Eight Mile Style, LLC v. Spotify USA Inc.

UNITED STATES DISTRICT COURT

MIDDLE DISTRICT OF TENNESSEE

NASHVILLE DIVISION

EIGHT MILE STYLE, LLC and )

MARTIN AFFILIATED, LLC, )

)

Plaintiffs, )

)

v. ) Case No. 3:19-cv-0736

) Judge Aleta A. Trauger

SPOTIFY USA INC., )

)

Defendant. )

)

MEMORANDUM

Spotify USA Inc. (“Spotify”) has filed a Motion to Dismiss for Lack of Personal

Jurisdiction and Improper Venue or, In the Alternative, to Transfer Venue to the Southern District

of New York (Docket No. 47), to which Eight Mile Style, LLC (“Eight Mile Style”) and Martin

Affiliated, LLC (“Martin Affiliated”) have filed a Response (Docket No .69), and Spotify has filed

a Reply (Docket No. 75), to which Eight Mile Style and Martin Affiliated have filed a Sur-Reply

(Docket No. 79). Eight Mile Style and Martin Affiliated have filed a Motion to Lift the Stay of

Discovery (Docket No. 58), to which Spotify has filed a Response (Docket No. 62), and Eight

Mile Style and Martin Affiliated have filed a Reply (Docket No. 66). For the reasons set out herein,

both motions will be denied.

I. BACKGROUND

Eight Mile Style and Martin Affiliated are Michigan-based companies that own and control

musical compositions written by Marshall Mathers, also known as Eminem. (Docket No. 69-2 ¶

4.) Spotify is a New York-based company incorporated in Delaware and wholly owned by a

Swedish corporate parent. (Docket No. 50 ¶¶ 7–8.) Spotify operates a popular music streaming

service that allows users to listen to music they select on electronic devices, including desktop

computers, laptop computers, and mobile phones. On August 21, 2019, Eight Mile Style and

Martin Affiliated filed a Complaint in this court alleging that Spotify, through its streaming

service, engaged in copyright infringement of a number of Mathers’ works. Specifically, the

plaintiffs alleged that Spotify, working with its licensing agent the Harry Fox Agency, made

recordings of Mathers’ compositions available to its users as if it possessed a valid license to do

so, despite having obtained no such license. (Docket No. 1 ¶ 1.) The court, as is its ordinary

practice, entered an Order scheduling an initial case management conference and staying discovery

until after that conference could be held. (Docket No. 5.)

On September 25, 2019, Spotify filed a Motion to Adjourn the Case Management

Conference and for a Stay of Discovery (Docket No. 14), in which it asked the court to stay

discovery in the case to allow the court to resolve Spotify’s anticipated upcoming motion to

dismiss for lack of personal jurisdiction. The plaintiffs opposed the request for a stay. (Docket No.

19.) The plaintiffs pointed out that Spotify had already litigated four similar cases in this court,

during which it did not dispute the court’s personal jurisdiction: Bluewater v. Spotify USA Inc.

(Case No. 3:17-cv-01051); Gaudio v. Spotify USA Inc. (Case No. 3:17-cv-01052); A4V Digital,

Inc. et al. v. Spotify USA Inc. (Case No. 3:17-cv-01256); and Robertson et al. v. Spotify USA Inc.

(Case No. 3:17-cv-01616). On October 17, 2019, the court briefly postponed the initial case

management conference and otherwise denied Spotify’s motion as moot. (Docket No. 36.)

Before the rescheduled conference, Spotify filed a Motion to Dismiss, challenging this

court’s personal jurisdiction over it and asking the court to either dismiss the plaintiffs’ claims or

transfer the case to the Southern District of New York. (Docket No. 47.) In light of the pending

motion, the court continued the initial case management conference. (Docket No. 54.) On

November 6, 2019, the plaintiffs filed a Motion to Lift the Stay of Discovery and Motion to Allow

Discovery on Defendant’s Motion to Dismiss or Transfer and Motion to Extend Time to Respond.

(Docket No. 58.) The plaintiffs requested that they be permitted to engage in jurisdictional

discovery in support of their assertion that the court has personal jurisdiction over Spotify. The

plaintiffs included a proposed initial set of document requests that, among other things, would

allow them to identify Tennessee-based Spotify users, as well as Spotify’s advertising activities

and exploitation of user data directed at the state. (See Docket No. 59-1 at 10–11.) Spotify opposed

the motion, arguing that no discovery was necessary to resolve the jurisdictional issues that it had

raised. (Docket No. 62.) On November 19, 2019, the court issued an Order denying the request for

discovery without prejudice and ordering the plaintiffs to respond to Spotify’s Motion to Dismiss.

(Docket No. 67.) The plaintiffs did so (Docket No. 69), and both motions are now fully briefed.

In support of its motion, Spotify has provided a Declaration by Anna Lundström, a Spotify

Vice President who works out of the company’s New York City headquarters. (Docket No. 50.)

According to Lundström, Spotify’s licensing personnel are based in New York, as are many of the

senior executives and potential employee/former employee witnesses whom the company would

expect to be involved in litigation against Eight Mile Style and Martin Affiliated. (Id. ¶¶ 10, 16–

18.) Lundström does not dispute that Spotify has users in Tennessee, including in the Middle

District of Tennessee, or that some of those users accessed Mathers’ compositions. Lundström

explains that “[t]he Spotify service is completely portable: a Spotify user who created an account

in Tennessee (or any other state) can stream music to her device in another state (or sometimes

another country), and the catalog of content available to users in Tennessee (or any other state) is

the same as that which is available to users anywhere else in the United States.” (Id. ¶ 14.)

According to Lundström, Spotify has maintained an office in Nashville since 2016. (Id. ¶¶

21–22.) The Nashville office is currently home to 12 employees, who work in the following areas:

“Artist & Label Marketing, Editorial, Social Media, Video Content Experiences, Studios, Business

Development, Ad Sales, and Free Product.” (Id. ¶ 23.) Lundström states that none of Spotify’s

Nashville employees is “responsible for mechanical licensing or the acquisition or distribution of

content on the service, nor do they possess knowledge or information relating to Spotify’s

mechanical licensing practices from the time of its launch in the United States through the present.”

(Id. ¶ 25.)

The plaintiffs have provided a Declaration by Bob Kohn, an attorney and widely cited

expert in music licensing and internet-based music services. (Docket No. 69-1 ¶¶ 1–6.) Kohn

explains the basics of Spotify’s service, which allows users to stream sound recordings of musical

works as well as engage in limited downloads of those recordings. (Id. ¶ 16.) Spotify is, according

to Kohn, an interactive service in the sense that the user retains the capacity to control which music

he listens to—as opposed to, for example, a traditional terrestrial radio station, which does not

allow the listener to select the music played. (Id. ¶ 17.) Spotify offers a free version of its service,

which is supported by subjecting the listener to advertisements between songs, as well as a

“premium” service that is paid for by users and not ad-supported. (Id. ¶¶ 18–20.) Given the scope

of Spotify’s known user baser, Kohn opines:

The activity engaged in by Spotify which is alleged by Eight Mile to constitute

copyright infringement is the unauthorized reproduction of the Eight Mile

Compositions onto servers (i.e., “server copies”) and the copying and distribution

of copies thereof to the devices of consumers. Defendants have not and cannot deny

that tens of thousands, if not hundreds of thousands, of those consumers are located

within the Middle District of Tennessee alone. There may be a million or more

customers in all of Tennessee. . . . Most importantly, many of the reproductions and

distributions of Eight Mile’s Compositions [are] initiated by consumers who choose

to stream or download those works. That act, for Tennessee consumers, occurs in

Tennessee. Furthermore, it should also be noted that none of the copying and

distribution of Eight Mile’s Compositions to users in Tennessee appear[s] to be

even initiated from servers in Spotify’s New York headquarters or, for that matter,

anywhere within the jurisdiction of the Southern District of New York.

(Id. ¶ 22.) Kohn states that, based on the limited information available to him, he does not know

the geographic location of the relevant servers used by Spotify. One serious possibility, however,

is that at least some of Spotify’s streaming may be performed from Google-operated servers in

Montgomery County, Tennessee. (Id. ¶ 23.) Finally, Kohn opines that Spotify likely targets

Tennessee listeners with advertisements associated with its ad-supported free service. (Id. ¶ 30.)

In their briefing, the plaintiffs point out that Spotify creates playlists to recommend music

for its users, and news reports suggest that at least one such playlist was specifically targeted at

users in Tennessee. See Megan Keller, Spotify Launches Custom State Playlists for Midterms, The

Hill, https://thehill.com/blogs/in-the-know/in-the-know/414122-spotify-launches-custom-state-

playlists-for-midterms. The cited news story, however, does not suggest that any Mathers

compositions appeared on the Tennessee playlist, which is characterized as featuring “country

hits.”

The plaintiffs also provided Declarations by Joel Martin (a member of both Eight Mile

Style and Martin Affiliated) and by their lead counsel, Richard S. Busch. According to Martin, the

plaintiffs elected to proceed in this district at least in part because Spotify appeared to have

acquiesced to the court’s jurisdiction in the earlier, similar cases. Martin states that traveling to

Nashville from Michigan would be significantly easier for him and others associated with the

plaintiffs than traveling to New York City. (Docket No. 69-2 ¶¶ 5, 12.) Busch states that he

represented plaintiffs in the earlier cases against Spotify, and, over the course of two years, the

four cases had only required attorneys from his firm to spend ten days in New York for depositions,

six days in Los Angeles for depositions, four days in Nashville for depositions, and three in

Washington, D.C. (Docket No. 69-3 ¶ 3.) The cases also required relatively few days of in-person

hearings in Nashville, and there was never a need to travel for the purposes of document review.

(Id. ¶¶ 4–5.)

II. LEGAL STANDARD

In considering a motion to dismiss for lack of personal jurisdiction under Rule 12(b)(2), a

court has three options. It may (1) rule on the motion on the basis of the affidavits and materials

submitted by the parties, (2) permit discovery in aid of the motion, or (3) conduct an evidentiary

hearing on the merits of the motion. See Dean v. Motel 6 Operating L.P., 134 F.3d 1269, 1272 (6th

Cir. 1998). It is in the court’s discretion, based on the circumstances of the case, which path to

choose. Id. In any proceeding, however, the party asserting jurisdiction has the burden of proof.

See Bird v. Parsons, 289 F.3d 865, 871 (6th Cir. 2002). “Additionally, in the face of a properly

supported motion for dismissal, the plaintiff may not stand on his pleadings but must, by affidavit

or otherwise, set forth specific facts showing that the court has jurisdiction.” Theunissen v.

Matthews, 935 F.2d 1454, 1458 (6th Cir. 1991).

When a court rules on a motion to dismiss for lack of personal jurisdiction based upon the

affidavits or other preliminary materials, the party asserting jurisdiction need only make a prima

facie showing of jurisdiction to defeat the motion. Theunissen, 935 F.2d at 1458. In examining

whether the party asserting jurisdiction has made this prima facie showing, the court is to construe

the facts presented in the light most favorable to that party, and the court does not weigh or consider

the conflicting facts presented by the other side. Bird, 289 F.3d at 871; see also Estate of Thomson

ex rel. Estate of Rakestraw v. Toyota Motor Corp. Worldwide, 545 F.3d 357, 360-61 (6th Cir.

2008) (referring to the plaintiff’s burden in this context as “relatively slight”).

Under Fed. R. Civ. P. 12(b)(3), a defendant may move to dismiss a case for improper venue.

On such a motion, it is the plaintiff’s burden to show that venue is proper. Gone to the Beach, LLC

v. Choicepoint Servs., 434 F. Supp. 2d 534, 537–38 (W.D. Tenn. 2006). If the district court finds

that the case is “in the wrong division or district” the court “shall dismiss” the case, or, “if it be in

the interest of justice,” the court may transfer the case “to any district or division in which it could

have been brought.” 28 U.S.C. § 1406(a).

III. ANALYSIS

A. Necessity of Jurisdictional Discovery

Although the plaintiffs have argued that they require discovery on the issue of jurisdiction,

the core facts relevant to jurisdiction are either undisputed or disputed only with regard to minor

details. The parties agree that the plaintiffs are based in Michigan and Spotify is based in New

York. The parties also agree that Spotify has a Nashville office that is not its headquarters. Spotify,

moreover, does not dispute that it has numerous users in the Middle District of Tennessee, some

of whom use the company’s advertisement-supported free service and some of whom use the non-

advertisement-supported paid service. Nor does Spotify dispute, at least for the purposes of the

currently pending motions, that, given the extent of Mathers’ professional success and popularity,

it is undoubtedly the case that Middle District users have, on numerous occasions, streamed and/or

downloaded at least some of the compositions at issue in this case. (See Docket No. 62 (“Spotify

accepted for purposes of its motion to dismiss that it is a digital streaming service whose users in

Tennessee accessed recordings of at least some of the compositions at issue through, among other

means, downloadable software or applications.”).) Jurisdictional discovery might allow the

plaintiffs to fill out the details of Spotify’s business in this district, but a greater level of detail is

not necessary to resolve the issue of personal jurisdiction, which hinges primarily on the parties’

respective interpretations of the governing legal standards.1

Insofar as the parties disagree with regard to their respective hardships related to litigating

this case here or in New York, they have provided Declarations that are sufficient to allow the

court to evaluate the issue. Delaying this court’s decision with regard to jurisdiction in order to

allow for discovery would unnecessarily delay the progress of the case. The plaintiffs’ motion will

therefore be denied.

B. Judicial Estoppel

The plaintiffs argue first that the court should hold that Spotify is judicially estopped from

disputing jurisdiction in this case, because it did not dispute jurisdiction in the four prior, similar

cases that were litigated and ultimately settled in the Middle District of Tennessee. The doctrine

of judicial estoppel “preserve[s] the integrity of the courts by preventing a party from abusing the

judicial process through cynical gamesmanship.” Browning v. Levy, 283 F.3d 761, 776 (6th Cir.

2002) (internal quotation omitted). Although noting that “the circumstances under which judicial

estoppel may appropriately be invoked are probably not reducible to any general formulation of

principle,” the Supreme Court has identified the following considerations for determining whether

to apply judicial estoppel: (1) “a party’s later position must be clearly inconsistent with its earlier

position”; (2) “whether the party has succeeded in persuading a court to accept that party’s earlier

position, so that judicial acceptance of an inconsistent position in a later proceeding would create

1 The most useful fact that might be ascertainable during discovery would probably be whether any servers

based in this district are actually involved in Spotify’s streaming activities. Even without that information,

however, it appears to be beyond dispute that some Tennessee-based hardware is involved in the alleged

infringement, in the form of users’ electronic devices and the physical infrastructure that allows data to

reach those devices. The court, moreover, notes that web-based activities may involve servers in far-flung,

unexpected jurisdictions, and courts have been hesitant to place too much weight on server location in

jurisdictional determinations. See BGDG Enterprises, LLC v. Barley & Swine, No. A-13-CA-719-SS, 2014

WL 12479650, at *4 (W.D. Tex. Jan. 23, 2014) (discussing cases).

the perception that either the first or the second court was misled;” and (3) “whether the party

seeking to assert an inconsistent position would derive an unfair advantage or impose an unfair

detriment on the opposing party if not estopped.” New Hampshire v. Maine, 532 U.S. 742, 749–

50 (2001). The Supreme Court warned, however, that these factors are not “inflexible prerequisites

or an exhaustive formula for determining the applicability of judicial estoppel.” Id. at 751.

The court will not hold that Spotify is prevented by judicial estoppel from contesting

jurisdiction here. Specific jurisdiction is evaluated on a case-by-case basis, and there is nothing

inherently contradictory about jurisdiction existing in one case and not another. That is especially

true in light of the well-settled principle that a defendant can consent to personal jurisdiction in a

particular lawsuit. See Boulger v. Woods, 917 F.3d 471, 477 (6th Cir. 2019) (“Put simply, a

defendant’s appearances, filings, and actions in the district court may constitute ‘legal submission

to the jurisdiction of [that] court.’”) (quoting Gerber v. Riordan, 649 F.3d 514, 519 (6th Cir.

2011)). There is no basis in the law for concluding that a defendant who acquiesces to the court’s

exercise of personal jurisdiction in one case is forever barred from disputing the court’s power in

a future case. See, e.g., Klinghoffer v. S.N.C. Achille Lauro, 937 F.2d 44, 50 n.5 (2d Cir. 1991) (“A

party’s consent to [personal] jurisdiction in one case . . . extends to that case alone.”). The court,

therefore, will consider the parties’ jurisdictional dispute on the merits.

.B. Personal Jurisdiction

In order for this court to exercise personal jurisdiction over a non-resident defendant, such

as Spotify, the defendant must have “certain minimum contacts with the [forum state] such that

the maintenance of the suit does not offend ‘traditional notions of fair play and substantial justice.’”

Youn v. Track, Inc., 324 F.3d 409, 417 (6th Cir. 2003) (quoting Int’l Shoe Co. v. Washington, 326

U.S. 310, 316 (1945)). The Supreme Court has identified “general” jurisdiction and “specific”

jurisdiction as distinct grounds for personal jurisdiction. Id. at 417-18. General jurisdiction allows

the court to “exercise jurisdiction over any claims a plaintiff may bring against the defendant,”

whereas specific jurisdiction “grants jurisdiction only to the extent that a claim arises out of or

relates to a defendant’s contacts in the forum state.” Miller v. AXA Winterthur Ins. Co., 694 F.3d

675, 678–79 (6th Cir. 2012) (citing Kerry Steel, Inc. v. Paragon Indus., Inc., 106 F.3d 147, 149

(6th Cir. 1997)).

“The ‘paradigm’ forums in which a corporate defendant” will be subject to general

jurisdiction “are the corporation’s place of incorporation and its principal place of business,” with

general jurisdiction available elsewhere only in “exceptional” cases. BNSF Ry. Co. v. Tyrrell, 137

S. Ct. 1549, 1552 (2017) (quoting Daimler AG v. Bauman, 571 U.S. 117, 136 (2014)).

Accordingly, although Spotify’s corporate presence in Nashville is fairly extensive, a plaintiff

would have a difficult time, to say the least, establishing general jurisdiction over the company

outside of New York or Delaware. Eight Mile Style and Martin Affiliated argue instead that the

court has specific jurisdiction over Spotify for the purposes of their claims.

The assertion of specific jurisdiction “depends on an affiliation between the forum and the

underlying controversy,” such as an “activity or an occurrence that takes place in the forum State

and is therefore subject to the State’s regulation.” Walden v. Fiore, 571 U.S. 277, 284 n.6 (2014)

(internal quotation and citation omitted). In evaluating a claim of specific personal jurisdiction, the

court must apply the three-part test set forth by the Sixth Circuit in Southern Machine Co. v.

Mohasco Industries, Inc., 401 F.2d 374, 381 (6th Cir. 1968):

(1) “[T]he defendant must purposefully avail himself of the privilege of acting in

the forum state or causing a consequence in the forum state.”

(2) “[T]he cause of action must arise from the defendant’s activities” in or contacts

with the forum state.

(3) “[T]he acts of the defendant or consequences caused by the defendant must have

a substantial enough connection with the forum state to make the exercise of

personal jurisdiction reasonable.”

Id.

While all three Mohasco elements must be satisfied, purposeful availment is the sine qua

non of specific personal jurisdiction. Id. at 381– 82. The Sixth Circuit has defined purposeful

availment as “something akin to a deliberate undertaking to do or cause an act or thing to be done

in the forum state or conduct which can be properly regarded as a prime generating cause of the

effects resulting in the forum state, something more than a passive availment of the forum state’s

opportunities.” Bridgeport Music, Inc. v. Still N The Water Publ’g, 327 F.3d 472, 478 (6th Cir.

2003) (quoting Neogen Corp. v. Neo Gen Screening, Inc., 282 F.3d 883, 890 (6th Cir. 2002)). A

defendant purposefully avails himself of a forum’s protections when his “conduct and connection

with the forum are such that he should reasonably anticipate being haled into court there.” Id. at

479 (quoting CompuServe, Inc. v. Patterson, 89 F.3d 1257, 1267 (6th Cir. 1996)). The purposeful

availment requirement prevents jurisdiction from arising “as a result of random, fortuitous, or

attenuated contacts, or of the unilateral activity of another party or a third person.” Id. (quoting

Burger King Corp. v. Rudzewicz, 471 U.S. 462, 475 (1985)). The relevant inquiry is “whether the

defendant has ‘engaged in some overt actions connecting the defendant with the forum state.’” Id.

at 480 (quoting Dean, 134 F.3d at 1271). Put another way, “[t]he question is whether a defendant

has followed a course of conduct directed at the society or economy within the jurisdiction of a

given sovereign.” J. McIntyre Mach. v. Nicastro, 564 U.S. 873, 884 (2011).

“In this Circuit, ‘operation of an Internet website can constitute the purposeful availment

of the privilege of acting in a forum state under the first Mohasco factor ‘if the website is interactive

to a degree that reveals specifically intended interaction with residents of the state.’” Still N The

Water Publ’g, 327 F.3d at 483 (quoting Bird, 289 F.3d at 874). Interactivity is key because it draws

the distinction between, on one hand, a passive jurisdictional contact wholly within the control of

the non-defendant user who accessed the defendant’s website and, on the other hand, a back-and-

forth experience in which the defendant itself, through the interactive website, engaged with the

user in the forum. See Neogen, 282 F.3d at 890 (noting that “intentional interaction with the

residents of a forum state . . . is evidence of a conscious choice to transact business with inhabitants

of a forum state”); see also See, Inc. v. Imago Eyewear Pty, Ltd., 167 F. App’x 518, 522 (6th Cir.

2006) (describing a “passive” website as one that “simply posts product and contact information”).

“While a general posting on the internet is not sufficient to establish minimum contacts, courts

may find personal jurisdiction appropriate where there is ‘something more’ to indicate that the

defendant purposefully directed its activities to the forum state.” Unidisc Music, Inc. v.

Antibemusic S.r.l., No. 3-13-1451, 2014 WL 2573974, at *2 (M.D. Tenn. June 9, 2014) (Campbell,

J.). The plaintiffs point out that Spotify’s service is fundamentally interactive, with the user

selecting which music he wishes to listen to, at what time, and on what device, through a service

to which he has affirmatively subscribed. The court agrees that Spotify’s interactive streaming of

music to Middle District of Tennessee users is sufficient to meet the purposeful availment prong

for the assertion of specific personal jurisdiction.

A defendant’s purposeful availment of a forum, however, provides no basis for exercising

personal jurisdiction if there is not a sufficient link between the purposeful availment and the

underlying lawsuit. “For a State to exercise jurisdiction consistent with due process, the

defendant’s suit-related conduct must create a substantial connection with the forum State.”

Walden v. Fiore, 571 U.S. 277, 284 (2014). “When there is no such connection, specific

jurisdiction is lacking regardless of the extent of a defendant’s unconnected activities in the State.”

Bristol-Myers Squibb Co. v. Superior Court of California, San Francisco Cty., 137 S. Ct. 1773,

1781 (2017) (citing Goodyear Dunlop Tires Operations, S.A. v. Brown, 564 U.S. 915, 931 (2011)).

The Sixth Circuit has characterized this aspect of the Mohasco test as imposing a “lenient

standard.” Bird, 289 F.3d at 875. In one of its least demanding formulations, the test provides that,

“[i]f a defendant’s contacts with the forum state are related to the operative facts of the

controversy, then an action will be deemed to have arisen from those contacts.” CompuServe, Inc.,

89 F.3d at 1267 (emphasis added and citation omitted); see also Calphalon Corp. v. Rowlette, 228

F.3d 718, 723–24 (6th Cir. 2000) (“Only when the operative facts of the controversy are not related

to the defendant’s contact with the state can it be said that the cause of action does not arise from

that contact.”) (quoting Mohasco, 401 F.2d at 384). At other times, however, the court has

suggested, consistently with recent Supreme Court language, that “the cause of action must . . .

have a substantial connection with the defendant’s in-state activities.” Dean, 134 F.3d at 1275

(emphasis added); see Walden, 571 U.S. at 284. Although it is easy to get bogged down in the

wide array of ways the test can be phrased, what matters more is maintaining a focus on the core

jurisdictional limiting principles that the test embodies. See Beydoun v. Wataniya Restaurants

Holding, Q.S.C., 768 F.3d 499, 506–07 (6th Cir. 2014) (“Not all of our opinions treat this analysis

the same . . . . In all cases, however, the elements required to establish personal jurisdiction remain

the same−some cases simply address them at different levels of analysis.”).

In determining whether contacts are sufficiently related to the operative facts of the

controversy, the Sixth Circuit has sometimes applied a proximate causation standard. See id. at

508; see also Burger King, 471 U.S. at 474 (“[I]t may well be unfair to allow [out-of-state parties]

to escape having to account in other States for consequences that arise proximately from such

activities.”). That approach requires more than a bare showing of ‘relatedness’ while still

recognizing that the caselaw developing the specific jurisdiction inquiry has stressed that this

particular aspect of the analysis is not intended to erect too high a barrier to jurisdiction.

The plaintiffs argue that their copyright infringement claims are directly and substantially

related to Spotify’s contacts with the Middle District of Tennessee because Spotify has unlawfully

streamed the relevant Mathers compositions to users in this district, meaning that at least a portion

of the infringement at issue occurred here. Spotify characterizes the crux of the case differently,

focusing on Spotify’s corporate licensing policies and decisions, which it directs from its home

office in New York. The court finds that the plaintiffs’ characterization more accurately captures

the nature of their claims. The plaintiffs’ claims are about the unlawful transmission of their

copyright-protected works to Spotify’s users, including those in Tennessee, not about licensing in

and of itself.

The final Mohasco requirement looks to whether the court’s exercise of jurisdiction is

reasonable. Once the first two Mohasco requirements are met, “‘an inference of reasonableness

arises’ and ‘only the unusual case will not meet this third criteri[on].’” Air Prods. & Controls, Inc.

v. Safetech Int’l, Inc., 503 F.3d 544, 554 (6th Cir. 2007) (quoting Theunissen, 935 F.2d at 1461).

The court’s consideration of reasonableness is guided by “three factors: (1) the burden on the

defendant; (2) the forum state’s interest; and (3) the plaintiff’s interest in obtaining relief.” Bulso

v. O’Shea, 730 F. App’x 347, 351 (6th Cir. 2018) (citing MAG IAS Holdings, Inc. v. Schmückle,

854 F.3d 894, 903 (6th Cir. 2017)).

The court sees no reason why this would be the unusual case in which exercising

jurisdiction would be unreasonable. Spotify argues that, if this district finds that it can exercise

personal jurisdiction here, there will be no limiting principle regarding where an online streaming

service can be made subject to specific jurisdiction. The limitation on where Spotify can be called

into court, however, remains simple: it will not be subjected to jurisdiction in areas where it did

not engage in copyright infringement through its interactive, commercial web service. Spotify’s

success, combined with Mathers’ success, may mean that this case could have been brought in a

number of different districts. That, though, is merely because there was so much alleged

infringement. Spotify is not entitled to a more stringent test for personal jurisdiction merely

because its allegedly illegal activities were so widespread.

Although the caselaw cautions against being too lax in requiring personal jurisdiction over

web-based businesses, there is also a danger in going too far in the other direction. The court will

not invent a special “theory of jurisdiction [that] would allow corporations whose websites exploit

a national market to defeat jurisdiction,” merely because the court finds the risk of ‘nationwide’

jurisdiction unpalatable in some abstract sense. Mavrix Photo, Inc. v. Brand Techs., Inc., 647 F.3d

1218, 1231 (9th Cir. 2011) (citing Burger King, 471 U.S. at 473–74). Spotify’s position appears

to be that it could engage in literally millions of instances of copyright infringement directed at

specific, identifiable Tennessee consumers without ever becoming subject to jurisdiction in any of

the state’s districts with regard to even those very instances of infringement—simply because it

also engages in so much infringement elsewhere. That position cannot be squared with traditional

notions of personal jurisdiction. The Middle District of Tennessee has an interest in ensuring that

copyright rights are observed within its borders, and Spotify has not demonstrated that the parties’

interests prevent the court from hearing the case. Although there may be some hardships related

to litigating in this district rather than Spotify’s home district, which the court will discuss in

greater detail later in this opinion, those hardships are not so great as to make jurisdiction

unreasonable. The court therefore will not dismiss the plaintiffs’ claims based on a lack of personal

jurisdiction.

C. Improper Venue

Spotify also argues that venue is improper in this district. Pursuant to 28 U.S.C. § 1400(a),

“[c]ivil actions, suits, or proceedings arising under any Act of Congress relating to copyrights or

exclusive rights in mask works or designs may be instituted in the district in which the defendant

or his agent resides or may be found.” “The general rule [under] § 1400(a) is that a defendant or

his agent ‘may be found’ in any district in which he is amenable to personal jurisdiction, or

wherever he may validly be served with process.” Ford Motor Co. v. Launch Tech Co., No. 17-

12906, 2018 WL 1089276, at *10 (E.D. Mich. Feb. 26, 2018) (quoting Mihalek Corp. v. State of

Mich., 595 F. Supp. 903, 907 (E.D. Mich. 1984)). The court’s analysis of personal jurisdiction is

therefore determinative under § 1400(a). Because Spotify is subject to specific jurisdiction in the

Middle District, it “may be found” here.

D. Discretionary Transfer

Finally, Spotify argues that, if this court concludes that it has jurisdiction and that venue in

this district is proper, the court should nevertheless transfer the case to the Southern District of

New York pursuant to 28 U.S.C. § 1404(a). That statute provides, in pertinent part, that, “[f]or the

convenience of parties and witnesses, in the interest of justice, a district court may transfer any

civil action to any other district or division where it might have been brought.” 28 U.S.C. § 1404(a).

With this statute, “Congress intended to give district courts the discretion to transfer cases on an

individual basis by considering convenience and fairness.” Kerobo v. Sw. Clean Fuels, Corp., 285

F.3d 531, 537 (6th Cir. 2002) (citation omitted).

When considering a section 1404(a) motion to transfer, “a district court should consider

the private interests of the parties, including their convenience and the convenience of potential

witnesses, as well as other public-interest concerns, such as systemic integrity and fairness, which

come under the rubric of ‘interests of justice.’” Moses v. Bus. Card Express, Inc., 929 F.2d 1131,

1137 (6th Cir. 1991) (citation omitted). The Sixth Circuit has suggested that relevant factors to be

considered include: (1) the convenience of the parties and witnesses; (2) the accessibility of

evidence; (3) the availability of process to make reluctant witnesses testify; (4) the costs of

obtaining willing witnesses; (5) the practical problems of trying the case most expeditiously and

inexpensively; and (6) the interests of justice. Reese v. CNH Am. LLC, 574 F.3d 315, 320 (6th Cir.

2009). Unless the balance of these factors strongly weighs in favor of the defendant seeking

transfer, “the plaintiff’s choice of forum should rarely be disturbed.” Id. (citations omitted).

Spotify argues that litigating the case in this district, rather than the Southern District of

New York, would substantially inconvenience it, given that its likely corporate witnesses are based

in New York, not in its comparatively small Nashville office, and it anticipates that many nonparty

witnesses will be New York-based as well. The plaintiffs respond, however, that Spotify’s

supposed hardship is belied by the fact that it has already litigated several similar cases in this

district. The plaintiffs also point out that, insofar as litigating this case is likely to be expensive for

Spotify, it owes at least some of that expense to its own decisions regarding the sheer number of

attorneys to involve; there are currently eleven attorneys representing Spotify, divided among three

law firms and five cities.

Spotify urges this court to follow the lead of the Central District of California, which

transferred a similar case to the Southern District of New York in Ferrick v. Spotify USA Inc., No.

CV 15-09929 BRO (RAOx), 2016 WL 11623778, at *3 (C.D. Cal. Oct. 26, 2016). That court,

however, based its decision in part on its conclusion that the plaintiffs’ choice of forum was entitled

to less deference because they were merely the representatives of a proposed class, not the sole

plaintiffs with an interest in the matter. Id. at *4 (citing Hawkins v. Gerber Prods. Co., 924 F.

Supp. 2d 1208, 1214 (S.D. Cal. 2013); Metz v. U.S. Life Ins. Co. in City of N.Y., 674 F. Supp. 2d

1141, 1149 (C.D. Cal. 2009)). The plaintiffs in this case are not seeking to represent a class, and

their choice of forum is therefore entitled to the ordinary amount of deference owed to an out-of-

district plaintiff. See Louis Dreyfus Co. Metals Merch. LLC v. PLS Logistics Servs., Inc., No. 16-

CV-00777, 2017 WL 7520615, at *6 (S.D. Ohio Sept. 30, 2017) (“Although Plaintiff’s choice of

forum is afforded less deference than if Plaintiff resided in [this district], it is still an important

factor weighing against transfer.”)

The court has no doubt that litigating this case in Spotify’s home district would be easier

for Spotify. However, “[t]ransfer of venue is inappropriate where it would serve only to transfer

the inconvenience from one party to the other.” OnSomble, Inc. v. O’Rourke, No. 3-16-493, 2016

WL 11653614, at *1 (M.D. Tenn. June 2, 2016) (Campbell, J.) (citing Diebold, Inc. v. Firstcard

Fin. Servs., Inc., 104 F.Supp.2d 758, 764 (N.D. Ohio 2000)). The plaintiffs elected not to proceed

in New York, for reasons including their reasonable belief that doing so would be more expensive

than litigating in Nashville, and that decision is entitled to deference. Moreover, the plaintiffs have

demonstrated that no district would be totally free of inconvenience, including inconvenience

related to obtaining testimony from out-of-district witnesses. Copyrighted works such as musical

compositions are capable of electronically traversing the Earth in seconds; it is, therefore,

unavoidable that copyright litigation often involves a wide geographic scope of parties, witnesses,

and discovery. Every instance of litigation, however, has to be based somewhere, and the

plaintiffs’ selection of the Middle District of Tennessee is sufficiently appropriate to avoid a

transfer.

IV. CONCLUSION

For the foregoing reasons, Spotify’s Motion to Dismiss for Lack of Personal Jurisdiction

and Improper Venue or, In the Alternative, to Transfer Venue to the Southern District of New

York (Docket No. 47) and the plaintiffs’ Motion to Lift the Stay of Discovery (Docket No. 58)

will be denied.

An appropriate order will enter.

ALETA A. TRAUGER

United States District Judge

19