# Appendix — Heilman v. Bell

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## Record

- **Collection:** Supreme Court brief
- **Document type:** Appendix
- **Published:** January 1, 1979
- **Citation:** 440 U.S. 959

## Text

j @ t, U. &
' E i D
20 1978
rptaneen oe ig a Ee
| THE L_Micaet 2, CLER

SUPREME COURT of the UNITED STA

OCTOBER TERM, 1978

DAVID L. HEILMAN and E-C TAPE
SERVICE, INC., a Wisconsin Corporation,
Petitioners,

GRIFFIN B. BELL, Attorney General of the United States
of America, his agents, servants, employees, attorneys,
successors and all those persons in active concert) or
participation with them.

Respondents.

Appendix to
Petition for Writ of Certiorari

RICHARD L. CATES
BRUCE F. KHLKE
LAWTON & CATES
110 East Main Street
Madison, Wisconsin 53703
Attorneys for Petitioners

GUILD PRINTING SEZ MADISON WIS

INDEX TO APPENDIX

PAGE
ra gigs pre Ns esc tos ob 0 be as ws lO]
ay Cara a a ale ie oes aoe ok A 8 108
PLAIN TIFE’'S MOTION FOR SUMMARY

ii a sk bo hs ola Cor seas pass ss 109
AFEIDAVTEE IN SUPPORT OF MOTTON

FOR SUMMARY JUDGMENT................ 110
DEFENDANT'S MOTION FOR SUMMARY

Ne el sey eke sae vd ves ese 114
PLAIN TIFE’S MOTION FOR PRELIMINARY

ey oocig sais eX neve pas wv aves a)
AFFIDANVTE IN SUPPORT OF MOTION FOR

PRELIMINARY INJUNCTION................ 116
DISTRICT COURT
ROMUPUEPTM PRIMED CITIEIELER os leeds nese ees 122
ORDER DISMISSING PLAINTIFFS’ MOTION

FOR PRELIMINARY INJUNCTION........... 129

JUDGMENT DISMISSING THE ACTION........ 130

APPENDIX
101

PAGE IN THE UNITED STATES DISTRICT COURT

OPINION OF COURT OF APPEALS ........... 131 FOR THE EASTER DISTRICT OF UISCUNSEe

JUDGMENT AFFIRMING DISTRICT COURT... 140 eee ae

E-C TAPE SERVICE, INC.,
a Wisconsin corporation,

ORDER DENY PETITION FOR | Plaintiffs, = our O° CLL
REHEARING EN BANG ........cccceceeeees 141 vs.

EDWARD H. LEVI, Attorney General

of the United States of America, [Equitable Relief Sought]
his agents, servants, employes,

attorneys, successors and all

those persons in active concert

or participation with them,

Civil Action File No.:

Defendants.

The plaintiffs DAVID L. HEILMAN and E-C TAPE SER-
VICE, INC. by their attorneys SAMSON, FRIEBERT, FINERTY &
BURNS by ROBERT H. FRIEBERT allege and show to the Court as
follows:

1. This action is brought for declaratory and in-
junctive relief for a threatened prosecution of the plaintiffs
for alleged violations of 17 U.S.C. §101(e) and §104 which
threatened prosecution violates rights guaranteed to the plain-
tiffs by the First, Fourth and Fifth Amendments to the United
States Constitution. The amount in controversy exceeds the
sum of $10,000 exclusive of interest and costs.

2. Jurisdiction is founded upon 28 U.S.C. §§1331,
2201 and 2282.

3. The plaintiff DAVID L. HEILMAN resides in the
Eastern District ef Wisconsin and is the President of the
plaintiff corporation E-C TAPE SERVICE, INC.

4. The plaintiff E-C TAPE SERVICE, INC. is a cor-

APPENDIX
102

poration duly organized and existing under and by virtue of
the laws of the State of Wisconsin with its principal place
ef business with respect to the matters involved in this case
at Lake Villa, Illinois and is in the business of, among
other things, manufacturing and selling phonograph records
and magnetic tapes throughout the United States and in for-
eign countries. Its corporate headquarters and other busi-
ness is conducted at 3695 North 126th Street, Brookfield,
Wisconsin in the Eastern District of Wisconsin.

5. The defendant EDWARD H. LEVI is the Attorney
General of the United States of America whose principal place
of business is in the District of Columbia. This suit is
brought against the Attorney General in his official capacity
and his agents, servants, employes, attorneys, successors and
all those persons in active concert or participation with
them are made defendants herein.

6. The plaintiffs are engaged in the business of
making and selling sound recordings in the form of records
and tapes. The plaintiffs have purchased records and tapes
on the open market which contain recordings which have been
“fixed" prior to February 15, 1972 and which have been manu-
factured and sold through usual commercial channels by record
companies. The plaintiffs then make compilation records and
tapes from these sound recordings by grouping individual
sides or cuts by classification and year, manufacture addi-
tional copies of their compilation and market and sell the
compilations after affixing to each a label which contains
the titles of the original sec:
the recording artists whose performances have been copied.

In accordance with the provisions of Public Law 92-140 (a

APPENDIX
103

copy of which is attached hereto as Exhibit "A"), plaintiffs
affix to the aforesaid compilations, in either tape or re-
cord form, the [P] oqyretens notice and register said compil-
ation with the United States Copyright Office.

7. With respect to each and every song so used,
plaintiffs have paid or tendered to the publisher the full
statutory royalty to which it is entitled under the copyright
law. 17 U.S.C. §lle). (Copies of 17 U.S.C. §l(e), §101(e)
and §104 are attached hereto as Exhibit "B"). Certain of the
publishing companies (27 in number) have accepted said pay-
ments, while others (127) have refused to accept said pay-
ments. At all times, the plaintiffs have made all reasonable
efforts to fully comply with all applicable provisions of the
copyright law of the United States.

8. Prior to 1909 composers did not have any copy~
right interests in mechanical reproductions (records) of

their songs. White-Smith Music Publishing Company v. Apollo

Company, 209 U.S. 1 (1908). 43 Cong. Rec. 3765-3767 (March
3, 1909).

9. By Public Law 349, Chapter 320, 35 Stat. 1075,
Act of March 4, 1909, as codified at 17 U.S.C. §l(e), Congress
granted to the composer of songs a copyright interest in re-
cords. Congress conditioned that copyright grant with a
proviso known as the compulsory license law whereby the com-
poser must yield up his copyright interest upon receipt of
a royalty of two cents per record which can be tendered to
him by any manufacturer after the initial use of the song.
17 U.S.C. §lle),

10. From 1909 until sometime in late 1974 or early

1975, it had been the position of the Department of Justice

APPENDIX
104

of the United States of America as well as all other inter-
ested federal agencies that this statutory provision author-
ized duplicators of records such as the plaintiffs herein

to pay the statutory royalty of two cents per record and
thereby to obtain the right to duplicate compositions of com-
posers which had been made into records. Prior to the enact-
ment of Public Law 92-140 on October 15, 1971, composers
could only resort to civil remedies for the coll ction of
their two cents compulsory license royalty.

ll. Public Law 92-140 at §2 created criminal sanc-
tions for the first time for failure to remit the compulsory
license royalty of two cents per record. 17 U.S.C. §10l(e).

12. Throughout the proceedings which led to the
enactment of §2 of Public Law 92-140, it was conceded by every-
body that record duplicators such as the plaintiffs herein,
could duplicate recordings upon payment of the two cents per
record compulsory license royalty fee to the composers. Cri-
minal sanctions were deemed necessary because many duplica-
tors, other than the plaintiffs herein, did not remit the
two cents and, therefore, civil sanctions were inadequate to
meet the situation.

13. On June 29, 1971, the Department of Justice of
the United States of America in a letter to the Chairman of
the Judiciary Committee of the House of Representatives, the
tinorebie Emanuel Celler, stated the following with respect
to this proposed bill:

“However, since the bill provides that the amend-

ment to 17 U.S.C. §10l(e) will taxe effect im-

mediately upon enactment, criminal sanctions

would seem to be available to prevent further

piracy of existing recordings where copyrighted

music was used and the pirate does not pay the

statutory royalty to the holder of the musical
copyright."

APPENDIX
105

14. The defendant through his agent, servant and
employe, John Murphy, Chief of the Regulations Section of
the Justice Department, publicly repudiated the prior posi-
tion of the government as presented to Congress and announced
that it is now the position of the Justice Department that
persons such as the plaintiffs herein who duplicate sound re-
cordings fixed prior to February 15, 1972 wiil be prosecuted
pursuant to 17 U.S.C. §10l(e) even though they pay or tender
the two cents compulsory license fees to composers. This
public announcement and threatened prosecution is contained
in an issue of Billboard magazine dated March 8, 1975. A
copy of the article is attached hereto as Exhibit "C".

15. The defendant by John Murphy also announced
that property will be seized by the Federal Bureau of Investi-
gation such as the property owned by the plaintiff corpora-
tion herein.

16. As a result of these threats of seizure and
prosecution, the plaintiffs herein have ceased doing business
as described above and now seek a declaration of the meaning
of 17 U.S.C. §l(e), §10l(e) and §104 and seek a declaration
that the copyright laws do not prohibit the activities of the
plaintiffs as described in any respect with respect to dupli-
cating sound recordings fixed prior to February 15, 1972.

17. The proposed seizure of sound recordings and
tapes as threatened by the defendant violates rights guaran-
teed to these plaintiffs by the First, Fourth and Fifth
Amendments to the United States Constitution as a prior re-
straint on the freedom of speech as well as threats of ille-
gal searches and seizures upon assertions that the products

of the plaintiff corporation are contraband when Congress

APPENDIX
106

has not declared the possession of such items to be illegal
or the items themselves to be contraband.

18. The threatened prosecution of the plaintiffs
by the defendant upon a recently changed interpretation by

the Justice Department of laws which had received a differ-

ent interpretation within all concerned branches of the gov- .

ernment from 1909 until 1975, constitutes a denial to the
plaintiffs of their right to due process of law in violation
of the Fifth Amendment to the United States Constitution be-
cause the statutes involved, if subject to such wide vari-
ance in interpretations and meaning within the government is
necessarily void for vagueness because men of reasonable
ability, intelligence and experience must guess as to the
meaning and application of said statutes. Furthermore, the
plaintiffs are being denied notice with respect to what con-
duct of theirs is proper and what conduct is improper.
WHEREFORE, your plaintiffs pray for the following:
1. For a declaration of the rights, privileges and
immunities of the plaintiffs, declaring that 17 U.S.C. §ll(e),
§10l(e) and §104 are inapplicable to duplicators of songs
fixed prior to February 15, 1972 who tender the two cents
compulsory license fee or those sections are inapplicable to
the duplicators of songs fixed prior to February 15, 1972 be-
cause such duplications do not constitute a use of the compo-
sers' copyright or the copyright interests of anyone else.
2. For a declaration that any interpretation which
makes the plaintiffs criminally liable for duplicating sound
recordings of songs fixed prior to February 15, 1972 upon
tendering the two cents compulsory license royalty to com-

posers would render the statutes involved unconstitutional.

APPENDIX
107

3. For interlocutory and permanent injunctive re-
lief enjoining the defendant and his agents, servants, em-
ployes, attorneys, successors and all those persons in ac~-
tive concert or participation with them from seizing records
and tapes and other property owned by the plaintiffs in con-
junction with their business activities involving recording
and duplicating records and tapes and enjoining them from
prosecuting the plaintiffs for alleged violations of 17 U.S.C.
§l01(e) or §104 when the plaintiffs have duplicated sound
recordings of sonqs fixed prior to February 15, 1972 upon
tendering the two cents compulsory license royalty fee to
composers.

4. For such other further legal and equitable re-
lief.

5. For costs and disbursements.

SAMSO, | FRIEBERT, FINERTY & BURNS
“By ROBERT H. FRIEBERT

Attorneys for Plaintiffs

P.O. ADDRESS:

710 North Plankinton Avenue
Milwaukee, Wisconsin 53203
(414) 271-0130

APPENDIX | APPENDIX
108 | 109

UNITED STATES DISTRICT COURT IN THE UNITED STATES DISTRICT COURT

EASTERN DISTRICT OF WISCONSIN FOR THE FASTERN DISTRICT OF WISCONSIN
DAVID L. HEILMAN and E-c.__ 8 kahekReRReRR RRR RHR HR HR RR ARR RRR RR KH RR HH RHR KR KR KR
TAPE SERVICE, INC., a :
Wisconsin corporation, : DAVID L. HELLMAN and
: L-C TAPE SERVICE, INC.,
Plaintiffs, : a Wisconsin corporation,
VS. Plaintiffs,

EDWARD H. LEVI, Attorney General Case No. 75-C-117 vs. Case No. 75-C-117
of the United States of America,
his agents, servants, employes, EDWARD fi. LEVI, Attorney Géneral

attorneys, successors and all
those persons in active concert
or participation with tham,

of the United States of America,
his agents, servants, employes,
attorneys, successors and all
those persons in active concert
or participation with then,

Defendantse

ee ee ee ee ee ee eee ee -<—<-=

Defendants.
Now Comes Edward Il. Levi, Attorney General of the

i ee tt ene ee ee eke eRe eR RMR RRNA AKAN R

United States of America, defendant above named, by his

MOTION FOR SUMMARY JUDGMENT
attorneys William J. Mulligan, United States Attorney for

ee tt Ltt ee ee ee ee Ree eke ke eRe ke eM) We eheea
the Eastern District of Wisconsin by Joseph P. Stadtmueller,

First Assistant United States Attorney for said District, NOW COME the Plaintiffs, David L. Heilman and E-C

and as and for his answer to plaintiff's complaint admits Tape Service, Inc., by their attorneys, Lawton & Cates and

and denies as follows: Pruce F. Ehlke, and move the court to enter judgment in their

1. Defendants admit the allegations contained in favor pursuant to Rule 56, Federal Rules of Civil Procedure.

paragraphs 3, 4, 5, 6, 8, 13 and 15 of the complaint. Dated this l2th day of July, 1976.
aa
h

2. Defendants deny each and every other allegation

of the complaint and puts the plaintiffs to their proof

thervon . {
\ IS MA ———
WHEREFORE, defendant demands judgment dismissing “wrued ina

w Ao fast ny eee 7

plaintiff's complaint together with the costs and disburse- — ee ae
ments in this action. Attorneys a Plaintiffs.

fv)
Dated at Milwaukee, Wisconsin this G =~ day of May,

1975.
1am os WILLIAM J. MULLIGAN
ae Gist Viz United States Attorney
MAY = 7 1975
° 73 Asef p ~J CaN; “ee
SAMSON, FRIEKERE. f JOSEPH Pf ft
’ INTRIY & Luang First Assistant United States

ATiUn?
ORNEYS AT LAW Attorney

APPENDIX
110

IN THE UNITED STATES DISTRICT COURT
FOR THE EASTERN DISTRICT OF WISCONSIN
tata Rie NM BL, at a ie ee ee eo oe ae ee

DAVID L. HEILMAN and

e E-C TAPE SERVICE, INC., . |
a Wisconsin corporation, ~ }
ed

Plaintiffs,
ft Case No, 75-C-117

EDWARD H. LEVI, Attorney General

of the United States of America, a4
his agents, servants, employes,

attorneys, successors and all

those persons in active concert

Or participation with then,

Defendants.

Bh te te OE Ee ar Bl ie er ek, a eg

- AFFIOAVIT IN SUPPORT OF
MOTION FOR SUMMARY JUDGMENT

ce eae eee Ae eee Bee ee eng ee ee

STATE OF WISCONSIN)
: ss
MILWAUKEE COUNTY )
DAVID L. HEILMAN, after being first duly sworn, on
Oath deposes and says as follows:
1. That he is one of the Plaintiffs in the forepoing

action and that he resides Mt 2172 Korth abth Street, Milwaukee,

Wisconsin.

2. That he was president of the Plaintiff corporation,
E-C Tape Service, Inc. at al] times naterial hereto, until April
of 1976 when he resignec that position,

5. That the Plaintiff, E-c Tape Service, Inc., is a
corporation organized anc existing under the laws of the State of
Wisconsin and had its eerporate headquarters at 3695 North booth

Street, Brookfield, tisconsin,

mms

section 7.

APPENDIX
111

4. That E-C Tape Service, Inc. has engaged in the business
of producing and marketing Original anthologies of musical compositions
previously recorded by others. This is accomplished by conceiving
a theme and format for an anthology, obtaining records and tapes
containing the desired selections, duplicating the desired selec-
tions, and finally re-recording them in an Original format,
sequence and combination. That although the individual selections
in a given anthology are all reproduced from records and tapes,
previously made by others, the anthologies themselves are new
and original presentations of the material. All anthologies so
created and produced by Plaintiffs are the subjects of compilation
copyrights owned by E-C Tape Service, Inc. pursuant to 17 U.S.C.

5. That said anthologies are marketed on the basis
of the appeal generated by their own themes and formats.

6. That many of the individual selections contained
in the anthologies are not otherwise commercially available in
any form, and those that are otherwise commercially available are
frequently unavailable in the same form--that is, reel-to-reel
tape, Cassette, 8-track stereo, or record--as the anthologies.

7, That the anthologies created, produced and sold
by Plaintiffs, were priced at $5.77 01 $6.98 for cassettes and
8-track tapes, and at $4.98 or $5.98 for records.

8. That the anthologies produced by Plaintiffs contain
duplications only of selections which were recorded or "fixed"
prior to February 15, 1972,

9. That such recordings "fixed" prior to February 15,
1972, are not themseives protected by any copyright.

10, That the underlying musical compositions of such
selections are protected by composition copyright subject to the

compulsory license provision of 17 U.S.C. section l(e).

APPENDIX
112

ll. That with respect to all selections used by Plaintiff —s,

Plaintiffs have paid or tendered te the composition copyright holder
the two cent royaity as required ty 17 U.S.C. section lle).

12. That of the composition copyright holders whose
compositions have been used in Plaintiffs’ anthologies, 27 have
accepted saiag royalty payments while 127 have refused to accept
said payments.

13. ‘That affian't's experience in the record industry
spans a period of over six years, during which time he has produced
records and tapes and marketed records and tapes throughout the
United States.

14. That based on affiant's experience in the recording
industry, it is common practice for an individual composer to sell
his composition to a publishing company. The publishing company in
turn attempts to induce a recording company to record the composi-
tion. Commonly a recording company will own, as subsidiaries, one
or more publishing companies. Thus, frequently, as to a given
recording, any rights in the recording itself and the composition
copyright are subjects of common ownership.

15. That based on affiant's experience in the recording

industry, typical contracts between recording companies and recording

artists are seven year contracts. These contracts cenmerally provide
that the recording costs--advertising, promotion, studio costs and
other production costs--are charged to the recording artist and are
collected from royalties payable to the artist. Generally, these
contracts provide that if a given record is unsuccessful and the
artist's royalties are insufficient to cover the recording costs,
those costs are simply carried forward and charged against royalties
from subsequent records by that artist. One of the few costs not

usually charged to the artist is the cost of pressing the records.
y § &

APPENDIX
113

Typically, that cost varies from about thirty-two cents per

long play altun to about thirty-nine cents per long play album,
depending on yolune. Typical contracts between recording companies
and recording artists are attached hereto as Exhibit A and in-
corporated herein.

Dated this 12th day of July, 1976.

in LT. HETLMAN

Subscribed and sworn to before

me this 12th day of July, 1976.

bitary Public, Silwaukee County, FI

My Commission

[Exhibit Ato Affidavit — not printed.)

APPENDIX
114 |

UNITED STATES DISTRICT COURT bd
EASTERN DISTRICT OF WISCONSIN

RRR ee

DAVID L. HEILMAN and
E-C TAPE SERVICE, INC.,

Plaintiffs, MOTION FOR SUMMARY
JUDGMENT
vs.
EDWARD H. LEVI, et al., Civil No. 75-C-117
be Defendants.

NOW COMES defendant, Edward H. Levi, by
William J. Mulligan, United States Attorney for the
Eastern District, by William E. Callahan, Jr., Assistant
United States Attorney for said District, and, pursuant
to Rule 56(b) of the Federal Rules of Civil Procedure,
moves this Court for an Order granting, summary judgment
in his favor on the grounds that there is no genuine
issue as to any material fact and he is entitled to
judgment as a matter cf law.

In support of this motion, said defendant
relies on the attached memorandum of law, together
with all other matters presently on file with this
Court.

Dated at Milwaukee, Wisconsin, this fae day
of July, 1976.

WILLIAM J. MULLTGAN
United States Attorney ;
/ ®
By: / P af J , J.
Ge Ae Oe a
(QITLTAN ES CALLAIIAN, JR.
Assistant United States Attorney

H

|
|
|
'

APPENDIX
115

UNITED STATES DISTRICT COURT
FOR THE EASTERN DISTRICT OF WISCONSIN

DAVID L. HEILMAN and
E-C TAPE SERVICE, INC.,
A Wisconsin Corporation,

Plaintiffs,

i MOTION FOR

PRELIMINARY INJUNCTION

EDWARD H. LEVI, Attorney
General of the United States

of America, his agents.
servants, employees, attorneys,
successors and all those
persons in active concert or
participation with them,

Defendants. Case No. 75-C-117

NOW COME the Plaintiffs, David L. Heilman and E-C Tape
Service, Inc., by their attorneys, LAWTON & CATES and Bruce F.
Ehlke, and move the Court to grant a preliminary injunction against
prosecution in the Northen District of Illinois, Eastern Division,
or any other forum for alleged violations of 17 U.S.C. 88), 101(e)
and 104; and 18 U.S.C. §1341, pendina final disposition of the above
captioned action which was filed by Plaintiffs on March 7. 1975, in
the United States District Court for the Eastern District of
Wisconsin asking for a declaratory ruling and injunctive relief
against threatened prosecution of Plaintiff for alleaed violations

of 17 U.S.C. 88101(e) and 104.

et

Madison, Wisconsin 53703

Attorney For Plaintiffs

APPENDIX
116

UNITED STATES DISTRICT COURT
FOR THE EASTERN DISTRICT OF WISCONSIN

SS ees ssseteensessesesssuumnsesiensetensteoeemne

DAVID L. HEILMAN and
E-C TAPE SERVICE, INC.,
A Wisconsin Corporation,

Plaintiffs,

“¥e~ AFFIDAVIT IN
SUPPORT OF
MOTION FOR

EDWARD H. LEVI, Attorney PRELIMINARY INJUNCTION

General of the United States

of America, his agents,
servants, employees, attorneys,
successors and all those
persons in active concert or
participation with them,

Defendants. Case No. 75-C-117

STATE OF WISCONSIN )
)ss
COUNTY OF MILWAUKEE)

DAVID L HEILMAN, being first duly sworn, on oath deposes
and says as follows:

1. That he is one of the Plaintiffs in the foreqoing
action and that he resides at 15660 Pomona Road, Brookfield,
Wisconsin,

2. That he was president of the Plaintiff corporation,

E-C Tape Service, Inc., at all times material hereto, until April
of 1976 when he resigned that position.

3. That the Plaintiff, £-C Tape Service, Inc., is a
corporation organized and existing under the laws of the State of
Wisconsin and had its corporate headquarters at 3695 North 126th
Street, Brookfield, Wisconsin.

4. That E-C Tape Service, Inc, has engaged in the business
of producing and marketing original anthologies of musical compositions
previously recorded by others,

5. That the anthologies produced by Plaintiffs contain
duplications only of selections which were recorded or "fixed" prior

to February 15, 1972,

APPENDIX
, 117

6. That prior to entering into said business activity,
affiant sought the advice of counsel concerning the legality of said
business, namely John Gower of Green Bay, Wisconsin, and the firm of
Whyte and Hirschboeck, S.C. of Milwaukee, Wisconsin, and that each
of them advised him that if he tendered for payment the statutory
compulsory license fee to the copyright proprietor that the re-recording
of said music was not in violation of any federal statute.

7. That the underlying musical compositions of selections
used in affiant's anthologies are protected by composition copyright
subject to the compulsory license provision of 17 USC §1(e).

8. That with respect to all selections used by Plaintiffs,
Plaintiffs have paid or tendered to the composition copyright holder
the two cents royalty as required by 17 USC §1(e).

9. That of the composition copyright holders whose composi-
tions have been used in Plaintiff's anthologies, 27 have accepted said
royalty payments while 127 have refused to accept said payments.

10. That 17 USC was amended by P.L. 92-140, 17 USC 101(e)
on October 15, 1971, and became effective on February 15, 1972, and
created a limited copyright in sound recordinas.

11. That after passage of P.L. 92-140, affiant sought the
advice of Whyte and Hirschboeck, S.C, who advised him that sound
recordings originally made prior to February 15, 1972, were not
afforded copyright protection under federal law and that P.L. 92-140
did not change this and that E-C Tape's activities were still not in
violation of any federal law.

12. That the Government Requlations Section, Criminal Division
of the United States Department of Justice, was of the same opinion
when it published a pamphlet entitled, "Copyright Protection of Sound
Recordings", dated April, 1973, and that a copy of the text of said
pamphlet and P.L. 92-140 are attached hereto as Exhibit "A" and made

a part hereof as if set forth at length.

APPENDIX
118

That within Exhibit "A" it is stated in part as follows:

a) Page 3: "A sound recording is eligible for
copyright protection only if the sound recording
is fixed and first published with the required
statutory copyright notice on or after February
15, 1972. P.L. 92-140, Section 3."

Fixation, "A series of sounds constituting a
sound recording is fixed when that complete
series is first produced on a final mester
recording from which copies can be made,"

37 C.F.R. 202.15a(b).

b) Page 4: "Effective date. The enactment does not
apply retroactively and does not affect in any way
rights with respect to sound recordings fixed
before February 15, 1972. Thus, P.L. 92-140
does not prohibit the unauthorized copying of
sound recordings fixed before February 15, 1972 "

c) Page 9: “First no Federal copyright violation can
exist under P.L. 92-140 unless the sound recording
copied was fixed and published on or after February
15, 1972. This automatically excludes such albums
as 'Golden Hits of the 60's','Frank Sinatra's
Greatest Hits' and ‘White Christmas’ by Bing
Crosby, etc., which were obviously fixed and
published before February 15, 1972."

4d) Page 13: “To receive Federal copyriqht protection,

a sound recording must be finally fixed and published
with proper notice of copyright on or after February
15, 1972. Supra, Section c(1). Proof of fixation
and publication may he provided by a recording
industry representative,”

13, That affiant's experience in the recording industry
spans a period of over six years, during which time he has produced
records and tapes and marketed records and tapes throughout the
United States.

14, That based on affiant's experience in the recording
industry, it is common practive for an individual composer to sell
his composition to a publishing company, The publishina company in
turn attempts to induce a recording company to record the composition,
Commoniy, a recording company will own, as subsidiaries, one or more
publishing companies. Thus, frequently, as to a given recording, any
rights in the recording itself and the composition copyriaht are

subjects of common ownership.

APPENDIX
119

15. That in the last ten years the major recording companies
have gained control of 80% of the major copyrights of musicai composi-
tions by purchasing the large publishing houses or exercising control
in other ways.

16. That many of the major recording companies intentionally
conceal evidence cf their control over the publishers.

17. That the above captioned action was commenced on March
7, 1975, for declaratory and injunctive relief enjoining any criminal
prosecution for alleged violations of 17 USC S§101(e) and 104.

18, That on February 11, 1977, Assistant U.S. Attorney
William —. Callahan, Jr., in response to a question from this Court.
indicated that no criminal action would be brought against affiant
for alleged violations of 17 USC $1, 101(e) and 104.

19, That an indictment was filed on March 31, 1977, in
the Northern District of Illinois, Eastern Division, chargina affiant
with twenty-six counts in violation of 17 USC $81, 101(e) and 104;
and an additional, related ten counts in violation of 18 USC $1341,
and that a copy of this indictment is attached hereto as Exhibit "B"
and made a part hereof.

20. That there was a delay of twenty-two and one-half months
between May 15, 1975, the date of the alleged offenses and March 31,

1977, the date on which the indictment was returned, which delay was
unnecessary and attributable solely to the government.

21. That a result of the delay on the part of the government
to prosecute him, affiant has suffered substantial prejudice for the
following reasons:

a) That his assets have been depleted during said period
of time by civil litiqation with the record industry and he no longer
has funds with which to defend himself which would have been available

to him had the prosecution been brought on without unreasonable delay.

oe

APPENDIX APPENDIX
120 121

b) That he believes said delay was part of a deliberate, 26. That affiant faces a possible fine of $1,000 or five

purposeful and oppressive design for delay on the part of the government years of imprisonment for alleged violations of 18 USC $134).

to hinder him in his defense of this action. 27. That as a result of said pending Prosecutions, affiant
c) That he would have appealed the decision in E-C Tape v. has incurred large expenses for attorneys fees.
Kelly, (N.0. I11, 1975) 412 F. Supp. 249, had he known that the govern- 28. That as a result of said pending prosecutions, affiant

ment intended to prosecute him criminally in the future. has had to spend much of his time in court and in preparation for

22. That the following publishers listed in the indictment litigation.
are owned or controlled by the following record companies: | 29. That as a result of said pending prosecutions and
a) Jobete Music Company is owned or controlled by possible penalties, affiant and his family have suffered mental anguish.

Motown Records. 30. That this Affidavit is in support of a Motion For

b) Warner-Tamberlane Publishing Corp. is owned or ee : .
controlled by Warner-Electra-Atlantic Records, Preliminary Injunction.

c) Chapel Music Co. is owned or controlled by Dated this TW cay of June, 1977.
Polygram Records, Inc.

d) Warner Bros., Inc., is owned or controlled by
Warner-Electra-Atlantic Records.

e) Viva Music, Inc. is owned or controlled by
A & M Records.

f) Jondora Publishing Co. is owned or controlled
by Fantasy-Prestige Records.

Subscrib and sworn to before me
g) Elvis Presley Co. is owned or controlled by this MM day of June, 1977.
RCA Records.

h) Hill and Range Songs, Inc. is owned or controlled

by RCA Records. Ndtary Public, State of Wisconsin
. . My Commission @& #

23. That at the present time, there is no motion for

preliminary injunction pending before this Court.
24. That there is no motion for a preliminary injunction

pending before this Court because affiant has relied on the represen-

tation of the Office of the United States District Attorney as referred

to in Paragraph 18 above, as wel] as on the government pamphlet entitled {

"Copyright Protection of Sound Recordinas" as referred to in Paraqraph

12 above. '
25. That affiant faces a possible fine of $25,009 and one

year of imprisonment for alleged copyright infringements under 17 USC

§104.

APPENDIX

122

U. S. Dist. Court Eost Dit W:

sFa = en
UNITED STATES DISTRICT COURT .
MUL 14 i977
EASTERN DISTRICT OF WISCONSIN
ct O'clock ‘

RUTH W. LA FAVz, Cla.

DAVID L. HEILMAN and E-C
TAPE SERVICE, INC., a
Wisconsin corporation,

Plaintiffs,
Vv. DECISION AND ORDER
GRIFFIN B. BELL, Attorney General Civil Action
of the United States of America, No. 75-C-117

his agents, servants, employes,
attorneys, successors and all
those persons in active concert or
participation with them,
Defendants.

In this action, plaintiff duplicators seek the follow-
ing relief: a declaration that 17 U.S.C. §§ l(e), 10l(e), and
104 are inapplicable to duplicators of songs fixed prior to
February 15, 1972, who tender the two-cent royalty to the compo-
sition copyright holder; a declaration that an interpretation of
those statutes which make the plaintiffs criminally liable for
duplicating sound recordings of songs fixed prior to February 15,
1972, renders the statutes unconstitutional; and an injunction
restraining the defendant U. S. Attorney General, his agents and
successors, from seizing the records and tapes of the plaintiffs

and from prosecuting the plaintiffs for alleged violations of

17 U.S.C. §§ 10l(e) or 104. Jurisdiction is present under 28 U.S.C.

§§ 1331 and 2201. The matter is before the court on cross motions
for summary judgment. For the reasons which follow, the defend-
ants' motion will be granted and the plaintiffs’ motion will be
denied.

Both the facts in this matter and the position of the
Court on the legal issues raised herein have already been fully

detailed in the decision and order of this Court rendered April 28,

APPENDIX
123

1975. At that time, this Court denied plaintiffs' motion for a
temporary restraining order and a preliminary injunction and
plaintiffs' request for the convening of a three-judge court.

See Heilman v. Levi, 391 F.Supp. 1106 (E.D. Wis. 1975). There
this court relied on four circuit euses” and determined that tape
duplicators are not entitled to avail themselves of the compulsory
licensing provision of 17 U.S.C. § 1(e) because such duplication
does not constitute a "similar use" of the composition and there-
fore their activities constitute infringement of the composition
copyright. The Court also determined that 17 U.S.C. § 101(e),
which imposes criminal sanctions pursuant to 17 U.S.C. § 104 as
to cases of "willful infringement for profit," embraces tape dup-
licators who tender the compulsory licensing fee. Furthermore,
the Court concluded that the meaning of "unauthorized" as used in
§ 101(e) is not so uncertain as to render the statute unconstitu-
tionally vague, and that the public notice given the plaintiffs
in January of 1975 through the trade press of the prospective op-
eration of the defendants’ decision to prosecute tape duplicators
did not violate any of plaintiffs’ due process rights.

The Court is mindful that the mere fact that a plain-
tiff's motion for a preliminary injunction is denied does not in
itself entitle the defendant to summary judgment. See 6 Part 2
Moore's Federal Practice % 56.17[30] (1976). However, the Court
in its earlier decision made an exhaustive study of the develop-
ment, amendments, and interpretation of the federal copyright
statutes involved. An examination of plaintiff Heilman's affida-
vit and the various exhibits and briefs filed in support of and
in opposition to the motions for summary judgment indicate that
there has been no change in the facts of this case nor in the ap-
plicable law which would warrant a.change in the Court's position.
In fact, recent developments in the law with reyard to cases seek-
ing to enjoin the Attorney General from prosecuting tape duplicators

for copying recordings fixed prior to February 15, 1972, have

APPENDIX
124

reinforced the defendants' position. See International Tape

Distributors, Ltd. v. Levi, 188 U.S.P.Q. 539 (D. D.C. 1975);
Stereo Tape Associates v. Levi, No. G 75-167 (W.D. Mich., May 14,
1976); Stereo Tape Associates v. Levi, No. 5-70687 (E.D. Mich.,
April 7, 1976); E-C Tape, Inc. v. Kelly, 412 F.Supp. 245 (N.D.
Ill. 1975); and Gramuglia v. Levi, No. 75-CV-549 (N.D. N.Y.
July 13, 1976). |

At the preliminary injunction stage of this litigation,
there were no genuine issues of material fact, nor are any such
factual disputes presented at this time that would preclude the
granting of summary judgment. See Rule 56(c), Fed. R. Civ. P.
Then, as now, plaintiffs admitted copying recordings fixed prior
to February 15, 1972, without authorization of the composition
copyright holder.

The plaintiffs' principal argument at this time is that
the decisions of the four circuits previously relied upon--Fame,

Jondora, Marks, and Duchess (cited in footnote "1")--are in error,

and as they are not binding on this court, plaintiffs urge ‘he
Court to re-evaluate its prior position. Plaintiffs argue that
they are not tape pirates in the usual sense of the term because
they copy only older record selections, many of which are commer-
cially unavailable, and because they offer the records in an an-
thology form centered around a particular theme. Plaintiffs contend
that because they offer the customer something new, and because
their customers are interested in the anthology rather tuan the
individual selection, they are not depriving other manufacturers
of a portion of their profit on successful records. Even assuming
that the customer is more interested in the anthology than in the
individual selection$, and that in fact other manufacturers are
not deprived of profits because the records are commercially un-
available otherwise, plaintiffs have misstated the issue. The
issue is not whether the plaintiffs are original or creative in

their arrangement of record anthologies, nor whether plaintiffs

APPENDIX
125

directly or indirectly compete with other recording companies.

The issue is whether the plaintiffs in the first instance have

the right to copy sound recordings fixed prior to February 15,

1972, without the authorization of the composition copyright holder.
This Court finds no relevance to the plaintiffs' later arrangement
of the duplicated songs. Originality of the anthologized arrange-
ment, that is, of the sequence of the various recordings, does not
negate the requirement of first obtaining authorized permission
from the copyright holder before duplicating the recording. Whether,
once the anthologizer has obtained the requisite permission to copy
the various recordings contained in the anthology, he is then en-
titled to copyright protection as to the original arrangement of
the anthology is a separate matter which need not be considered
here.

Secondly, plaintiffs have argued that this Court's in-
terpretation of 17 U.S.C. § l(e), the compulsory licensing section,
thwarts the purpose of compulsory licensing by fostering monopoly
in the recording industry. The granting of any copyright does
create a limited monopoly which is designed to benefit long-term
competitive interests. One commentator has remarked:

"* * * The Constitution's authorizativn to Congress to
grant patent and copyright protection represents a judgment
that, although short-range competitive interests would benefit
from immediate and free public access to technological and ar-
tistic innovation, to permit such access would destroy incen-
tive to innovate; new products and works would not be intro-
duced into the market and consequently the long-range competi-
tive situation would decline. The patent and ee
statutes, each in its own way, strike a balance etyeen these
long- and short-range competitive interests. * * *"

Accordingly, the compulsory license provision has been interpreted
to permit numerous artistic interpretations of a single written

composition, but not to permit the use of a recording of the com

position. See Shaab v. Kliendienst, 345 F.Supp. 589, 590 (D.D.C.

1972); Jondora Music Publishing Co., Inc. v. Melody Recordings,
Inc., 506 F.2d 393, 395 (3rd Cir. 1974), cert. denied 421 U.S. 1012
(1975).

APPENDIX
126

Along the same lines, the plaintiffs argue that because
frequently the large record companies own the publishing houses
which have control of the composition copyright, impermissible
tying arrangements result akin to those condemned under antitrust
laws. Plaintiffs assert that due to an oligopolistic recording
industry, the uncopyrighted product--the performance--is tiled to
the copyrighted product--the composition. This argument is an-
swered in the same way as the prior argument: new renditions of
the copyrighted composition are permitted, but mere copies of past
performances are prohibited. There is no analogy to impermissible
tying. To the extent that the plaintiffs attack the recording and
publishing industries as oligopolistic, the proper remedy lies in
an action for violations of the antitrust laws.

Thus, the plaintiffs have advanced no arguments or facts
which have persuaded this Court to depart from its earlier an-
nounced conclusion that ae a matter of law plaintiff duplicators
may not avail themselves of the compulsory licensing provision
of 17 U.S.C. § l(e) to avoid civil or criminal sanctions under
the Copyright Act, and that criminal sanctions imposed pursuant
to 17 U.S.C. §§ 101(e) and § 104 embrace tape duplicators who ten-
der the compulsory licensing fee. Plaintiffs admit that they were
given public notice in January of 1975 via the trade press of the
defendants’ decision to prosecute tape duplicators. The defend-
ants' decision to prosecute operated prospectively and was based

on the unanimous interpretation of the four circuit courts of ap-

peal which considered the question of the availability of 17 U.S.C.

§ 1(e) to tape duplicators. The defendants have not violated any
of the plaintiffs’ constitutional rights.
IT IS THEREFORE ORDERED that defendants' motion for

summary judgment be and it hereby is granted.

IT IS FURTHER ORDERED that plaintiffs' motion for summary

APPENDIX
127

judgment be and it hereby is denied.

Dated at Milwaukee, Wisconsin, this 1Y day of

pa 1977.

w-SSS
e . we strict Judge

APPENDIX
128

FOOTNOTES

Fame Publishing Co., Inc. v. Alabama Custom Tape, Inc., 507
F.2d 667 (Sth Bie 1975), cert. denied, 423 U. Ty 841 (i975);

Jondora Music Publishin Co., Ine. Vv. Melod Recordings, Inc.,
506 F.2d 393 (3rd Cir. foray: cert. denied, 421 U.S. Foi2

(1975); Edward B. Marks Music Corp. v. Colorado Magnetics,
Inc., 497 F.2d 285 (10th Cir. 197k, cert. denied, 419 U.s
T1720" (1975); and Duchess Music Corp. v. Stern, 458 F.2d i305
(9th Cir. 1972), cert. denied, E05 U.s. 847 71972)

Goldstein, "The Competitive Mandate: From Sears to Lear,"
59 Calif. L. Rev. 873 (1971).

APPENDIX
129

* S. Diss. ag — ou. Vou.

io?

K Ht it, &
UNITED STATES DISTRICT COURT JUL 14 1977
EASTERN DISTRICT OF WISCONSIN ot o'clock

RUTH W. LA FAVE, Clerk

DAVID L. HEILMAN and

E-C TAPE SERVICE INC.,

a Wisconsin corporation,
Plaintiffs,

Vv.

GRIFFIN B. BELL, Attorney

General of the United States ORDER
of America, his agents,
servants, employes, attorneys, C.A. No. 75-C-117

successors and all those persons
in active concert or partici-
pation with thea,

Defendants.

Plaintiffs have filed a motion for a preliminary
injunction seeking to enjoin prosecution of the plaintiffs
in the Northern District of Illinois, Eastern Division, or

any other forum for alleged violations of 17 U.S.C. §§ l,

10l(e) and 104, and 18 U.S.C. § 1341, pending final disposition

of the above-captioned action, in which plaintiffs sought a
declaratory ruling and injunctive relief against threatened
prosecution of the plaintiffs for alleged violations of

17 U.S.C. §§ 101(e) and 104.

In view of the granting of defendants’ motion for
summary judgment and the denial of plaintiffs' motion for
summary judgment on July 14, 1977, the plaintiffs' motion for
a preliminary iajunaction is dismissed as moot.

IT IS THEREFORE ORDERED that plaintiffs' motion for

a preliminary injunction be and it hereby is dismissed as moot.

Dated at Milwaukee, Wisconsin, this (X day of

fob <n

trict Judge

APPENDIX
130

JUDGMENT ON DECISION BY THE COURT CIV 82 (7-63)

United States District. Court

FOR THE
EASTERN DIST, OF WIS.

DAVID L. HEILMAN and E-C TAPE Civit ACTION FILE NO. 75-C-117
SERVICE, INC., a Wisconsin corporation

vs. JUDGMENT

GRIFFIN B. BELL Attorney General of the
United States of America, his agents, servants,
employees, attorneys, successors and all
those persons in active concert or participation
with them
on cross motions for summary judgment
This action came on for tyjet (hearing)/before the Court, onorable JOHN W. REYNOLDS

, United States District Judge, presiding, and the issues having been duly ttc
(heard) and a decision having been duly rendered, and the court having eranted
defendants’ motion for orig judgment
e

It is Ordered and Adjudged that t plaintiffs take nothing, and that the
action be dismissed on the merits.

Dated at Milwaukee, Wisconsin »this 14th day

of July , 1977 .

RUTH W. LA FAVE

ry of Court
by: —_ A uTbags
Deputy Clerk

APPENDIX

131
In the

Cited States Court of Appeals

For the Seventh Circuit

No. 77-1968

David L, HEILMAN, and E-C TAPE SERVICE, INC.,
a Wisconsin Corporation,

Plaintiffs-A ppellants,

U.
GRIFFIN B. BELL, Attorney General of the United States
of America, his agents, servants, employees, attorneys,

successors and all those persons in active concert of
participation with them,

Defendants-A ppellees.

Appeal from the United States District Court for the
Eastern District of Wisconsin.
No. 75-C-117—John W. Reynolds, Chief Judge.

ARGUED FEBRUARY 21, L978—DECIDED SEPTEMBER 6, 1978

Before FAIRCHILD, Chief Judge, CASTLE, Senior Cirenit
Judge, and SWYGERT, Circuit Judge.

CASTLE, Senior Circuit Judge. This appeal presents
to this court for the first time an issue which has
already been decided by four other circuits: whether the
compulsory license provision of the Copyright Act of
1909 can be used to prevent tape duplication of musical
recordings. The district court followed the result reached
by all of the other circuit courts and by several

\PPENDIN No. 77-1968
132
federal district courts in holding that tape duplicators
cannot avoid copyright infringement under the com-
pulsory license provision of the 1909 Act. We affirm.

I,

The facts of this case are not in dispute. Plaintiff
David L. Heilman was president of E-C Tape Service,
Inc. which sold tape and record “anthologies” consisting
of popular music selections originally recorded prior to
February 15, 1972. E-C Tape would obtain the original
recordings of the desired musical selections, duplicate
them onto blank records and tapes, and then sell the
duplications as part of a “new” package at prices ap-
proximately equal to that of the original recordings.

In 1975 the United States Attorney General an-
nounced that he intended to prospectively prosecute such
duplicators, or “tape pirates,” for willful infringement of
the federal copyright laws. 17 U.S.C. §§ 1(e), 101fe), and
104.! After receiving this notice, plaintiffs brought this
suit seeking a declaratory judgment tha. these
duplications did not violate the copyright laws and an
injunction prohibiting any future prosecution. In sup-
port of their request, plaintiffs noted that under the
1909 Act, it is settled that only the musical composition,
and not the recording thereof, is subject to copyright
protection. Further, once the composer authorized the
mechanical recording of his composition, the so-called
“compulsory license” provision of § l(e) allowed anyone
else to make “similar use” of the copyrighted composi-
tion upon giving appropriate notice and paying a royalty
of two cents to the composer for each copy of the new
recording produced. Although Congress amended the
copyright laws in 1971 to provide protection for the
recording itself, in this case the plaintiffs were careful
to duplicate only those selections originally recorded
before the February 15, 1972 effective date of that

' A complete revision of the federal copyright laws was

enacted October 19, 1976 to become efective January 1, 1978.

Ali citations in this opinion refer to the law prior to January.

1, 1978.

77-1968 APPENDIX
No. 7 133

amendment. Consequently, plaintiffs contend that since
they gave notice and tendered the royalty payments,
they did not infringe upon the composition copyright.

« The district court for the Eastern District of Wiscon-
sin denied plaintiffs’ request for a temporary restraining
order, preliminary injunction and the convening of a
three-judge court. 391 F.Supp. 1106. Subsequently,
criminal proceedings were filed against plaintiffs in the
Northern District of Illinois. On July 14, 1977, the
Eastern District of Wisconsin district court granted the
government's motion for summary judgment. 434
F Supp. 564. This appeal followed.

II.

Plaintiffs’ main contention is that they have satisfied
the compulsory license requirements of § l(e) and
therefore cannot be prosecuted for copyright infringe-
ment. As noted above, four circuit courts have addressed
the precise issue of whether tape duplicators can avoid
copyright infringement by giving notice and paying the
two-cent royalty. Fame Publishing Co., Inc. v. Alabama
Custom Tape, Inc., 507 F.2d 667 (Sth Cir.), cert. denied,
428 U.S. 841 (1975); Jondora Music Publishing Co., Ine.
v. Melody Recordings, Inc., 506 F.2d 392 (8d Cir. 1974),
cert. denied, 421 U.S. 1012 (1975); Hdward B. Marks
Music Corp. v. Colorado Magnetics, Inc., 497 F.2d 285
(10th Cir. 1974) (en bane), cert. dented, 419 U.S. 1120
(1975); Duchess Musie Corp. v. Stern, 458 F.2d 1305 (9th
Cir.), cert. denied, 409 U.S. 847 (1972). In each case, the
court held that the compulsory license provision of § l(e)
was not available to tape duplicators. We adhere to the
reasoning of those courts.

As noted above, under the compulsory license provi-
sion of the 1909 Act, once the composer authorizes the
first recording of the copyrighted composition, anyone
who satisfies the notice and royalty requirements can
make similar use of the composition. The crucial ques-
tion in this case is whether duplication is a “similar
use.” The reasoning of the duplicators, as expressed by
Professor Nimmer, is that

the only portion of that which has been duplicated
which is protectible under the Copyright Act is the

APPENDIX No. 77-1968
134

musical composition itself, which is authorized for
use for recording purposes upon payment of the
statutory royalties.

NIMMER ON COPYRIGHT, § 108.4621 at 431 (1976). The
problem with this view is that it overgeneralizes the
scope of the compulsory license entitlement. by inter-
preting “similar use” as the equivalent of all “recording
purposes.” However, careful emphasis must be placed
upon the words “similar use” in order to adequately
protect the composer-copyright holder's protected in-
terest. The statutory scheme gives the composer the first
opportunity to benefit from his original composition.
This includes the right to gain from the initial recording
contract, the terms of which will be dependent upon the
recorder’s costs in making the recording (for example
the cost of hiring musicians and artists, and using
recording equipment) and upon the profits from selling
copies of the recording.

Once the copyright holder has benefitted by making a
recording of the composition, he must permit others who
pay the statutory royalty to similarly use the composi-
tion, 1.e., to “make a recording.” However, duplicating a
recording is not similar to making a recording of the
composition. The duplicator does not take the composi-
tion as “raw material” and go through the creative and
financial steps of producing a recording. Edward B.
Marks Music Corp. v. Colorado Magneties, Inc., supra at
288. The only similarity is in the end product which is
based upon the composition. There is no similarity in the
“use” of the composition. Also, while the difference
* Judge Weis of the Third Circuit gave an accurate example
of this distinetion:

To put the concept in a different setting—the court
reporier., who listens to the sound of a witness's voice,
makes notes on a stenotype machine and then types the
words on sheets of paper, makes use of the witness's oral
statements. A person who simply photocopies the trans-
cript does not make the same or a similar use of the
witness's voice sounds,

Jondora’ Music Publishing Co.. Inc... Melody Recordings,
Ine, supra at 395 n.10.

No. 77-1968 \PPENDIX
135

between making a recording and duplicating a record-
ing (making a recording of a recording) may seem
negligible semantically, the impact of the latter upon
the copyright interest of the composer is clear. The
copyright holder’s benefit is substantially reduced by the
inevitable lower profits which result from duplicators
who can re-record for a fraction of the original cost and
thus undersell the authorized recorder. Plaintiffs’ argu-
ment that the composer-copyright holder’s interest is
protected by the two-cent royalty payment is unconvinc-
ing. Accepting that position would distort the statutory
scheme since it would force the composer to forego the
full benefit of the presumably more lucrative arrange-
ment with the first recorder. Thus, we find that the
plaintiffs’ duplication of the original recordings is not a
“similar use” within the meaning of § l(e).°

Although plaintiffs and the dissenting opinions in the
four prior circuit court cases dispute this interpretation
of “similar use,” we find their arguments unpersuasive.
First, our interpretation effectuates the dual purposes of
the compulsory license provision: to encourage creativi-
ty by ensuring first recording benefits would accrue to
the composers and to avoid a monopoly whereby
copyright holders could exclusively and indefinitely con-
trol who would record their copyrighted compositions.
Fame Publishing Co., Inc. v. Alabama Custom Tape,
Inc., supra at 670. Our holding continues to avoid com-
plete composer control over who may record since

’ We take note of the statement of plaintiff Heilman that
composers often sell their compositions to publishing com-
panies who are_ in turn owned by recording companies.
(Heilman Affid. 114). Thus, a recorder is also the copyright
holder in many instances. We do not see why the recorder as
successor in interest should enjoy any less rights under a valid
copyright than the composer. However, even if the copyright
protection of the composition did diminish after assignment,
the interest of the composer secured by the copyright law
would still be harmed should the authorized recording be
duplicated. This follows since the composer would not be able
to demand as high a price for selling the composition for
recording if the recorder’s profits could be diminished by
duplication. Therefore, we do not distinguish between the
copyright holder as composer or recorder.

APPENDIX No. 77-1968
136

anyone who satifies the notice and royalty provisions is
free to hire musicians, artists, and equipment and make
a recording of a _ previously recorded composition.
However, our holding also protects the composer-
copyrightholder who can realize the full benefit of his
arrangement with the recorder of the original version.

Second, we recognize that certain congressional
reports on the 1971 amendments to the Copyright Act
indicate that some members believed there was no ac-
tion for copyright infringement available against
duplicators prior to the creation of a copyright interest
in the recording itself. S. Rep. No. 92-72, 92d Cong., Ist
Sess. (1971); H.R. Rep. No. 92-487, 92d Cong., lst Sess.
(1971); 1971 U.S. Code Cong. & Admin. News 1567.4
However, we are not bound by congressional interpreta-
tion of a prior existing law. United States».
Southwestern Cable Co., 892 U.S. 157, 170 (1968). This is
particularly true given the substantial length of time
between the congressional session which produced the
1909 Act and that which produced the amendments of
1971. Edward B. Marks Music Corp. v. Colorado
Magnetics, Ine., supra at 289. Moreover, Congress must
necessarily deal with broad policy questions and, conse-
quently, was free to determine that additional protection
was needed to protect the recordings themselves. The
fact that the 1971 amendments afforded such protection,
however, does not interfere with our holding on the
narrow issue as to what constitutes “similar use” with
respect to protection of the composition.

' Subsequently, according to reports published during con-

sideration of the 1976 amendments to the federal copyright

laws. congressional interpretation of the 1909 Act shifted:
The basic intent of this sentence is to make clear that a
person is not entitled to a compulsory license of copy-
righted musical works for the purpose of making an
unauthorized duplication of a musical sound recording
originally developed and produced by another. It is the
view of the Committee that such was the original intent of
the Congress in enacting the 1909 Copyright Act, and it
has been so construed by the 3rd, 5th, 9th, and 10th
Circuits ...

H.R. Rep. No. 94-1476, 94th Cong., 2d Sess. 108; 1976 U.S.

Code. & Admin. News 6153.

No. 77-1968 \PPENDIN
137

Third, our holding is supported by the overwhelming
weight of judicial authority. In addition to the four cir-
cuit court cases noted above, several federal district
courts have also concluded that the compulsory license
provision of § l(e) is not available to tape duplicators.
E-C Tapes, Inc. v. Kelly, 412 F.Supp. 245, 248 (N.D.
Ill. 1975); International Tape Distributors, Ltd. v. Levi,
188 U.S.P.Q. 5389 (D.D.C. 1975). See also Stereo Tape
Associates Ine. v. Levi, (W.D. Mich. May 14, 1976, Civ.
No. 75-167); Stereo Tape Associates, Inc. v. Levi, (E.D.
Mich. November 7, 1975, Civ. No. 5-70687); United
States v. Bodin, 375 F.Supp. 1265, 1269 (W.D. Okla.
1974); Aeolian Co. v. Royal Music Roll Co., 196 F. 926,
927 (W.D. N.Y. 1912). Plaintiffs’ citation of Goldstein v.
California, 412 U.S, 546 (1973), is misplaced. In that
case, the Supreme Court was concerned with whether
the supremacy clause barred states from protecting the
recording itself from tape duplicators. In contrast, here
we are dealing with the copyright interest of the
composer-copyrightholder and not the interest of the
recorder alone. Consequently, we agree with earlier
courts that Goldstein is distinguishable. Jondora Music
Publishing Co., v. Melody Recordings, Inc., supra at 396
& n.12.

We also find no merit in plaintiffs’ argument that they
were making a new product by arranging the
duplications in an anthology format. According to this
argument, plaintiffs would also be free to make a copy
of a copyrighted nonrecorded composition, which would
not be subject to the § l(e) proviso, and publish it in a
book of sheet music with other compositions provided
they could point to a central organizing theme. Such a
result is obviously improper under the copyright laws.
Nor do we accept plaintiffs’ policy argument that they
assist the public in obtaining older selections which
were unavailable or unavailable in a certain medium. If
a market exists for these selections, plaintiffs should be
able to negotiate with the copyright holder to duplicate
the recordings at a fair price. Therefore, we find that
the compulsory license provision of the 1909 Act does
not protect the plaintiff duplicators from infringing the
copyright in the composition.

\PPENDIN No. 77-1068
138

ITI.

In the course of finding the compulsory license provi-
sion of § l(e) to be unavailable to plaintiffs, we have sub-
stantially answered the anon issue in this case:
criminal charges under 17 U.S.C. §§ 101(e) and 104 may
be brought against tape duplicators who have attempted
to comply with § l(e). This follows since § 101(e) clearly
states that “interchangeable parts” such as tapes and
record discs are to be considered copies of the
copyrighted composition for purposes of copyright in-
fringement. § 101l(e) further provides that the
“unauthorized manufacture, use, or sale of such _ in-
terchangeable parts shall constitute infringement of the
copyrighted work.” Since there was no express
authorization and the § l(e) compulsory license is un-
available, plaintiffs were “unauthorized” and, conse-
quently, subject to all remedies relating to infringement
including criminal penalties under § 104.

Plaintiffs’ main argument on this issue is that this con-
clusion is improper given the changing state of the
copyright laws in recent years. Plaintiffs contend that
the criminal penalties for infringement of musical com-
position copyrights were added to § 101(e) with the
amendments of 1971 which, as noted above, was a time
when Congress felt duplicators could not be infringers if
they complied with § l(e). Accordingly, plaintiffs reason,
Congress only intended for the criminal sanctions to
reach those who failed to pay the statutory royalties.

This argument was dealt with in depth by the district
court in its denial of plaintiffs’ motion for a preliminary
injunction. Chief Judge Reynolds reasoned that
legislative history normally is consulted only when the
statute is unclear and, as noted above, such is not the case
with § 101(e). 391 F.Supp. at 1112. See Stern v. United
States Gypsum, Inc., 547 Kod 1329, 1835 (7th Cir.), cert.
denied, 434 U.S. 975 (1977). Also, the district court
noted that by amending § 101(e), Congress was merely
expanding remedies for infringement and was not con-
cerned in this section with what constituted infringe-
ment. 391 F.Supp. at 1118. We find this reasoning per-
suasive. We also find guidance in § 38 of the Sound

No. 77-1968 APPENDIX
139

Recording Act of 1971. That section made the 1971
amendment to § 101(e) effective immediately upon enact-
ment while expressly barring retroactive application
only to the amended § l(f) which gave copyright
protection to recordings. Thus, while pre-February 15,
1972 recorders could not claim a copyright interest in
their recordings, there is nothing in the statute which
prohibits the criminal penalties of §§ 101(e) and 104
from being applied to tape duplicators who have
infringed upon the composer's copyright.

For the reasons stated above, the judgment of the dis-
trict court is affirmed.

AFFIRMED,

SWYGERT, Circuit Judge, dissenting. I respectfully dis-
sent. I am essentially in agreement with the views ex-
pressed by Judge Gibbons, dissenting in Jondora Music
Publishing Co. 0. Melody Recordings, Inc., 506 F.2d 392
(3d Cir. 1974), as well as with Judge Godbold’s views,
dissenting in Fume Publishing Co. v. Alabama Custom
Tape, Ine., 507 F.2d 667 (5th Cir. 1975).

A true Copy:
Teste:

Clerk of the United States Court of
Appeals for the Seventh Cireuit

* Of course, §§ 101(e) and 104 require proof that the
infringement was willful and for profit. We express no
opinion on the ability of the government to prove its case in
any criminal prosecution.

\PPENDIN
140

Up.t try Jugs, "SLIe

J-dge Swygert Dissenting

United States Court of Appeals

For the Seventh Circuit
Chicago, Illinois 60604

September 6 19 78

——s

Before
Hon. _ THOMAS E. FAIRCHILD, CHIEF JUDGE
Hon. _ LATHAM CASTLE, SENIOR CIRCUIT JUDGE
Hon. _ LUTHER M. SWYGERT, CIRCUIT JUDGE

DAVID L. HEILMAN and E-C TAPE SERVICE, INC.,
a Wisconsin corporation,
Plaintiffs-Appellants. Appeal from the United

States District Court

No. 77-1968 vs. for the Eastern
District of Wisconsin.
GRIFFIN G. BELL, Attorney General of the No. 75-C-117

United States, his agents, servants, employegs,JOHN W. REYNOLDS, JUDGE.

attorneys, successors and all those persons
in active concert or participation with
them,

Defendants-Appellees.

This cause came on to be heard on the transcript of the record
from the United States District Court for the Eastern District of
Wisconsin, and was argued by counsel.

On consideration whereof, it is ordered and adjudged by this
court that the judgment of the said District Court in this cause
appealed from be, and the same is hereby, AFFIRMED, with costs,

in accordance with the opinion of this court filed this date.

APPENDIX
141

United States Court of Appeals

For the Seventh Circuit
Chicago, Illinois 60604

October 5 , 19.28

Before

Hon. THOMAS E. FAIRCHILD, Chief Judge
Hon, =, ATHAM CASTLE, Senior Circuit Judge
Hon. LUTHER _M,SWYGERT, Ci te Jud

DAVID L. HEILMAN, and E-C TAPE )
SERVICE INC., a Wisconsin Corporation,

Plaintiffs-Appellants, Appeal from the United
States District Court
No. 77-1968 Vs. for the Eastern District
GRIFFIN B. BELL, Attorney General of the of Wisconsin.

United States of America, his agents. No. 75-C-117,
servants. employees, attorneys, successors John W. Reynolds. Chief Judg
and all those persons in active concert or )
participation with them, )
Defendants-Appellees. )

On consideration of the petition for rehearing and suggestion
for rehearing in banc filed in the above-enritled cause y plaintiffs-
appellants, no judge in active service has requested a te thereon,
and a majoyity of judges on the original panel have voted to deny the
rehearing. Accordingly,

IT IS ORDERED that the aforesaid petition for rehearing be, and
the same is hereby, DENIED.

* Circuit Judge Luther M. Swygert voted to grant the petition for
rehearing.

---

Source: Frix Law Library, https://www.frixlaw.com/law-library/documents/brief%3Amicro_IA40385005_2249%3A2. Public record. Not legal advice.
