, you should review the de-
cision by the United States Court of Appeals for the Elev-
enth Circuit in the lawsuit which my client brought against
-an Atlanta copyright infringer, TV News Clips, which en-
gaged in the same preatices. The enclosed opinion was
rendered on October 26, 1984.
I look forward to prompt receipt of your assurance that
no additional copying of WXIA-TV’s copyrighted news
broadeasts will take place.
We will deem any copying by Video Monitoring Services
of my client’s copyrighted news broadcasts on or after
the date of your receipt of this letter to be willful infringe-
ment of copyright which will give rise to civil claims for
injunctive relief and for statutory, actual and ‘punitive
damages, and which will be in violation of the criminal
law as well.
My client intends to take full advantage of all available
avenues of legal recourse.
Very truly yours,
/s/ James C. Rawls
JCR/ec
Enclosure
This is a copy of a public record, reproduced as it was published. It is not legal advice, and it may not be the version a court would rely on. Check the official source before you cite it.